Contexts for CriticismMayfield Publishing Company, 1987 - 365 من الصفحات "Contexts for Criticism "introduces readers to the essential issues of literary interpretation. The text includes three complete works: Keats's "Ode on a Grecian Urn," Melville's "Benito Cereno," and Charlotte Perkins Gilmans "The Yellow Wallpaper," . . These texts - plus Shakespeare's The Tempest - are examined through seven fundamental critical theories: Historical (Author as Context and Culture as Context), Formal, Reader-Response, Mimetic, Intertextual, and Poststructural. . |
من داخل الكتاب
النتائج 1-3 من 41
الصفحة 66
... Conrad , which uses Heart of Dark- ness as a central text , sees the " fatal disjuncture between fact and value , ideal and reality , matter and spirit , Nature and consciousness which per- vades Conrad's work " as a product of the ...
... Conrad , which uses Heart of Dark- ness as a central text , sees the " fatal disjuncture between fact and value , ideal and reality , matter and spirit , Nature and consciousness which per- vades Conrad's work " as a product of the ...
الصفحة 67
... Conrad with precisely the ideological conjuncture he sought . England , Conrad be- lieves , is " the only barrier to the pressure of in- fernal doctrines born in continental backslums " ; " its settled , hierarchic traditionalism is a ...
... Conrad with precisely the ideological conjuncture he sought . England , Conrad be- lieves , is " the only barrier to the pressure of in- fernal doctrines born in continental backslums " ; " its settled , hierarchic traditionalism is a ...
الصفحة 310
... Conrad's own novels— motivating behavior , dictating plot - but the ar- chetypal familiarity of Conrad's content , rather than making his symbols seem hackneyed , suc- ceeds in imbuing them with an uncanny incan- tatory power . Conrad ...
... Conrad's own novels— motivating behavior , dictating plot - but the ar- chetypal familiarity of Conrad's content , rather than making his symbols seem hackneyed , suc- ceeds in imbuing them with an uncanny incan- tatory power . Conrad ...
المحتوى
A Constructive Prologue | 1 |
Chapter | 9 |
A S P Woodhouse The Historical Criticism of Milton | 18 |
حقوق النشر | |
22 من الأقسام الأخرى غير ظاهرة
عبارات ومصطلحات مألوفة
action aesthetic answer archetypal argues argument artistic character claim Claudius Cleanth Brooks coherence complex concept Conrad context conventions course death deconstructive emotion essay example experience fact feel fiction formal criticism formalist genetic criticism Ghost Hamlet Heart of Darkness Hirsch Historical Criticism human I. A. Richards ical identity ideology interpretation interpretive community intertextual intertextual critics Joseph Conrad kind Kurtz language linguistic literary criticism literature Lycidas Marlow ment metaphor metonymy Milton mimetic mind moral myth narrative nature norms Northrop Frye novel object particular pastoral pattern perspective play poem poem's poet poetic poetry Polonius problem psychological question reader reader-response critics reading reality reference response rhetorical scene seems sense Shakespeare simply social speak story structuralist structure suggests symbolic terpretation textual meaning theme theory thing thought tion tive truth ture understand verbal meaning W. K. Wimsatt words