Contexts for CriticismDonald Keesey Mayfield Publishing Company, 1998 - 594 من الصفحات In this introduction to literary criticism, the major critical theories of literary interpretation-- historical, formal, reader-response, mimetic, intertextual, poststructural, and new historical-- are presented in separate chapters that include detailed introductions, theoretical essays that explain and argue the value of each theory, and applications essays in which the theories are applied to the same three literary works: William Shakespeare' s The Tempest, Kate Chopin' s The Awakening, and William Wordsworth' s Ode: Intimations of Immortality. Wordsworth' s and Chopin' s works are included in the book. |
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الصفحة 377
... claim to operate outside structure while claiming that such operation is impossible . And both claims are necessary to their enterprise . This paradox haunts our attempts to think about structure at any and all levels . It is surely ...
... claim to operate outside structure while claiming that such operation is impossible . And both claims are necessary to their enterprise . This paradox haunts our attempts to think about structure at any and all levels . It is surely ...
الصفحة 378
... claim one perspective was more “ il- luminating " than another , for the idea of what counted as illumination would itself be determined within the context we were defending . By such reasoning we simulta- neously undercut our ...
... claim one perspective was more “ il- luminating " than another , for the idea of what counted as illumination would itself be determined within the context we were defending . By such reasoning we simulta- neously undercut our ...
الصفحة 412
... claim to tell the truth about the work ( in a dependent opposition to the falsehood or partial truths told by its predecessors ) but it must claim to make the work better . ( The usual phrase is " enhance our appreciation of ...
... claim to tell the truth about the work ( in a dependent opposition to the falsehood or partial truths told by its predecessors ) but it must claim to make the work better . ( The usual phrase is " enhance our appreciation of ...
المحتوى
General Introduction | 1 |
Author as Context | 9 |
Hirsch Jr Objective Interpretation 725 | 17 |
حقوق النشر | |
44 من الأقسام الأخرى غير ظاهرة
عبارات ومصطلحات مألوفة
Adèle aesthetic answer Aphrodite argue Arobin audience Awakening become Caliban called character Chopin claim coherence complex concept context conventions cultural deconstruction defined discourse Edna Edna's essay example experience fact feel feminist fiction formal formalist genre Grand Isle human ideology interpretation interpretive community intertextual Kate Chopin Kenneth Burke kind language Lebrun linguistic literary criticism literature look Madame Ratignolle Mademoiselle Reisz meaning ment metaphor metonymy mimetic mind moral narrative nature never Northrop Frye novel object particular perspective play poem poem's poet poetic poetry political Pontellier poststructural poststructuralist Press problem Prospero question reader reader-response reader-response critics reading reality relation response rhetorical Robert seems self-ownership sense Shakespeare simply social speak stanza structuralist structure suggests symbolic Tempest textual theme theory things thought tion truth ture University W. K. Wimsatt woman women words Wordsworth writing