Freeing Shakespeare's Voice: The Actor's Guide to Talking the TextTheatre Communications Group, 01/01/1993 - 224 من الصفحات A passionate exploration of the process of comprehending and speaking the words of William Shakespeare. Detailing exercises and analyzing characters' speech and rhythms, Linklater provides the tools to increase understanding and make Shakespeare's words one's own. |
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النتائج 1-5 من 24
الصفحة 4
... express our passions regularly and the twentieth-century voice goes pretty much unexercised in the language of extreme expression. The general public does not get together and indulge in full-throated singing three or four times a week ...
... express our passions regularly and the twentieth-century voice goes pretty much unexercised in the language of extreme expression. The general public does not get together and indulge in full-throated singing three or four times a week ...
الصفحة 5
... express ourselves freely. Conventional child-raising (“poisonous pedagogy" as Alice Miller calls it in For Your Own Good), tells children that it is not nice to shout, that it is ugly and dangerous to get angry, that it is upsetting to ...
... express ourselves freely. Conventional child-raising (“poisonous pedagogy" as Alice Miller calls it in For Your Own Good), tells children that it is not nice to shout, that it is ugly and dangerous to get angry, that it is upsetting to ...
الصفحة 6
... express his truth in a different language, he expresses it in a different experience of language. When today's actor starts to experience Shakespeare's language as a whole-body process, s/he is led to a larger and deeper experience of ...
... express his truth in a different language, he expresses it in a different experience of language. When today's actor starts to experience Shakespeare's language as a whole-body process, s/he is led to a larger and deeper experience of ...
الصفحة 12
... express the feelings aroused by things, particularly living things in the world. Naming as a taxonomic problem could come later and would take care of itself. But for ideas to begin flowing in and out of minds, so that the deepest ...
... express the feelings aroused by things, particularly living things in the world. Naming as a taxonomic problem could come later and would take care of itself. But for ideas to begin flowing in and out of minds, so that the deepest ...
الصفحة 18
... express different energies? Find their different colors. If nothing comes to you, try a daffodil yellow for I, a bright, grass green for E, a clear sky-blue for A. Let these sounds fly up into your face and head. Your mouth will be ...
... express different energies? Find their different colors. If nothing comes to you, try a daffodil yellow for I, a bright, grass green for E, a clear sky-blue for A. Let these sounds fly up into your face and head. Your mouth will be ...
المحتوى
1 | |
3 | |
9 | |
11 | |
30 | |
3 Words Into Phrases | 45 |
4 Organically Cosmically and Etymologically Speaking | 57 |
5 Figures of Speech | 79 |
6 The Iambic Pentameter | 121 |
7 Rhyme | 141 |
8 Lineendings | 153 |
9 Verse and Prose Alternation | 173 |
THE CONTEXTURE | 183 |
10 Todays Actor in Shakespeares World | 187 |
11 Shakespeares Voice in Todays World | 193 |
12 Which Voice? The Texts | 204 |
Stage Directions Double Meanings Bawdry Thees Thous and Yous | 99 |
Verse and Prose | 119 |
13 Whose Voice? The Man | 209 |
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عبارات ومصطلحات مألوفة
action actor Anglo-Saxon Anne antithesis beauty Benedick body character chest classical consonants cultural de-dum drama Dromio earth Elizabethan emotional energy English English language exercise experience express eyes feel Folio Hamlet hand hear heart heaven hell honey breath human iambic pentameter imagery images inner King King Lear kiss language Leontes line-endings lips listening little-big words lives look lord Macbeth meaning Messenger mightst thou mouth move murder natural Neil Freeman Olivia onomatopoeia Oxford passion performance Petruchio picture poetry prose rage rhyming couplets rhythm Richard Richard III Romeo and Juliet Rosalind s/he Scene sense Shakespeare's text solar plexus Sonnet 65 soul sound speaker speaking Shakespeare speech spoken sprung rhythm stage directions story syllables tell thee thought thought/feeling Time's best tion today's actor tongue truth twentieth-century verse vibrations Viola voice vowels vowels and consonants William Shakespeare Winter's Tale