Freeing Shakespeare's Voice: The Actor's Guide to Talking the TextTheatre Communications Group, 01/01/1993 - 224 من الصفحات A passionate exploration of the process of comprehending and speaking the words of William Shakespeare. Detailing exercises and analyzing characters' speech and rhythms, Linklater provides the tools to increase understanding and make Shakespeare's words one's own. |
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النتائج 1-5 من 19
الصفحة 1
... language structures and Shakespearean worduse can be found in many other ... language. The most useful books that I know of for the actor who performs ... English Dictionary. T: book draws upon my life—in the classroom as teacher ...
... language structures and Shakespearean worduse can be found in many other ... language. The most useful books that I know of for the actor who performs ... English Dictionary. T: book draws upon my life—in the classroom as teacher ...
الصفحة 2
... English Language (Stanford University Press), many of Frances A. Yates's books, but in particular Theatre of the World (Routledge & K. Paul) and Paul Fussell's inspiring Poetic Meter and Poetic Form (Random House). I am most recently ...
... English Language (Stanford University Press), many of Frances A. Yates's books, but in particular Theatre of the World (Routledge & K. Paul) and Paul Fussell's inspiring Poetic Meter and Poetic Form (Random House). I am most recently ...
الصفحة 13
... English language. It failed to catch on as spelling but remained to be refined as a system for distinguishing the different sound usage in different languages and dialects. The I.P.A. is a sophisticated scientific language tool which ...
... English language. It failed to catch on as spelling but remained to be refined as a system for distinguishing the different sound usage in different languages and dialects. The I.P.A. is a sophisticated scientific language tool which ...
الصفحة 26
... English and American-English language. You can quickly become alert to the body-pitch places for diphthongs such as “high” or “how” or “hue” when you are attuned to the fundamentals. If you now return to the Chorus from Henry V at the ...
... English and American-English language. You can quickly become alert to the body-pitch places for diphthongs such as “high” or “how” or “hue” when you are attuned to the fundamentals. If you now return to the Chorus from Henry V at the ...
الصفحة 54
لقد وصلت إلى حد العرض المسموح لهذا الكتاب.
لقد وصلت إلى حد العرض المسموح لهذا الكتاب.
المحتوى
1 | |
3 | |
9 | |
11 | |
30 | |
3 Words Into Phrases | 45 |
4 Organically Cosmically and Etymologically Speaking | 57 |
5 Figures of Speech | 79 |
6 The Iambic Pentameter | 121 |
7 Rhyme | 141 |
8 Lineendings | 153 |
9 Verse and Prose Alternation | 173 |
THE CONTEXTURE | 183 |
10 Todays Actor in Shakespeares World | 187 |
11 Shakespeares Voice in Todays World | 193 |
12 Which Voice? The Texts | 204 |
Stage Directions Double Meanings Bawdry Thees Thous and Yous | 99 |
Verse and Prose | 119 |
13 Whose Voice? The Man | 209 |
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عبارات ومصطلحات مألوفة
action actor Anglo-Saxon Anne antithesis beauty Benedick body character chest classical consonants cultural de-dum drama Dromio earth Elizabethan emotional energy English English language exercise experience express eyes feel Folio Hamlet hand hear heart heaven hell honey breath human iambic pentameter imagery images inner King King Lear kiss language Leontes line-endings lips listening little-big words lives look lord Macbeth meaning Messenger mightst thou mouth move murder natural Neil Freeman Olivia onomatopoeia Oxford passion performance Petruchio picture poetry prose rage rhyming couplets rhythm Richard Richard III Romeo and Juliet Rosalind s/he Scene sense Shakespeare's text solar plexus Sonnet 65 soul sound speaker speaking Shakespeare speech spoken sprung rhythm stage directions story syllables tell thee thought thought/feeling Time's best tion today's actor tongue truth twentieth-century verse vibrations Viola voice vowels vowels and consonants William Shakespeare Winter's Tale