New Vocabularies in Film Semiotics: Structuralism, post-structuralism and beyondRobert Stam Routledge, 08/07/2005 - 256 من الصفحات First published in 1992. New Vocabularies in Film Semiotics provides a comprehensive lexicon of semiotic concepts. With sections on linguistics, narratology, psychoanalysis and intertextuality, it constructs an indispensable dictionary for film theory, defining over five hundred critical terms. The authors address key aspects of contemporary semiotics and cultural debate, while referring to the work of key figures such as Peirce, Saussure, Derrida, Barthes, Propp, Genette, Greimas, Kristeva, Lacan, Metz, Bellour, Heath, Mulvey, Johnston, Rose, Doane, Bakhtin and Baudrillard. The semiotic concepts are illustrated by examples drawn from the films of directors such as Welles, Dreyer, Brunel, Godard, Hitchcock, Varda, Akerman and Woody Allen. Although especially geared to the needs of film students, New Vocabularies in Film Semiotics should be useful for scholars in all areas of the arts, philosophy and literature. |
المحتوى
The Origins of Semiotics | 1 |
Russian Formalism | 9 |
Jakobsons communications paradigm | 15 |
the critique of the sign | 23 |
The cinematic sign | 29 |
The Grand Syntagmatique | 37 |
Codes and subcodes | 48 |
Filmic punctuation | 57 |
Unreliability | 101 |
Cognitive approaches to narration | 107 |
Tense | 118 |
The cinematic apparatus | 142 |
Enunciation | 159 |
Feminist film theory | 174 |
From realism to intertextuality | 184 |
From work to text | 191 |
Language in the cinema | 63 |
Filmnarratology | 69 |
Formalist approaches | 70 |
The structuralist analysis of narrative | 76 |
Semantic and syntactic approaches | 82 |
Narration in film | 95 |
The nature of reflexivity | 198 |
Transtextuality | 206 |
Social semiotics | 213 |
222 | |
233 | |
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عبارات ومصطلحات مألوفة
action Adieu Philippine analysis apparatus argues articulation Bakhtin Barthes Bellour Bordwell camera character character-narrator Christian Metz cinema cinematic narrator classical codes concept constitute construction criticism critique cultural defined Derrida desire diegesis diegetic distinction emphasize enunciation example extradiegetic fabula fantasy feminine feminist fictional world film narrative film-maker film's filmic focalization Formalists Freud function Genette Genette's genres Gerard Genette Grand Syntagmatique Heath historical ibid identification ideology imaginary Lacan language Levi-Strauss linguistic literary Marxism Mary Ann Doane meaning Metz narrative discourse narratology narrator's notion Numero Deux object Oedipal Oedipal complex perception point-of-view position post-structuralism production psychic psychoanalytic film theory realism reality refers reflexivity relation representation Russian Formalism Saussure Saussurean scene screen semiology semiotics sense sequence sexual shot signifier simply social spatial specific spectator spectator's speech story structure symbolic syntagma syuzhet temporal textual theorists Tynianov unconscious verbal viewer visual