Freeing Shakespeare's Voice: The Actor's Guide to Talking the TextTheatre Communications Group, 01/01/1993 - 224 من الصفحات A passionate exploration of the process of comprehending and speaking the words of William Shakespeare. Detailing exercises and analyzing characters' speech and rhythms, Linklater provides the tools to increase understanding and make Shakespeare's words one's own. |
من داخل الكتاب
النتائج 1-5 من 24
الصفحة vii
... Today's Actor in Shakespeare's World Chapter Eleven: Shakespeare's Voice in Today's World Chapter Twelve: Which Voice? The Texts Chapter Thirteen: Whose Voice? The Man 11 30 45 57 79 90 119 121 141 153 173 183 F R E E IN G Shakespeare's ...
... Today's Actor in Shakespeare's World Chapter Eleven: Shakespeare's Voice in Today's World Chapter Twelve: Which Voice? The Texts Chapter Thirteen: Whose Voice? The Man 11 30 45 57 79 90 119 121 141 153 173 183 F R E E IN G Shakespeare's ...
الصفحة 4
The Actor's Guide to Talking the Text Kristin Linklater. shouldst be mad/And I, to make thee mad do mock thee thus ... Today the unspoken is as dramatic as the spoken on stage because that's how it is in contemporary life. We do not ...
The Actor's Guide to Talking the Text Kristin Linklater. shouldst be mad/And I, to make thee mad do mock thee thus ... Today the unspoken is as dramatic as the spoken on stage because that's how it is in contemporary life. We do not ...
الصفحة 5
The Actor's Guide to Talking the Text Kristin Linklater. most profound ... Today's adult voice is deprived of the nourishment of emotion and free ... actor, playing twentieth-century characters, experiences “truthful” emotions through ...
The Actor's Guide to Talking the Text Kristin Linklater. most profound ... Today's adult voice is deprived of the nourishment of emotion and free ... actor, playing twentieth-century characters, experiences “truthful” emotions through ...
الصفحة 6
... today's acting classes we hear repeated again and again: “Stop thinking. Get beyond the words. It's not the words ... actor starts to experience Shakespeare's language as a whole-body process, s/he is led to a larger and deeper ...
... today's acting classes we hear repeated again and again: “Stop thinking. Get beyond the words. It's not the words ... actor starts to experience Shakespeare's language as a whole-body process, s/he is led to a larger and deeper ...
الصفحة 30
The Actor's Guide to Talking the Text Kristin Linklater. 2. <>. Words. and. Images. <>. and getting a taste of how much non ... today's trade-minded society. When attached to "doing," words must go somewhere, move along a horizontal road with ...
The Actor's Guide to Talking the Text Kristin Linklater. 2. <>. Words. and. Images. <>. and getting a taste of how much non ... today's trade-minded society. When attached to "doing," words must go somewhere, move along a horizontal road with ...
المحتوى
1 | |
3 | |
9 | |
11 | |
30 | |
3 Words Into Phrases | 45 |
4 Organically Cosmically and Etymologically Speaking | 57 |
5 Figures of Speech | 79 |
6 The Iambic Pentameter | 121 |
7 Rhyme | 141 |
8 Lineendings | 153 |
9 Verse and Prose Alternation | 173 |
THE CONTEXTURE | 183 |
10 Todays Actor in Shakespeares World | 187 |
11 Shakespeares Voice in Todays World | 193 |
12 Which Voice? The Texts | 204 |
Stage Directions Double Meanings Bawdry Thees Thous and Yous | 99 |
Verse and Prose | 119 |
13 Whose Voice? The Man | 209 |
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عبارات ومصطلحات مألوفة
action actor Anglo-Saxon Anne antithesis beauty Benedick body character chest classical consonants cultural de-dum drama Dromio earth Elizabethan emotional energy English English language exercise experience express eyes feel Folio Hamlet hand hear heart heaven hell honey breath human iambic pentameter imagery images inner King King Lear kiss language Leontes line-endings lips listening little-big words lives look lord Macbeth meaning Messenger mightst thou mouth move murder natural Neil Freeman Olivia onomatopoeia Oxford passion performance Petruchio picture poetry prose rage rhyming couplets rhythm Richard Richard III Romeo and Juliet Rosalind s/he Scene sense Shakespeare's text solar plexus Sonnet 65 soul sound speaker speaking Shakespeare speech spoken sprung rhythm stage directions story syllables tell thee thought thought/feeling Time's best tion today's actor tongue truth twentieth-century verse vibrations Viola voice vowels vowels and consonants William Shakespeare Winter's Tale