Contexts for CriticismDonald Keesey Mayfield Publishing Company, 1998 - 594 من الصفحات In this introduction to literary criticism, the major critical theories of literary interpretation-- historical, formal, reader-response, mimetic, intertextual, poststructural, and new historical-- are presented in separate chapters that include detailed introductions, theoretical essays that explain and argue the value of each theory, and applications essays in which the theories are applied to the same three literary works: William Shakespeare' s The Tempest, Kate Chopin' s The Awakening, and William Wordsworth' s Ode: Intimations of Immortality. Wordsworth' s and Chopin' s works are included in the book. |
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الصفحة 76
Donald Keesey. argued , is not your experience or my experience ; it is only a potential cause of expe- riences , and the adequacy of any subjective response must be tested against the " ob- jective " poem itself . This argument ...
Donald Keesey. argued , is not your experience or my experience ; it is only a potential cause of expe- riences , and the adequacy of any subjective response must be tested against the " ob- jective " poem itself . This argument ...
الصفحة 259
... experience of childhood : those obstinate questionings Of sense and outward things , Fallings from us , vanishings ; Blank misgivings of a Creature Moving about in worlds not realised . He mentions other reasons for gratitude , but here ...
... experience of childhood : those obstinate questionings Of sense and outward things , Fallings from us , vanishings ; Blank misgivings of a Creature Moving about in worlds not realised . He mentions other reasons for gratitude , but here ...
الصفحة 299
... experience of literature is word- less , and all criticism which attempts to ground itself on such experience tends to assume that the primary critical act is a wordless reaction , to be described in some metaphor of immediate and ...
... experience of literature is word- less , and all criticism which attempts to ground itself on such experience tends to assume that the primary critical act is a wordless reaction , to be described in some metaphor of immediate and ...
المحتوى
General Introduction | 1 |
Author as Context | 9 |
Hirsch Jr Objective Interpretation 725 | 17 |
حقوق النشر | |
44 من الأقسام الأخرى غير ظاهرة
عبارات ومصطلحات مألوفة
Adèle aesthetic answer Aphrodite argue Arobin audience Awakening become Caliban called character Chopin claim coherence complex concept context conventions cultural deconstruction defined discourse Edna Edna's essay example experience fact feel feminist fiction formal formalist genre Grand Isle human ideology interpretation interpretive community intertextual Kate Chopin Kenneth Burke kind language Lebrun linguistic literary criticism literature look Madame Ratignolle Mademoiselle Reisz meaning ment metaphor metonymy mimetic mind moral narrative nature never Northrop Frye novel object particular perspective play poem poem's poet poetic poetry political Pontellier poststructural poststructuralist Press problem Prospero question reader reader-response reader-response critics reading reality relation response rhetorical Robert seems self-ownership sense Shakespeare simply social speak stanza structuralist structure suggests symbolic Tempest textual theme theory things thought tion truth ture University W. K. Wimsatt woman women words Wordsworth writing