Freeing Shakespeare's Voice: The Actor's Guide to Talking the TextTheatre Communications Group, 01/01/1993 - 224 من الصفحات A passionate exploration of the process of comprehending and speaking the words of William Shakespeare. Detailing exercises and analyzing characters' speech and rhythms, Linklater provides the tools to increase understanding and make Shakespeare's words one's own. |
من داخل الكتاب
النتائج 1-5 من 56
الصفحة vii
... Speech Interlude: Stage Directions; Double Meanings; Bawdry; Thee's, Thou's and You's THE FORM: VERSE AND PROSE Chapter Six: Iambic Pentameter Chapter Seven: Rhyme Chapter Eight: Line-Endings Chapter Nine: Verse and Prose Alternation ...
... Speech Interlude: Stage Directions; Double Meanings; Bawdry; Thee's, Thou's and You's THE FORM: VERSE AND PROSE Chapter Six: Iambic Pentameter Chapter Seven: Rhyme Chapter Eight: Line-Endings Chapter Nine: Verse and Prose Alternation ...
الصفحة 11
... speech, if speech began thus, was articulation, and the agents that articulated, interrupted and shaped the flow of roaring sound were parts of the mouth which had hitherto been used for appetite-related functions: chewing, biting ...
... speech, if speech began thus, was articulation, and the agents that articulated, interrupted and shaped the flow of roaring sound were parts of the mouth which had hitherto been used for appetite-related functions: chewing, biting ...
الصفحة 12
... speech for thousands of years. Speaking would have been on a par with sex and eating—an extreme experience. But I think that Lewis Thomas, in his book Et Cetera, Et Cetera, has a more imaginative vision of language origins and therefore ...
... speech for thousands of years. Speaking would have been on a par with sex and eating—an extreme experience. But I think that Lewis Thomas, in his book Et Cetera, Et Cetera, has a more imaginative vision of language origins and therefore ...
الصفحة 13
... speech has deteriorated,” I mean that artificial standards of “correct speech” have associated any mention of vowels and consonants with judgments of correct and incorrect, good or bad, upper or lower class, intelligent or stupid ...
... speech has deteriorated,” I mean that artificial standards of “correct speech” have associated any mention of vowels and consonants with judgments of correct and incorrect, good or bad, upper or lower class, intelligent or stupid ...
الصفحة 14
... speech communicating information on sound waves which carry subliminal messages from speaker to listener. Twentieth-century listeners are conditioned to translate what they hear more cerebrally than in the age of oral communication, but ...
... speech communicating information on sound waves which carry subliminal messages from speaker to listener. Twentieth-century listeners are conditioned to translate what they hear more cerebrally than in the age of oral communication, but ...
المحتوى
1 | |
3 | |
9 | |
11 | |
30 | |
3 Words Into Phrases | 45 |
4 Organically Cosmically and Etymologically Speaking | 57 |
5 Figures of Speech | 79 |
6 The Iambic Pentameter | 121 |
7 Rhyme | 141 |
8 Lineendings | 153 |
9 Verse and Prose Alternation | 173 |
THE CONTEXTURE | 183 |
10 Todays Actor in Shakespeares World | 187 |
11 Shakespeares Voice in Todays World | 193 |
12 Which Voice? The Texts | 204 |
Stage Directions Double Meanings Bawdry Thees Thous and Yous | 99 |
Verse and Prose | 119 |
13 Whose Voice? The Man | 209 |
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عبارات ومصطلحات مألوفة
action actor Anglo-Saxon Anne antithesis beauty Benedick body character chest classical consonants cultural de-dum drama Dromio earth Elizabethan emotional energy English English language exercise experience express eyes feel Folio Hamlet hand hear heart heaven hell honey breath human iambic pentameter imagery images inner King King Lear kiss language Leontes line-endings lips listening little-big words lives look lord Macbeth meaning Messenger mightst thou mouth move murder natural Neil Freeman Olivia onomatopoeia Oxford passion performance Petruchio picture poetry prose rage rhyming couplets rhythm Richard Richard III Romeo and Juliet Rosalind s/he Scene sense Shakespeare's text solar plexus Sonnet 65 soul sound speaker speaking Shakespeare speech spoken sprung rhythm stage directions story syllables tell thee thought thought/feeling Time's best tion today's actor tongue truth twentieth-century verse vibrations Viola voice vowels vowels and consonants William Shakespeare Winter's Tale