Freeing Shakespeare's Voice: The Actor's Guide to Talking the TextTheatre Communications Group, 01/01/1993 - 224 من الصفحات A passionate exploration of the process of comprehending and speaking the words of William Shakespeare. Detailing exercises and analyzing characters' speech and rhythms, Linklater provides the tools to increase understanding and make Shakespeare's words one's own. |
من داخل الكتاب
النتائج 1-5 من 38
الصفحة 17
... in you through that wide, uninhibited channel. Open your arms out wide. Feel your chest becoming expansive, generous. Picture the vibrations pouring through your heart and out to the horizon. Picture the Vowels and Consonants 17.
... in you through that wide, uninhibited channel. Open your arms out wide. Feel your chest becoming expansive, generous. Picture the vibrations pouring through your heart and out to the horizon. Picture the Vowels and Consonants 17.
الصفحة 18
The Actor's Guide to Talking the Text Kristin Linklater. through your heart and out to the horizon. Picture the sound as a warm, rich red. LET THE BREATH GO INTO YOUR BELLY AND RELEASE OUT FREELY FROM YOUR BELLY WITH EACH NEW EXPLORATION ...
The Actor's Guide to Talking the Text Kristin Linklater. through your heart and out to the horizon. Picture the sound as a warm, rich red. LET THE BREATH GO INTO YOUR BELLY AND RELEASE OUT FREELY FROM YOUR BELLY WITH EACH NEW EXPLORATION ...
الصفحة 24
... heart releases its vibrations out through a wide, generous throat and through the expansion of your arms and hands. Fingers on your lips and as if blowing a quick kiss: FUh (as in funny), light and airy. Now your hands and your mouth ...
... heart releases its vibrations out through a wide, generous throat and through the expansion of your arms and hands. Fingers on your lips and as if blowing a quick kiss: FUh (as in funny), light and airy. Now your hands and your mouth ...
الصفحة 25
... heart MA-AA GOh chest center GOh SHAW-AW solar plexus SHAW-AW WO-Oe belly WO-Oe ZZOO-OO legs & pelvis ZZOO-OO Start here and go up end here To begin with you should allow a new breath impulse for each sound. As you become familiar with ...
... heart MA-AA GOh chest center GOh SHAW-AW solar plexus SHAW-AW WO-Oe belly WO-Oe ZZOO-OO legs & pelvis ZZOO-OO Start here and go up end here To begin with you should allow a new breath impulse for each sound. As you become familiar with ...
الصفحة 26
... heart chest center solar plexus belly legs and pelvis The first four lines of the Prologue are: O, for a Muse of fire, that would ascend The brightest heaven of invention; A kingdom for a stage, princes to act And monarchs to behold the ...
... heart chest center solar plexus belly legs and pelvis The first four lines of the Prologue are: O, for a Muse of fire, that would ascend The brightest heaven of invention; A kingdom for a stage, princes to act And monarchs to behold the ...
المحتوى
1 | |
3 | |
9 | |
11 | |
30 | |
3 Words Into Phrases | 45 |
4 Organically Cosmically and Etymologically Speaking | 57 |
5 Figures of Speech | 79 |
6 The Iambic Pentameter | 121 |
7 Rhyme | 141 |
8 Lineendings | 153 |
9 Verse and Prose Alternation | 173 |
THE CONTEXTURE | 183 |
10 Todays Actor in Shakespeares World | 187 |
11 Shakespeares Voice in Todays World | 193 |
12 Which Voice? The Texts | 204 |
Stage Directions Double Meanings Bawdry Thees Thous and Yous | 99 |
Verse and Prose | 119 |
13 Whose Voice? The Man | 209 |
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عبارات ومصطلحات مألوفة
action actor Anglo-Saxon Anne antithesis beauty Benedick body character chest classical consonants cultural de-dum drama Dromio earth Elizabethan emotional energy English English language exercise experience express eyes feel Folio Hamlet hand hear heart heaven hell honey breath human iambic pentameter imagery images inner King King Lear kiss language Leontes line-endings lips listening little-big words lives look lord Macbeth meaning Messenger mightst thou mouth move murder natural Neil Freeman Olivia onomatopoeia Oxford passion performance Petruchio picture poetry prose rage rhyming couplets rhythm Richard Richard III Romeo and Juliet Rosalind s/he Scene sense Shakespeare's text solar plexus Sonnet 65 soul sound speaker speaking Shakespeare speech spoken sprung rhythm stage directions story syllables tell thee thought thought/feeling Time's best tion today's actor tongue truth twentieth-century verse vibrations Viola voice vowels vowels and consonants William Shakespeare Winter's Tale