Criticisms on Art: and Sketches of the Picture Galleries of EnglandJ. Templeman, 1843 - 335 من الصفحات |
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الصفحة 24
... cattle and figures in the foreground , like dark , transparent spots , give an immense relief to the perspective . This is , we think , the finest Cuyp , perhaps , in the world . The landscape opposite to it ( in the same room ) by the ...
... cattle and figures in the foreground , like dark , transparent spots , give an immense relief to the perspective . This is , we think , the finest Cuyp , perhaps , in the world . The landscape opposite to it ( in the same room ) by the ...
الصفحة 26
... Cattle and Figures , is by Both , who is , we confess , no great favourite of ours . We do not like his straggling branches of trees without masses of foliage , continually running up into the sky , merely to let in the landscape beyond ...
... Cattle and Figures , is by Both , who is , we confess , no great favourite of ours . We do not like his straggling branches of trees without masses of foliage , continually running up into the sky , merely to let in the landscape beyond ...
الصفحة 97
... in a dance , to show its unrivalled beauty , the Vashti of the scene ! Young trees bent their branches over it with playful tenderness ; and , on the opposite side of a stream , at which cattle II THE GROSVENOR PICTURES . 97.
... in a dance , to show its unrivalled beauty , the Vashti of the scene ! Young trees bent their branches over it with playful tenderness ; and , on the opposite side of a stream , at which cattle II THE GROSVENOR PICTURES . 97.
الصفحة 98
William Hazlitt. the opposite side of a stream , at which cattle stooped to drink , there grew a stately grove , erect , with answering looks of beauty : the dis- tance between retired into air and gleaming shores . Never was there scene ...
William Hazlitt. the opposite side of a stream , at which cattle stooped to drink , there grew a stately grove , erect , with answering looks of beauty : the dis- tance between retired into air and gleaming shores . Never was there scene ...
الصفحة 105
... cattle are feeding on the brink of a glassy stream , that reflects a mouldering ruin on one side of the picture ; and so precise is the touch , so true , so firm is the pencilling , so classical the outline , that they give one the idea ...
... cattle are feeding on the brink of a glassy stream , that reflects a mouldering ruin on one side of the picture ; and so precise is the touch , so true , so firm is the pencilling , so classical the outline , that they give one the idea ...
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عبارات ومصطلحات مألوفة
admirable Angels Anonymous antique Apollo artist Bassano beauty Berghem bistre Caracci Carlo Dolce Carlo Maratti character Charles Christ Claude colour copy Correggio Countess Cupid Cuyp Domenichino Duchess Duke Dutch Earl of Exeter Elgin Marbles excellence expression face fancy feeling finest Gainsborough Gallery genius George Giorgione Giulio Romano give grace grandeur Guercino Guido Guido Reni Head Henry Hogarth Holbein Holy Family idea ideal imitation John Jupiter Kneller Lady Landscape Lely look Lord Madonna Magdalen Maratti Marriage à-la-Mode Mary Michael Angelo mind Mola Murillo nature Nicholas Poussin Nymphs objects Painted painter Palma Vecchio Parmegiano Paul Veronese pencil perfect Peter Piece Poelemberg Portrait Prince Queen Raphael Rembrandt Rubens Salvator Rosa scene sculpture Sebastian Sir Joshua Reynolds Sketch spirit style taste Teniers thing Tintoretto tion Titian Title of Picture truth Vandervelde Vandyck Venus Veronese View Virgin and Child Wife Woman Wouvermans
مقاطع مشهورة
الصفحة 133 - Of living sapphire, once his native seat; And fast by hanging in a golden chain This pendent world, in bigness as a star 331 Of smallest magnitude close by the moon.
الصفحة 191 - The birds their quire apply; airs, vernal airs, Breathing the smell of field and grove, attune The trembling leaves; while universal Pan, Knit with the Graces and the Hours in dance^ Led on the eternal spring.
الصفحة 286 - The groves of Eden, vanish'd now so long, Live in description, and look green in song : These, were my breast inspir'd with equal flame, Like them in beauty, should be like in fame. Here...
الصفحة 149 - Everything in his pictures has life and motion in it. Not only does the business of the scene never stand still, but every feature and muscle is put into full play ; the exact feeling of the moment is brought out, and carried to its utmost height, and then instantly seized and stamped on the canvas for ever. The expression is always taken en passant, in a state of progress or change, and, as it were, at the salient point...
الصفحة 40 - Sometime, we see a cloud that's dragonish, A vapour, sometime, like a bear, or lion, A tower'd citadel, a pendant rock, A forked mountain, or blue promontory With trees upon't, that nod unto the world, And mock our eyes with air: thou hast seen these signs; They are black vesper's pageants.
الصفحة 119 - Like some hot amourist with glowing eyes, Bursting the lazy bands of sleep that bound him, With all his fires and travelling glories round him : Sometimes the moon on soft night clouds...
الصفحة 129 - Sacred City : ' — might not our Oxford be called so too ." There is an air about it, resonant of joy and hope : it speaks with a thousand tongues to the heart : it waves its mighty shadow over the imagination : it stands in lowly sublimity, on the ' hill of ages ; ' and points with prophetic fingers to the sky : it greets the eager gaze from afar, ' with glistering spires and pinnacles adorned...
الصفحة 121 - ... often observable in the case of religious enthusiasts, there is a slenderness of constitutional stamina, which renders the flesh no match for the spirit. His bending, flexible form appears to take no strong hold of things, does not grapple with the world about him, but slides from it like a river 'And in its liquid texture mortal wound Receives no more than can the fluid air...
الصفحة 2 - The business of the world at large, and even its pleasures, appear like a vanity and an impertinence. What signify the hubbub, the shifting scenery, the fantoccini figures, the folly, the idle fashions without, when compared with the solitude, the silence, the speaking looks, the unfading forms within? Here is the mind's true home. The contemplation of truth and beauty is the proper object for which we were created...