Contexts for CriticismMayfield Publishing Company, 1987 - 365 من الصفحات "Contexts for Criticism "introduces readers to the essential issues of literary interpretation. The text includes three complete works: Keats's "Ode on a Grecian Urn," Melville's "Benito Cereno," and Charlotte Perkins Gilmans "The Yellow Wallpaper," . . These texts - plus Shakespeare's The Tempest - are examined through seven fundamental critical theories: Historical (Author as Context and Culture as Context), Formal, Reader-Response, Mimetic, Intertextual, and Poststructural. . |
من داخل الكتاب
النتائج 1-3 من 26
الصفحة 178
... desire for an expla- nation more fully , but leaves unanswered the previous question of " Where were ye nymphs ? " : " Ay me ! I fondly dream ! " ( 55 ) . The reader is stripped of his hope that the nymphs ' location can ( and will ) be ...
... desire for an expla- nation more fully , but leaves unanswered the previous question of " Where were ye nymphs ? " : " Ay me ! I fondly dream ! " ( 55 ) . The reader is stripped of his hope that the nymphs ' location can ( and will ) be ...
الصفحة 229
... desire in Gertrude , desire great enough to lead her to ignore standard social forms . The horror and shock he feels at the fact that she can feel desire at all is evident later , in his speech to her in her chamber , but it under- lies ...
... desire in Gertrude , desire great enough to lead her to ignore standard social forms . The horror and shock he feels at the fact that she can feel desire at all is evident later , in his speech to her in her chamber , but it under- lies ...
الصفحة 325
... desire . The concept of centered structure is in fact the con- cept of a freeplay based on a fundamental ground , a freeplay which is constituted upon a fundamental immobility and a reassuring certi- tude , which is itself beyond the ...
... desire . The concept of centered structure is in fact the con- cept of a freeplay based on a fundamental ground , a freeplay which is constituted upon a fundamental immobility and a reassuring certi- tude , which is itself beyond the ...
المحتوى
A Constructive Prologue | 1 |
Chapter | 9 |
A S P Woodhouse The Historical Criticism of Milton | 18 |
حقوق النشر | |
22 من الأقسام الأخرى غير ظاهرة
عبارات ومصطلحات مألوفة
action aesthetic answer archetypal argues argument artistic character claim Claudius Cleanth Brooks coherence complex concept Conrad context conventions course death deconstructive emotion essay example experience fact feel fiction formal criticism formalist genetic criticism Ghost Hamlet Heart of Darkness Hirsch Historical Criticism human I. A. Richards ical identity ideology interpretation interpretive community intertextual intertextual critics Joseph Conrad kind Kurtz language linguistic literary criticism literature Lycidas Marlow ment metaphor metonymy Milton mimetic mind moral myth narrative nature norms Northrop Frye novel object particular pastoral pattern perspective play poem poem's poet poetic poetry Polonius problem psychological question reader reader-response critics reading reality reference response rhetorical scene seems sense Shakespeare simply social speak story structuralist structure suggests symbolic terpretation textual meaning theme theory thing thought tion tive truth ture understand verbal meaning W. K. Wimsatt words