with many of these uninhabited monuments, which had been erected to the memory of persons whose bodies were perhaps buried in the plains of Blenheim, or in the bosom of the ocean. I could not but be very much delighted with several modern epitaphs, which are written with great elegance of expression and justness of thought, and therefore do honor to the living as well as to the dead. As a foreigner is very apt to conceive an idea of the ignorance or politeness of a nation, from the turn of their public monuments and incriptions, they should be submitted to the perusal of men of learning and genius, before they are put in execution. Sir Cloudesly Shovel's monument has very often given me great offence: instead of the brave rough English Admiral, which was the distinguishing character of that plain gallant man, he is represented on his tomb by the figure of a beau, dressed in a long periwig, and reposing himself upon velvet cushions under a canopy of state. The inscription is answerable to the monument; for instead of celebrating the many remarkable actions he had performed in the service of his country, it acquaints us only with the manner of his death, in which it was impossible for him to reap any honor. The Dutch, whom we are apt to despise for want of genius, show an infinitely greater taste of antiquity and politeness in their buildings and works of this nature, than what we meet with in those of our own country. The monuments of their admirals, which have been erected at the public expense, represent them like themselves; and are adorned with rostral crowns and naval ornaments, with beautiful festoons of seaweed, shells, and coral. But to return to our subject. I have left the repository of our English kings for the contemplation of another day, when I shall find my mind disposed for so serious an amusement. I know that entertainments of this nature are apt to raise dark and dismal thoughts in timorous minds and gloomy imaginations; but for my own part, though I am always serious, I do not know what it is to be melancholy; and can therefore take a view of nature in her deep and solemn scenes, with the same pleasure as in her most gay and delightful ones. By this means I can improve myself with those objects which others consider with terror. When I look upon the tombs of the great, every emotion of envy dies in me; when I read the epitaphs of the beautiful, every inordinate desire goes out; when I meet with the grief of parents upon a tomb-stone, my heart melts with compassion; when I see the tomb of the parents themselves, I consider the vanity of grieving for those whom we must quickly follow; when I see kings lying by those who deposed them, when I consider rival wits placed side by side, or the holy men that divided the world with their contests and disputes, I reflect with sorrow and astonishment on the little competitions, factions, and debates of mankind. When I read the several dates of the tombs, of some that died yesterday, and some six hundred years ago, I consider that great day when we shall all of us be contemporaries, and make our appearance together. Foot in poetry, 5 General terms, 48 Genitive for of-phrase, 55 Great Stone Face, The, 258 Hanging of the Crane, The, 163 Hawthorne, Nathaniel, 258-263 Heroism, 284 Hexameter, 18 Holmes, Oliver Wendell, 252-257 Humor, 71 Huskers, The, 183 Hyperbole, 74 Iambus (iambic foot), 5ff. Identical rimes, 20 Imperfect rimes, 20 Incident in a Railroad Car, An, 209 Inscription for the Entrance to a Internal rime, 32 Interrogation, 44 Irving, Washington, 101-107 Keramos, 172 Lanier, Sidney, 264-270 Last Walk in Autumn, The, 196 Literal language, 58 what it is, 1 Longfellow, Henry Wadsworth, 143-179 Loose sentences, 39 Lowell, James Russell, 205-251 Manners, 290 Marshes of Glynn, The, 267 Melody, 30 Monument Mountain, 114 Moral, 83, 85, 86 Morituri Salutamus, 168 Musical notation of poetry, 11; 12 Mythology as a source of allu- |