Freeing Shakespeare's Voice: The Actor's Guide to Talking the TextTheatre Communications Group, 01/01/1993 - 224 من الصفحات A passionate exploration of the process of comprehending and speaking the words of William Shakespeare. Detailing exercises and analyzing characters' speech and rhythms, Linklater provides the tools to increase understanding and make Shakespeare's words one's own. |
من داخل الكتاب
النتائج 1-5 من 59
الصفحة 3
... body a “character" is forged who is a believable inhabitant of whatever world occupies the stage. Most actors, if they are earning a proper living through acting, play twentieth-century characters for most of their careers. Most films ...
... body a “character" is forged who is a believable inhabitant of whatever world occupies the stage. Most actors, if they are earning a proper living through acting, play twentieth-century characters for most of their careers. Most films ...
الصفحة 4
... body but now the experience of thought and language has moved from the body. into. the. head. In. general,. the. experience. of. "who. I. am". now. exists. in. the head, behind the face. The function of the body is merely to transport the “ ...
... body but now the experience of thought and language has moved from the body. into. the. head. In. general,. the. experience. of. "who. I. am". now. exists. in. the head, behind the face. The function of the body is merely to transport the “ ...
الصفحة 5
... body swells and deflates, ripples and convulses with the forces of breath, emotion and sound that inhabit it. That is the “natural” function of our voices. The “selfhood” of the baby is undivided instinctimpulse-emotion-breath-voice-body ...
... body swells and deflates, ripples and convulses with the forces of breath, emotion and sound that inhabit it. That is the “natural” function of our voices. The “selfhood” of the baby is undivided instinctimpulse-emotion-breath-voice-body ...
الصفحة 6
... body. Thought was experienced in the body. Emotions inhabited the organs of the body. Filled with thought and feeling, the sound waves of the voice flowed out through the body and were received sensorially by other bodies which directly ...
... body. Thought was experienced in the body. Emotions inhabited the organs of the body. Filled with thought and feeling, the sound waves of the voice flowed out through the body and were received sensorially by other bodies which directly ...
الصفحة 7
... body and rstores largesse of expression and stature to the humanactor-being. Instinctively, actors know that Shakespeare offers them this greater scope. The steps that can take you from instinct to accomplishment occupy the following ...
... body and rstores largesse of expression and stature to the humanactor-being. Instinctively, actors know that Shakespeare offers them this greater scope. The steps that can take you from instinct to accomplishment occupy the following ...
المحتوى
1 | |
3 | |
9 | |
11 | |
30 | |
3 Words Into Phrases | 45 |
4 Organically Cosmically and Etymologically Speaking | 57 |
5 Figures of Speech | 79 |
6 The Iambic Pentameter | 121 |
7 Rhyme | 141 |
8 Lineendings | 153 |
9 Verse and Prose Alternation | 173 |
THE CONTEXTURE | 183 |
10 Todays Actor in Shakespeares World | 187 |
11 Shakespeares Voice in Todays World | 193 |
12 Which Voice? The Texts | 204 |
Stage Directions Double Meanings Bawdry Thees Thous and Yous | 99 |
Verse and Prose | 119 |
13 Whose Voice? The Man | 209 |
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عبارات ومصطلحات مألوفة
action actor Anglo-Saxon Anne antithesis beauty Benedick body character chest classical consonants cultural de-dum drama Dromio earth Elizabethan emotional energy English English language exercise experience express eyes feel Folio Hamlet hand hear heart heaven hell honey breath human iambic pentameter imagery images inner King King Lear kiss language Leontes line-endings lips listening little-big words lives look lord Macbeth meaning Messenger mightst thou mouth move murder natural Neil Freeman Olivia onomatopoeia Oxford passion performance Petruchio picture poetry prose rage rhyming couplets rhythm Richard Richard III Romeo and Juliet Rosalind s/he Scene sense Shakespeare's text solar plexus Sonnet 65 soul sound speaker speaking Shakespeare speech spoken sprung rhythm stage directions story syllables tell thee thought thought/feeling Time's best tion today's actor tongue truth twentieth-century verse vibrations Viola voice vowels vowels and consonants William Shakespeare Winter's Tale