Christian Fantasy: From 1200 to the PresentUniversity of Notre Dame Press, 1992 - 356 من الصفحات This is the first account of invented stories of the Christian supernatural, of fantasies that depict imagined forms of heaven or hell, angel or devil, world and creator; it considers their growth and changes from the time of Dante to the present day. Relatively infrequent, such works nevertheless for centuries represented some of the highest aspirations of art. Works considered here include the French Queste del Saint Graal, Dante's Commedia, the Middle English Pearl, the first book of Spenser's The Faerie Queene, Marlowe's Dr. Faustus, Milton's Paradise Lost, Bunyan's The Pilgrim's Progress, Swedenborg's Heaven and Hell and poems by Blake; and, from the post-Romantic and increasingly less 'Christian' period, the fantasies of George MacDonald, Charles Kingsley, Charles Williams, C. S. Lewis and many others. In the development of these works, a primary issue is found to be the fantasy-making imagination itself, at first seen as a potential obstacle to plain Christian purpose, but more recently given freer rein in the new aim of demonstrating God's existence in a more secular world. The picture that emerges is of a literary mode which becomes more fictive and indirect in its presentation of Christian vision. |
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الصفحة 95
... course precisely what Christ has done for him . But beyond this it is possible to see the imagination as it were authenticated in one way . For what the speaker has done is first to have imagined God in His transcendent and infinite ...
... course precisely what Christ has done for him . But beyond this it is possible to see the imagination as it were authenticated in one way . For what the speaker has done is first to have imagined God in His transcendent and infinite ...
الصفحة 109
... course , such an implication is not consciously thought of by Milton . In any case , by itself it in no way alters our understanding of the poem . It is only when we begin to put it together with Satan , who is there seeing it , that it ...
... course , such an implication is not consciously thought of by Milton . In any case , by itself it in no way alters our understanding of the poem . It is only when we begin to put it together with Satan , who is there seeing it , that it ...
الصفحة 263
... course is not the only ' Christian fantasisť to write obliquely : Coleridge ( from whom he drew many of his ideas on the imagination and on creation ) does it in ' The Rime of the Ancient Mariner ' ( 1798 ) . The mariner who shoots the ...
... course is not the only ' Christian fantasisť to write obliquely : Coleridge ( from whom he drew many of his ideas on the imagination and on creation ) does it in ' The Rime of the Ancient Mariner ' ( 1798 ) . The mariner who shoots the ...
المحتوى
The French Queste del Saint Graal | 12 |
The Commedia | 21 |
The Middle English Pearl | 42 |
حقوق النشر | |
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Christian Fantasy: From 1200 to the Present <span dir=ltr>Colin N. Manlove</span> لا تتوفر معاينة - 2014 |
عبارات ومصطلحات مألوفة
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