Criticisms on Art: and Sketches of the Picture Galleries of EnglandJ. Templeman, 1843 - 335 من الصفحات |
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الصفحة xi
... Anonymous . Chardin . Velasquez . N. Poussin . Annibal Caracci . Murillo . A. Sacchi . P. Bril . N. Poussin . Murillo . P. da Cortona . 319. Cocles defending the bridge against Le Brun . the army of Porsenna 320. Landscape 321 ...
... Anonymous . Chardin . Velasquez . N. Poussin . Annibal Caracci . Murillo . A. Sacchi . P. Bril . N. Poussin . Murillo . P. da Cortona . 319. Cocles defending the bridge against Le Brun . the army of Porsenna 320. Landscape 321 ...
الصفحة xiv
... Anonymous . Bockman . Rousseau . Fialetti . Giulio Romano . 68 . A Sculptor 69 . Mrs. Lemon . 70 . An Italian Knight 71 . A Holy Family 72 . The Annunciation 73 . St. Michael Correggio . Bassano . Vandyck . Pordenone . F. Vanni . P ...
... Anonymous . Bockman . Rousseau . Fialetti . Giulio Romano . 68 . A Sculptor 69 . Mrs. Lemon . 70 . An Italian Knight 71 . A Holy Family 72 . The Annunciation 73 . St. Michael Correggio . Bassano . Vandyck . Pordenone . F. Vanni . P ...
الصفحة xv
... Anonymous . 121. The Queen of Bohemia , daughter of G. Honthorst . Painted by Andrea del Sarto . Sebastian del Piombo . No. Title of Picture . 78. Portrait of herself 79. Alexander de Medici 80. Charles I. on Horseback 811 ..... 82 ...
... Anonymous . 121. The Queen of Bohemia , daughter of G. Honthorst . Painted by Andrea del Sarto . Sebastian del Piombo . No. Title of Picture . 78. Portrait of herself 79. Alexander de Medici 80. Charles I. on Horseback 811 ..... 82 ...
الصفحة xvi
... Anonymous . Pordenone . F. Floris . C. Cignani . Van Örley . G. Romano . D. Fetti . Dosso Dossi . Himself . N. Poussin . Willison . Polidoro . Bassano . Pordenone . Tintoretto . Luca Giordano . Carletto Cagliari . Old Stone , after ...
... Anonymous . Pordenone . F. Floris . C. Cignani . Van Örley . G. Romano . D. Fetti . Dosso Dossi . Himself . N. Poussin . Willison . Polidoro . Bassano . Pordenone . Tintoretto . Luca Giordano . Carletto Cagliari . Old Stone , after ...
الصفحة xvii
... Anonymous . 225 2261 Still Life De Пcem . 227. Villiers , Duke of Buckingham , and G. Honthorst . Family 228. A Village Repast 229. The Triumph of Flora 230. The Painter in his Study 2311 232 Flower - pieces 233. A Sea - piece 294 ...
... Anonymous . 225 2261 Still Life De Пcem . 227. Villiers , Duke of Buckingham , and G. Honthorst . Family 228. A Village Repast 229. The Triumph of Flora 230. The Painter in his Study 2311 232 Flower - pieces 233. A Sea - piece 294 ...
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عبارات ومصطلحات مألوفة
admirable Angels Anonymous antique Apollo artist Bassano beauty Berghem bistre Caracci Carlo Dolce Carlo Maratti character Charles Christ Claude colour copy Correggio Countess Cupid Cuyp Domenichino Duchess Duke Dutch Earl of Exeter Elgin Marbles excellence expression face fancy feeling finest Gainsborough Gallery genius George Giorgione Giulio Romano give grace grandeur Guercino Guido Guido Reni Head Henry Hogarth Holbein Holy Family idea ideal imitation John Jupiter Kneller Lady Landscape Lely look Lord Madonna Magdalen Maratti Marriage à-la-Mode Mary Michael Angelo mind Mola Murillo nature Nicholas Poussin Nymphs objects Painted painter Palma Vecchio Parmegiano Paul Veronese pencil perfect Peter Piece Poelemberg Portrait Prince Queen Raphael Rembrandt Rubens Salvator Rosa scene sculpture Sebastian Sir Joshua Reynolds Sketch spirit style taste Teniers thing Tintoretto tion Titian Title of Picture truth Vandervelde Vandyck Venus Veronese View Virgin and Child Wife Woman Wouvermans
مقاطع مشهورة
الصفحة 133 - Of living sapphire, once his native seat; And fast by hanging in a golden chain This pendent world, in bigness as a star 331 Of smallest magnitude close by the moon.
الصفحة 191 - The birds their quire apply; airs, vernal airs, Breathing the smell of field and grove, attune The trembling leaves; while universal Pan, Knit with the Graces and the Hours in dance^ Led on the eternal spring.
الصفحة 286 - The groves of Eden, vanish'd now so long, Live in description, and look green in song : These, were my breast inspir'd with equal flame, Like them in beauty, should be like in fame. Here...
الصفحة 149 - Everything in his pictures has life and motion in it. Not only does the business of the scene never stand still, but every feature and muscle is put into full play ; the exact feeling of the moment is brought out, and carried to its utmost height, and then instantly seized and stamped on the canvas for ever. The expression is always taken en passant, in a state of progress or change, and, as it were, at the salient point...
الصفحة 40 - Sometime, we see a cloud that's dragonish, A vapour, sometime, like a bear, or lion, A tower'd citadel, a pendant rock, A forked mountain, or blue promontory With trees upon't, that nod unto the world, And mock our eyes with air: thou hast seen these signs; They are black vesper's pageants.
الصفحة 119 - Like some hot amourist with glowing eyes, Bursting the lazy bands of sleep that bound him, With all his fires and travelling glories round him : Sometimes the moon on soft night clouds...
الصفحة 129 - Sacred City : ' — might not our Oxford be called so too ." There is an air about it, resonant of joy and hope : it speaks with a thousand tongues to the heart : it waves its mighty shadow over the imagination : it stands in lowly sublimity, on the ' hill of ages ; ' and points with prophetic fingers to the sky : it greets the eager gaze from afar, ' with glistering spires and pinnacles adorned...
الصفحة 121 - ... often observable in the case of religious enthusiasts, there is a slenderness of constitutional stamina, which renders the flesh no match for the spirit. His bending, flexible form appears to take no strong hold of things, does not grapple with the world about him, but slides from it like a river 'And in its liquid texture mortal wound Receives no more than can the fluid air...
الصفحة 2 - The business of the world at large, and even its pleasures, appear like a vanity and an impertinence. What signify the hubbub, the shifting scenery, the fantoccini figures, the folly, the idle fashions without, when compared with the solitude, the silence, the speaking looks, the unfading forms within? Here is the mind's true home. The contemplation of truth and beauty is the proper object for which we were created...