Freeing Shakespeare's Voice: The Actor's Guide to Talking the TextTheatre Communications Group, 01/01/1993 - 224 من الصفحات A passionate exploration of the process of comprehending and speaking the words of William Shakespeare. Detailing exercises and analyzing characters' speech and rhythms, Linklater provides the tools to increase understanding and make Shakespeare's words one's own. |
من داخل الكتاب
النتائج 1-5 من 46
الصفحة vii
... Images Chapter Three: Words into Phrases Chapter Four: Organically, Cosmically and Etymologically Speaking Chapter Five: Figures of Speech Interlude: Stage Directions; Double Meanings; Bawdry; Thee's, Thou's and You's THE FORM: VERSE ...
... Images Chapter Three: Words into Phrases Chapter Four: Organically, Cosmically and Etymologically Speaking Chapter Five: Figures of Speech Interlude: Stage Directions; Double Meanings; Bawdry; Thee's, Thou's and You's THE FORM: VERSE ...
الصفحة 16
... images and onomatopeia. But first of all I would like to highlight the anatomy of onomatopeia as heard here in vowels and consonants. Say the words murmur, pouring dark, universe, foul womb, hum; and now say the words camp to camp ...
... images and onomatopeia. But first of all I would like to highlight the anatomy of onomatopeia as heard here in vowels and consonants. Say the words murmur, pouring dark, universe, foul womb, hum; and now say the words camp to camp ...
الصفحة 28
... images of “a kingdom for a stage, princes to act," and then drops to an appropriate weight for “monarchs to behold ... image of Harry in “the port of Mars.” And so on. The one other phrase that I will pull out of this speech is “can this ...
... images of “a kingdom for a stage, princes to act," and then drops to an appropriate weight for “monarchs to behold ... image of Harry in “the port of Mars.” And so on. The one other phrase that I will pull out of this speech is “can this ...
الصفحة 29
... However the dangers are outweighed by the opportunities and the opportunity for richly expanding your range and interpretive possibilities is worth the risk. 2 <> Words and Images <> and getting a taste Vowels and Consonants 29.
... However the dangers are outweighed by the opportunities and the opportunity for richly expanding your range and interpretive possibilities is worth the risk. 2 <> Words and Images <> and getting a taste Vowels and Consonants 29.
الصفحة 30
The Actor's Guide to Talking the Text Kristin Linklater. 2. <>. Words. and. Images. <>. and getting a taste of how much non-verbal information they contain, we now move on to what happens when these elements are juxtaposed in such a way ...
The Actor's Guide to Talking the Text Kristin Linklater. 2. <>. Words. and. Images. <>. and getting a taste of how much non-verbal information they contain, we now move on to what happens when these elements are juxtaposed in such a way ...
المحتوى
1 | |
3 | |
9 | |
11 | |
30 | |
3 Words Into Phrases | 45 |
4 Organically Cosmically and Etymologically Speaking | 57 |
5 Figures of Speech | 79 |
6 The Iambic Pentameter | 121 |
7 Rhyme | 141 |
8 Lineendings | 153 |
9 Verse and Prose Alternation | 173 |
THE CONTEXTURE | 183 |
10 Todays Actor in Shakespeares World | 187 |
11 Shakespeares Voice in Todays World | 193 |
12 Which Voice? The Texts | 204 |
Stage Directions Double Meanings Bawdry Thees Thous and Yous | 99 |
Verse and Prose | 119 |
13 Whose Voice? The Man | 209 |
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عبارات ومصطلحات مألوفة
action actor Anglo-Saxon Anne antithesis beauty Benedick body character chest classical consonants cultural de-dum drama Dromio earth Elizabethan emotional energy English English language exercise experience express eyes feel Folio Hamlet hand hear heart heaven hell honey breath human iambic pentameter imagery images inner King King Lear kiss language Leontes line-endings lips listening little-big words lives look lord Macbeth meaning Messenger mightst thou mouth move murder natural Neil Freeman Olivia onomatopoeia Oxford passion performance Petruchio picture poetry prose rage rhyming couplets rhythm Richard Richard III Romeo and Juliet Rosalind s/he Scene sense Shakespeare's text solar plexus Sonnet 65 soul sound speaker speaking Shakespeare speech spoken sprung rhythm stage directions story syllables tell thee thought thought/feeling Time's best tion today's actor tongue truth twentieth-century verse vibrations Viola voice vowels vowels and consonants William Shakespeare Winter's Tale