Contexts for CriticismDonald Keesey Mayfield Publishing Company, 1998 - 594 من الصفحات In this introduction to literary criticism, the major critical theories of literary interpretation-- historical, formal, reader-response, mimetic, intertextual, poststructural, and new historical-- are presented in separate chapters that include detailed introductions, theoretical essays that explain and argue the value of each theory, and applications essays in which the theories are applied to the same three literary works: William Shakespeare' s The Tempest, Kate Chopin' s The Awakening, and William Wordsworth' s Ode: Intimations of Immortality. Wordsworth' s and Chopin' s works are included in the book. |
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الصفحة 147
... object is beyond our reach , they argue with some force that no other focus is really available . Even so , the wary reader may wonder why their extreme skepti- cism about our ability to understand poetic objects should seem so relaxed ...
... object is beyond our reach , they argue with some force that no other focus is really available . Even so , the wary reader may wonder why their extreme skepti- cism about our ability to understand poetic objects should seem so relaxed ...
الصفحة 277
... object which is an object of its own imagination or memory but not to a real person " ( p . 86 ) . 10. Ibid . , 11. Ibid . P. 77 . 12. Ibid . , p . 161 . 13. Sigmund Freud , " Civilization and Its Discon- tents , " in The Standard ...
... object which is an object of its own imagination or memory but not to a real person " ( p . 86 ) . 10. Ibid . , 11. Ibid . P. 77 . 12. Ibid . , p . 161 . 13. Sigmund Freud , " Civilization and Its Discon- tents , " in The Standard ...
الصفحة 289
... object of study . They have tried to set poems apart from other verbal structures , and then they have tried to borrow their methodology - their way of seeing the object- from some other discipline . By this route we get such terms as ...
... object of study . They have tried to set poems apart from other verbal structures , and then they have tried to borrow their methodology - their way of seeing the object- from some other discipline . By this route we get such terms as ...
المحتوى
General Introduction | 1 |
Author as Context | 9 |
Hirsch Jr Objective Interpretation 725 | 17 |
حقوق النشر | |
44 من الأقسام الأخرى غير ظاهرة
عبارات ومصطلحات مألوفة
Adèle aesthetic answer Aphrodite argue Arobin audience Awakening become Caliban called character Chopin claim coherence complex concept context conventions cultural deconstruction defined discourse Edna Edna's essay example experience fact feel feminist fiction formal formalist genre Grand Isle human ideology interpretation interpretive community intertextual Kate Chopin Kenneth Burke kind language Lebrun linguistic literary criticism literature look Madame Ratignolle Mademoiselle Reisz meaning ment metaphor metonymy mimetic mind moral narrative nature never Northrop Frye novel object particular perspective play poem poem's poet poetic poetry political Pontellier poststructural poststructuralist Press problem Prospero question reader reader-response reader-response critics reading reality relation response rhetorical Robert seems self-ownership sense Shakespeare simply social speak stanza structuralist structure suggests symbolic Tempest textual theme theory things thought tion truth ture University W. K. Wimsatt woman women words Wordsworth writing