Contexts for CriticismDonald Keesey Mayfield Publishing Company, 1998 - 594 من الصفحات In this introduction to literary criticism, the major critical theories of literary interpretation-- historical, formal, reader-response, mimetic, intertextual, poststructural, and new historical-- are presented in separate chapters that include detailed introductions, theoretical essays that explain and argue the value of each theory, and applications essays in which the theories are applied to the same three literary works: William Shakespeare' s The Tempest, Kate Chopin' s The Awakening, and William Wordsworth' s Ode: Intimations of Immortality. Wordsworth' s and Chopin' s works are included in the book. |
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الصفحة 24
... whole meaning , constituted of ex- plicit partial meanings plus a horizon of expectations and probabilities . One meaning coheres with another because it is typical or probable with reference to the whole ( coherence is thus the first ...
... whole meaning , constituted of ex- plicit partial meanings plus a horizon of expectations and probabilities . One meaning coheres with another because it is typical or probable with reference to the whole ( coherence is thus the first ...
الصفحة 185
... whole would appear to be virtually inevitable because of the present situation of the whole of humanity , posing a possible threat to our- selves by the power wielded by knowledge under the mantle of science . The upshot of these ...
... whole would appear to be virtually inevitable because of the present situation of the whole of humanity , posing a possible threat to our- selves by the power wielded by knowledge under the mantle of science . The upshot of these ...
الصفحة 315
... whole : the whole can be understood only through its parts , but the parts can be understood only through the whole " ( p . 76 ) . Like Karl Viëtor , René Wellek , and others , Hirsch here treats one of genre study's most frequently ...
... whole : the whole can be understood only through its parts , but the parts can be understood only through the whole " ( p . 76 ) . Like Karl Viëtor , René Wellek , and others , Hirsch here treats one of genre study's most frequently ...
المحتوى
General Introduction | 1 |
Author as Context | 9 |
Hirsch Jr Objective Interpretation 725 | 17 |
حقوق النشر | |
44 من الأقسام الأخرى غير ظاهرة
عبارات ومصطلحات مألوفة
Adèle aesthetic answer Aphrodite argue Arobin audience Awakening become Caliban called character Chopin claim coherence complex concept context conventions cultural deconstruction defined discourse Edna Edna's essay example experience fact feel feminist fiction formal formalist genre Grand Isle human ideology interpretation interpretive community intertextual Kate Chopin Kenneth Burke kind language Lebrun linguistic literary criticism literature look Madame Ratignolle Mademoiselle Reisz meaning ment metaphor metonymy mimetic mind moral narrative nature never Northrop Frye novel object particular perspective play poem poem's poet poetic poetry political Pontellier poststructural poststructuralist Press problem Prospero question reader reader-response reader-response critics reading reality relation response rhetorical Robert seems self-ownership sense Shakespeare simply social speak stanza structuralist structure suggests symbolic Tempest textual theme theory things thought tion truth ture University W. K. Wimsatt woman women words Wordsworth writing