"Nay then, farewell! have touched the highest point of all my greatness; And, from that full meridian of my glory, I haste now to my setting: I shall fall 2. When the Dukes of Suffolk and Surrey make known to him the king's displeasure, and, taunting him for his misfortunes, bid him farewell and leave him, he thus soliloquizes: "So farewell to the little good you bear me. Of a rude stream, that must forever hide me. Is that poor man, that hangs on princes' favors!" 3. When his friend and servant, Cromwell, with tears, and sorrow, and benedictions, takes leave of his beloved master, Wolsey thus feelingly addresses him : Verse 1.-Wolsey here first describes himself as a star that has attained its meridian. What figure is this?-What figure introduced by "like" follows it? V. 2. What beautiful metaphors, and simile, in the 2d verse? "Cromwell, I did not think to shed a tear And sleep in dull cold marble, where no mention Still in thy right hand carry gentle peace, To silence envious tongues. Be just, and fear not; Thy God's, and truth's; then, if thou fall'st, O Cromwell, There, take an inventory of all I have, To the last penny; 'tis the king's: my robe, I dare now call my own. O Cromwell, Cromwell, Act III. Scene II. of King Henry VIII. V. 3.-Point out metaphors in 3d verse, and explain their meaning. For additional extracts from Shakspeare, see pp. 24, 26, 28, 30, 45, 49, 55, 58, 59, 61, 62, 63, 72, 73; also Fifth Reader, p. 433. CHAPTER II.-MISCELLANEOUS. I.-Haroun Al-Raschid. [HAROUN AL-RASCHID, or Aaron the Just, of Bagdad, the great Mohammedan Caliph of the eighth century, by his conquests and vigorous administration raised the caliphate to the greatest splendor, and made his reign the golden era of the Mohammedan nations. He is the principal hero of the Arabian tales. His bravery, his love of letters, and the magnificence of his court, have shed a lustre over his character, and almost effaced its darker shades.] 1. Wide wastes of sand stretch far away; 2. Beside the stone rim of a well; The sky bends down in shades of gray. Like some sad ghost, with measured pace, A pilgrim's staff clasped in his hand, 3. He leans against the lonely tree; 4. A low wind, blowing from the south, He bares his head; his weary eyes 5. "The sword has brought me gold and fame, Men bow to me and call me great, And what is greatness but a name? 6. "I cannot make love bless my lot: 7. "Haroun Al-Raschid, Caliph grand! 8. For, like all men, I, too, must die: Across the sands a caravan Wound slowly, till it reached the place. And bent before the lonely man. 9. "O Caliph grand! the city waits 10. "Cast off your pilgrim gown and hood; Return to those who pray for you With souls where love reigns strong and true, Haroun Al-Raschid, Caliph good!" 11. Across the sands he took his way. "They love me, then," he softly said; "But, oh, one must be lost or dead, Ere knowledge brings this perfect day!" II.-Spinning.-A Lyric. 1. Thos. S. Collier. All yesterday I was spinning, sitting alone in the sun; And the dream that I spun was lengthy, it lasted till day was done; I heeded not cloud or shadow that flitted over the hill, Or the humming bees, or the swallows, or the trickling of the rill: I took the threads for my spinning all of blue summer air, And a flickering ray of sunlight was woven in here and there. 2. The shadows grew longer and longer, the evening wind passed by, And the purple splendor of sunset was flooding the west ern sky; But I could not leave my spinning, for so fair my dream had grown, I heeded not, hour by hour, how the silent day had flown. 3. At last the gray shadows fell round me, and the night came dark and chill, And I rose and ran down the valley, and left it all on the hill. I went up the hill this morning, to the place where my spinning lay There was nothing but glistening dew-drops remained of my dream to-day."-Adelaide Procter. Lyric, a poem formerly designed to be sung to the lyre or harp; but now the term is applied to poetry that expresses the individual emotions of the speaker.-"The dream that I spun:"-What figure is employed here? The poem is an allegory; but the allegory is explained to be a dream. See, also, Spinning, an Allegory, chapter lxvii. |