Contexts for CriticismDonald Keesey Mayfield Publishing Company, 1998 - 594 من الصفحات In this introduction to literary criticism, the major critical theories of literary interpretation-- historical, formal, reader-response, mimetic, intertextual, poststructural, and new historical-- are presented in separate chapters that include detailed introductions, theoretical essays that explain and argue the value of each theory, and applications essays in which the theories are applied to the same three literary works: William Shakespeare' s The Tempest, Kate Chopin' s The Awakening, and William Wordsworth' s Ode: Intimations of Immortality. Wordsworth' s and Chopin' s works are included in the book. |
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الصفحة 143
... response are we going to talk about ? It is easy to speak in general terms about what " people " do , about the ... response is better than another . In fact , without some standard there appears to be no alternative to complete rela ...
... response are we going to talk about ? It is easy to speak in general terms about what " people " do , about the ... response is better than another . In fact , without some standard there appears to be no alternative to complete rela ...
الصفحة 144
... response critics go beyond describing and analyzing responses and begin to tell us how and why we should respond do their statements really parallel those of critics in other contexts . And at exactly this point , of course , the ...
... response critics go beyond describing and analyzing responses and begin to tell us how and why we should respond do their statements really parallel those of critics in other contexts . And at exactly this point , of course , the ...
الصفحة 148
... response critics , though , continue to hold that they have very sound reasons for placing their focus where they do , and they are willing to argue that the nature of the poem , the nature of readers , or both combined dictate where ...
... response critics , though , continue to hold that they have very sound reasons for placing their focus where they do , and they are willing to argue that the nature of the poem , the nature of readers , or both combined dictate where ...
المحتوى
General Introduction | 1 |
Author as Context | 9 |
Hirsch Jr Objective Interpretation 725 | 17 |
حقوق النشر | |
44 من الأقسام الأخرى غير ظاهرة
عبارات ومصطلحات مألوفة
Adèle aesthetic answer Aphrodite argue Arobin audience Awakening become Caliban called character Chopin claim coherence complex concept context conventions cultural deconstruction defined discourse Edna Edna's essay example experience fact feel feminist fiction formal formalist genre Grand Isle human ideology interpretation interpretive community intertextual Kate Chopin Kenneth Burke kind language Lebrun linguistic literary criticism literature look Madame Ratignolle Mademoiselle Reisz meaning ment metaphor metonymy mimetic mind moral narrative nature never Northrop Frye novel object particular perspective play poem poem's poet poetic poetry political Pontellier poststructural poststructuralist Press problem Prospero question reader reader-response reader-response critics reading reality relation response rhetorical Robert seems self-ownership sense Shakespeare simply social speak stanza structuralist structure suggests symbolic Tempest textual theme theory things thought tion truth ture University W. K. Wimsatt woman women words Wordsworth writing