Freeing Shakespeare's Voice: The Actor's Guide to Talking the TextTheatre Communications Group, 01/01/1993 - 224 من الصفحات A passionate exploration of the process of comprehending and speaking the words of William Shakespeare. Detailing exercises and analyzing characters' speech and rhythms, Linklater provides the tools to increase understanding and make Shakespeare's words one's own. |
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النتائج 1-5 من 44
الصفحة 17
... hands, up through your head. EXERCISE Think the sound OOOOO (as in MOON) and give it the autonomy to move around through the spaces of your body. See whether it prefers to occupy any particular area of your body more than another. Let ...
... hands, up through your head. EXERCISE Think the sound OOOOO (as in MOON) and give it the autonomy to move around through the spaces of your body. See whether it prefers to occupy any particular area of your body more than another. Let ...
الصفحة 23
... hands to shape, encourage, stroke, pummel the sounds from your body, as though they too were speaking. Let the sound ZZOOO travel down into your pelvis and legs, moving you and them. Now imagine a huge mouth opening from your belly and ...
... hands to shape, encourage, stroke, pummel the sounds from your body, as though they too were speaking. Let the sound ZZOOO travel down into your pelvis and legs, moving you and them. Now imagine a huge mouth opening from your belly and ...
الصفحة 24
... hands. Fingers on your lips and as if blowing a quick kiss: FUh (as in funny), light and airy. Now your hands and your mouth are going to release a vague, misty, perhaps rather unsure sound, like a long, unformed sigh: HU-U-U-H. Next ...
... hands. Fingers on your lips and as if blowing a quick kiss: FUh (as in funny), light and airy. Now your hands and your mouth are going to release a vague, misty, perhaps rather unsure sound, like a long, unformed sigh: HU-U-U-H. Next ...
الصفحة 33
... hand clapping?” Images are intrinsic to words. Concrete images are relatively easy to see internally but it may take more of a questing spirit to catch sight of the abstract imagery in a phrase such as “an abstract idea.” As in the art ...
... hand clapping?” Images are intrinsic to words. Concrete images are relatively easy to see internally but it may take more of a questing spirit to catch sight of the abstract imagery in a phrase such as “an abstract idea.” As in the art ...
الصفحة 37
... HANDS IN2 Close eyes—"EARTH” WHAT DOES IT LOOK LIKE FROM A SPACESHIP2 Close eyes—"EARTH” DO YOU LIKE GARDENING2 Close eyes—"EARTH” FEEL THE WOWELS AND CONSONANTS. Close eyes—"EARTH” SEA Close eyes—“SEA” WHAT COLOR IS IT? Close eyes—“SEA ...
... HANDS IN2 Close eyes—"EARTH” WHAT DOES IT LOOK LIKE FROM A SPACESHIP2 Close eyes—"EARTH” DO YOU LIKE GARDENING2 Close eyes—"EARTH” FEEL THE WOWELS AND CONSONANTS. Close eyes—"EARTH” SEA Close eyes—“SEA” WHAT COLOR IS IT? Close eyes—“SEA ...
المحتوى
1 | |
3 | |
9 | |
11 | |
30 | |
3 Words Into Phrases | 45 |
4 Organically Cosmically and Etymologically Speaking | 57 |
5 Figures of Speech | 79 |
6 The Iambic Pentameter | 121 |
7 Rhyme | 141 |
8 Lineendings | 153 |
9 Verse and Prose Alternation | 173 |
THE CONTEXTURE | 183 |
10 Todays Actor in Shakespeares World | 187 |
11 Shakespeares Voice in Todays World | 193 |
12 Which Voice? The Texts | 204 |
Stage Directions Double Meanings Bawdry Thees Thous and Yous | 99 |
Verse and Prose | 119 |
13 Whose Voice? The Man | 209 |
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عبارات ومصطلحات مألوفة
action actor Anglo-Saxon Anne antithesis beauty Benedick body character chest classical consonants cultural de-dum drama Dromio earth Elizabethan emotional energy English English language exercise experience express eyes feel Folio Hamlet hand hear heart heaven hell honey breath human iambic pentameter imagery images inner King King Lear kiss language Leontes line-endings lips listening little-big words lives look lord Macbeth meaning Messenger mightst thou mouth move murder natural Neil Freeman Olivia onomatopoeia Oxford passion performance Petruchio picture poetry prose rage rhyming couplets rhythm Richard Richard III Romeo and Juliet Rosalind s/he Scene sense Shakespeare's text solar plexus Sonnet 65 soul sound speaker speaking Shakespeare speech spoken sprung rhythm stage directions story syllables tell thee thought thought/feeling Time's best tion today's actor tongue truth twentieth-century verse vibrations Viola voice vowels vowels and consonants William Shakespeare Winter's Tale