Freeing Shakespeare's Voice: The Actor's Guide to Talking the TextTheatre Communications Group, 01/01/1993 - 224 من الصفحات A passionate exploration of the process of comprehending and speaking the words of William Shakespeare. Detailing exercises and analyzing characters' speech and rhythms, Linklater provides the tools to increase understanding and make Shakespeare's words one's own. |
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الصفحة 18
... Look for the differences in their nature. Do they express different energies? Find their different colors. If nothing comes to you, try a daffodil yellow for I, a bright, grass green for E, a clear sky-blue for A. Let these sounds fly ...
... Look for the differences in their nature. Do they express different energies? Find their different colors. If nothing comes to you, try a daffodil yellow for I, a bright, grass green for E, a clear sky-blue for A. Let these sounds fly ...
الصفحة 31
... look at ourselves and the world around us. If, however, we want a deeper experience, a fresh look, we must shut off the sense of hearing and stop taking it for granted that we know what we heard and what we think about it. When words ...
... look at ourselves and the world around us. If, however, we want a deeper experience, a fresh look, we must shut off the sense of hearing and stop taking it for granted that we know what we heard and what we think about it. When words ...
الصفحة 32
... look at them purely with your mind's eye, or those images can arouse a response in you. Notice the difference between appreciating and experiencing in these two possibilities. It is, perhaps, the difference between interior decoration ...
... look at them purely with your mind's eye, or those images can arouse a response in you. Notice the difference between appreciating and experiencing in these two possibilities. It is, perhaps, the difference between interior decoration ...
الصفحة 33
... looks, repeats his words, Remembers me of all his gracious parts, Stuffs out his vacant garments with his form; Then have I reason to be fond of grief. King John, Act III, Scene iii She is not “talking about" her emotional state, she is ...
... looks, repeats his words, Remembers me of all his gracious parts, Stuffs out his vacant garments with his form; Then have I reason to be fond of grief. King John, Act III, Scene iii She is not “talking about" her emotional state, she is ...
الصفحة 35
... look ahead to see what the result of the exercise is, but if you do, you will diminish the effect by about 75%. If, after reading these words, you still are compelled to skip ahead to know what it's about, observe your need for the ...
... look ahead to see what the result of the exercise is, but if you do, you will diminish the effect by about 75%. If, after reading these words, you still are compelled to skip ahead to know what it's about, observe your need for the ...
المحتوى
1 | |
3 | |
9 | |
11 | |
30 | |
3 Words Into Phrases | 45 |
4 Organically Cosmically and Etymologically Speaking | 57 |
5 Figures of Speech | 79 |
6 The Iambic Pentameter | 121 |
7 Rhyme | 141 |
8 Lineendings | 153 |
9 Verse and Prose Alternation | 173 |
THE CONTEXTURE | 183 |
10 Todays Actor in Shakespeares World | 187 |
11 Shakespeares Voice in Todays World | 193 |
12 Which Voice? The Texts | 204 |
Stage Directions Double Meanings Bawdry Thees Thous and Yous | 99 |
Verse and Prose | 119 |
13 Whose Voice? The Man | 209 |
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عبارات ومصطلحات مألوفة
action actor Anglo-Saxon Anne antithesis beauty Benedick body character chest classical consonants cultural de-dum drama Dromio earth Elizabethan emotional energy English English language exercise experience express eyes feel Folio Hamlet hand hear heart heaven hell honey breath human iambic pentameter imagery images inner King King Lear kiss language Leontes line-endings lips listening little-big words lives look lord Macbeth meaning Messenger mightst thou mouth move murder natural Neil Freeman Olivia onomatopoeia Oxford passion performance Petruchio picture poetry prose rage rhyming couplets rhythm Richard Richard III Romeo and Juliet Rosalind s/he Scene sense Shakespeare's text solar plexus Sonnet 65 soul sound speaker speaking Shakespeare speech spoken sprung rhythm stage directions story syllables tell thee thought thought/feeling Time's best tion today's actor tongue truth twentieth-century verse vibrations Viola voice vowels vowels and consonants William Shakespeare Winter's Tale