On GarbageReaktion Books, 01/03/2005 - 208 من الصفحات How do we decide what is junk? The discarded remnants of our daily lives may no longer be useful to us, yet John Scanlan proposes in On Garbage that our trash is actually a treasure trove of artifacts that reveals intriguing insights into the modern human condition and the evolution of Western culture. On Garbage is the first book to examine the detritus of Western culture in full range—not only material waste and ruin, but also residual or "broken" knowledge and the lingering remainders of cultural thought systems. Scanlan considers how Western philosophy, science, and technology attained mastery over nature through what can be seen as a prolonged act of cleansing, as scientists and philosophers weeded out incorrect, outmoded, or superseded knowledge. He also analyzes how disposal not only produces overwhelming mountains of waste, but creates dead bits of useless knowledge that permeate the reality of modern Western societies. He argues that physical and intellectual debris reveal new insights into the basic tenets of Western culture and, ultimately, that the abject reality of our disposable lives has led to us becoming the "garbage" of our times. |
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... creation of garbage results from a more or less imperceptible contest between life and death – because death constitutes the human return to matter, and is in a sense, the 'garbaging' of the body. Which is to say death is that which has ...
... creation of garbage results from a more or less imperceptible contest between life and death – because death constitutes the human return to matter, and is in a sense, the 'garbaging' of the body. Which is to say death is that which has ...
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... creation of garbage is the result of a separation – of the desirable from the unwanted; the valuable from the worthless, and indeed, the worthy or cultured from the cheap or meaningless. And it is because differentiation is a ...
... creation of garbage is the result of a separation – of the desirable from the unwanted; the valuable from the worthless, and indeed, the worthy or cultured from the cheap or meaningless. And it is because differentiation is a ...
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... creation by the British artist Damien Hirst, made from 'piles of ashtrays, empty beer bottles and newspapers strewn across the gallery', that was peremptorily unmade by a gallery worker who simply thought it was rubbish left over from a ...
... creation by the British artist Damien Hirst, made from 'piles of ashtrays, empty beer bottles and newspapers strewn across the gallery', that was peremptorily unmade by a gallery worker who simply thought it was rubbish left over from a ...
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A. J. Weberman actually appearance artist becomes Bob Dylan body Cambridge Christian Garve clean clutter condition constitute consumer consumption contemporary Cornelia Parker Cornell Cornell’s Cragg creates creation Critique of Pure culture death desire dirt discarded disorder disposal Dylan eventually example existence experience fact fashion filth garbologists Garbology Harmondsworth Harvie Ferguson Heidegger human idea Jean Baudrillard John Locke Joseph Cornell Kant Kant’s kind Klíma knowledge language leftovers living Locke Locke’s London look Love and Garbage Marcel Duchamp material matter means metaphorical metaphysics modern society nature Niccolò Machiavelli notes notion object world once one’s organization Philosophical Correspondence present Pure Reason rational Rauschenberg reality recycling refuse collectors relationship remains Robert Rauschenberg rubbish seen sense separation simply Slavoj Žižek social stuff symbolic techne things Tony Cragg trans trash uncanny understanding Underworld useless viewer waste Weberman whilst William Rathje words York