Freeing Shakespeare's Voice: The Actor's Guide to Talking the TextTheatre Communications Group, 01/01/1993 - 224 من الصفحات A passionate exploration of the process of comprehending and speaking the words of William Shakespeare. Detailing exercises and analyzing characters' speech and rhythms, Linklater provides the tools to increase understanding and make Shakespeare's words one's own. |
من داخل الكتاب
النتائج 1-5 من 31
الصفحة 26
... a Muse of fire, that would ascend The brightest heaven of invention; A kingdom for a stage, princes to act And monarchs to behold the swelling scene! The words travel something like this: O belly for a 26 THE CONTENT: LANGUAGE.
... a Muse of fire, that would ascend The brightest heaven of invention; A kingdom for a stage, princes to act And monarchs to behold the swelling scene! The words travel something like this: O belly for a 26 THE CONTENT: LANGUAGE.
الصفحة 27
... heaven cheekbones of chest invention forehead cheekbones mouth A kingdom mouth forehead chest for a mouth stage eyes princes forehead to legs/pelvis act mid-cheeks And mid-cheeks monarchs chest heart to legs/pelvis behold forehead belly ...
... heaven cheekbones of chest invention forehead cheekbones mouth A kingdom mouth forehead chest for a mouth stage eyes princes forehead to legs/pelvis act mid-cheeks And mid-cheeks monarchs chest heart to legs/pelvis behold forehead belly ...
الصفحة 28
... heaven” and “invention” suggesting the level of mental effort it is going to take to imagine what comes next. The energy is maintained in the sounds and the images of “a kingdom for a stage, princes to act," and then drops to an ...
... heaven” and “invention” suggesting the level of mental effort it is going to take to imagine what comes next. The energy is maintained in the sounds and the images of “a kingdom for a stage, princes to act," and then drops to an ...
الصفحة 33
... heaven I were! For then 'tis like I should forget myself. O if I could what grief should I forget! Preach some philosophy to make me mad, And thou shalt be canoniz'd, Cardinal; For, being not mad, but sensible of grief, My reasonable ...
... heaven I were! For then 'tis like I should forget myself. O if I could what grief should I forget! Preach some philosophy to make me mad, And thou shalt be canoniz'd, Cardinal; For, being not mad, but sensible of grief, My reasonable ...
الصفحة 53
لقد وصلت إلى حد العرض المسموح لهذا الكتاب.
لقد وصلت إلى حد العرض المسموح لهذا الكتاب.
المحتوى
1 | |
3 | |
9 | |
11 | |
30 | |
3 Words Into Phrases | 45 |
4 Organically Cosmically and Etymologically Speaking | 57 |
5 Figures of Speech | 79 |
6 The Iambic Pentameter | 121 |
7 Rhyme | 141 |
8 Lineendings | 153 |
9 Verse and Prose Alternation | 173 |
THE CONTEXTURE | 183 |
10 Todays Actor in Shakespeares World | 187 |
11 Shakespeares Voice in Todays World | 193 |
12 Which Voice? The Texts | 204 |
Stage Directions Double Meanings Bawdry Thees Thous and Yous | 99 |
Verse and Prose | 119 |
13 Whose Voice? The Man | 209 |
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عبارات ومصطلحات مألوفة
action actor Anglo-Saxon Anne antithesis beauty Benedick body character chest classical consonants cultural de-dum drama Dromio earth Elizabethan emotional energy English English language exercise experience express eyes feel Folio Hamlet hand hear heart heaven hell honey breath human iambic pentameter imagery images inner King King Lear kiss language Leontes line-endings lips listening little-big words lives look lord Macbeth meaning Messenger mightst thou mouth move murder natural Neil Freeman Olivia onomatopoeia Oxford passion performance Petruchio picture poetry prose rage rhyming couplets rhythm Richard Richard III Romeo and Juliet Rosalind s/he Scene sense Shakespeare's text solar plexus Sonnet 65 soul sound speaker speaking Shakespeare speech spoken sprung rhythm stage directions story syllables tell thee thought thought/feeling Time's best tion today's actor tongue truth twentieth-century verse vibrations Viola voice vowels vowels and consonants William Shakespeare Winter's Tale