The Witness of Art; Or, The Legend of BeautyHodder and Stoughton, 1876 - 214 من الصفحات |
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الصفحة 49
... Mediæval schools . Nor is this reverence to be deprecated . Without a reverential spirit nothing great can be accomplished ; but let us see that we revere intelligently . If Polycletus was greater than Michael Angelo in ideality ...
... Mediæval schools . Nor is this reverence to be deprecated . Without a reverential spirit nothing great can be accomplished ; but let us see that we revere intelligently . If Polycletus was greater than Michael Angelo in ideality ...
الصفحة 51
... Mediæval Art in devotional fervour , the difference between their excellence and that of the modern schools is a difference of kind rather than de- gree ; and in the broad , human sympathies of the religion with which it is allied ...
... Mediæval Art in devotional fervour , the difference between their excellence and that of the modern schools is a difference of kind rather than de- gree ; and in the broad , human sympathies of the religion with which it is allied ...
الصفحة 53
... Mediæval , perished - the first at the begin- ning of the Christian era - the second at a time coinci- dent with the great revival of religion , when the Church of Christ arose to shake herself from the dust and to sit once more in ...
... Mediæval , perished - the first at the begin- ning of the Christian era - the second at a time coinci- dent with the great revival of religion , when the Church of Christ arose to shake herself from the dust and to sit once more in ...
الصفحة 54
... Mediæval Art may be traced to inherent causes . The cries which echoed through the ' ten silent centuries " of Dante were not the cries of martyrs to æsthetic taste ; and the conventional man- nerisms into which the Renaissance fell ...
... Mediæval Art may be traced to inherent causes . The cries which echoed through the ' ten silent centuries " of Dante were not the cries of martyrs to æsthetic taste ; and the conventional man- nerisms into which the Renaissance fell ...
الصفحة 67
... Mediæval schools agree in that they take the human form as the exponent Du Bos , is that he was much better acquainted with the works of Raphael than with the works of the Evangelists . ” This coming from one Churchman to another - is ...
... Mediæval schools agree in that they take the human form as the exponent Du Bos , is that he was much better acquainted with the works of Raphael than with the works of the Evangelists . ” This coming from one Churchman to another - is ...
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عبارات ومصطلحات مألوفة
Æschylus amongst angels Apollo arms Artist Baldur Beast bells of Lynn blind Castor and Pollux Christ Christian Church Cimabue Classic Art Claude cornfields Correggio creation crimson Dante darkness dear differ disciples divine evil expression eyes face faith forest garments Giotto glory gods grace Greek Art hand hear heart heaven human form ideal beauty infinite Ingoldsby Legends King King's Messenger kiss Landscape Art Laocöon legend light living look Master Mediæval Art Mediævalist mighty Milton Modern Art Nature never Odin paint painter Paradise pass passion Paul Potter Phidias picture pigtail poet Poetry and Art Raphael realisation religion reverence rivers saints Sally Brown school of Art sculptors seen sing soul splendour stand statues story suffering Supernatural in Art sweet tell tender theme things Thomas Hood thou thought Tintoretto Titian touch trees true truth vision voice words WYKE BAYLISS
مقاطع مشهورة
الصفحة 120 - Sad as the last which reddens over one That sinks with all we love below the verge ; So sad, so fresh, the days that are no more.
الصفحة 113 - Yearning for the large excitement that the coming years would yield, Eager-hearted as a boy when first he leaves his father's field, And at night along the dusky highway, near and nearer drawn, Sees in heaven the light of London flaring like a dreary dawn...
الصفحة 75 - He heard it, but he heeded not, — his eyes Were with his heart, 'and that was far away. He recked not of the life he lost nor prize, But where his rude hut by the Danube lay, There were his young barbarians all at play, There was their Daci.an mother, — he, their sire, Butchered to make a Roman holiday! — All this rushed with his blood. — Shall he expire And unavenged? — Arise, ye Goths, and glut your ire!
الصفحة 129 - DAYBREAK A WIND came up out of the sea, And said, " O mists, make room for me." It hailed the ships, and cried, " Sail on, Ye mariners, the night is gone.
الصفحة 165 - They, looking back, all the eastern side beheld Of Paradise, so late their happy seat, Waved over by that flaming brand, the gate With dreadful faces thronged and fiery arms: Some natural tears they dropped, but wiped them soon; The world was all before them, where to choose Their place of rest, and Providence their guide: They hand in hand, with wandering steps and slow, Through Eden took their solitary way.
الصفحة 168 - The village smithy stands; The smith, a mighty man is he, With large and sinewy hands; And the muscles of his brawny arms Are strong as iron bands. His hair is crisp, and black, and long, His face is like the tan; His brow is wet with honest sweat, He earns whate'er he can, And looks the whole world in the face, For he owes not any man.
الصفحة 124 - It sees the ocean to its bosom clasp The rocks and sea-sand with the kiss of peace ; It sees the wild winds lift it in their grasp, And hold it up, and shake it like a fleece.
الصفحة 194 - I'd follow him ; But Oh ! — I'm not a fish-woman, And so I cannot swim. " Alas ! I was not born beneath The Virgin and the Scales, So I must curse my cruel stars, And walk about in Wales.
الصفحة 114 - Down the dark future, through long generations, The echoing sounds grow fainter and then cease; And like a bell, with solemn, sweet vibrations, I hear once more the voice of Christ say, "Peace !" Peace ! and no longer from its brazen portals The blast of War's great organ shakes the skies ! But beautiful as songs of the immortals, The holy melodies of love arise.
الصفحة 154 - So spake he; and was buckling Tighter black Auster's band, When he was aware of a princely pair That rode at his right hand. So like they were, no mortal Might one from other know: White as snow their armour was: Their steeds were white as snow. Never on earthly anvil Did such rare armour gleam; And never did such gallant steeds Drink of an earthly stream.