Shakespeare and His CriticsDuckworth, 1958 - 336 من الصفحات |
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النتائج 1-3 من 48
الصفحة 118
... kind and quality of the imagery and determine the precise degree of evocation of particular figures ; we have to allow full weight to each word , exploring its " tentacular roots " , and to determine how it controls and is controlled by ...
... kind and quality of the imagery and determine the precise degree of evocation of particular figures ; we have to allow full weight to each word , exploring its " tentacular roots " , and to determine how it controls and is controlled by ...
الصفحة 217
... kind to him . It ignores the hardness and cynicism which were indeed no part of his nature , but yet , in this crisis of his life , are indubitably present and painfully marked .... There remains , finally , that class of view which may ...
... kind to him . It ignores the hardness and cynicism which were indeed no part of his nature , but yet , in this crisis of his life , are indubitably present and painfully marked .... There remains , finally , that class of view which may ...
الصفحة 218
... kind of mental disorder throughout the play . Directly , however , such critics begin trying to define the exact nature of the disorder , they go astray . Its immediate origin cannot be questioned ; it is caused , as we have seen , by ...
... kind of mental disorder throughout the play . Directly , however , such critics begin trying to define the exact nature of the disorder , they go astray . Its immediate origin cannot be questioned ; it is caused , as we have seen , by ...
المحتوى
Richard III | 13 |
The Comedy of Errors | 61 |
Titus Andronicus | 105 |
حقوق النشر | |
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عبارات ومصطلحات مألوفة
acted action actor admirable appear audience beauty Blount and Jaggard character Coleridge comedy criticism Cymbeline death dramatic dramatist Dryden E. K. Chambers Elizabethan English Falstaff feeling Fletcher Folio genius Hamlet hath haue HAZLITT Henry hero honour human imagery images imagination Johnson Julius Cæsar King John King Lear labour Lord loue Lucrece Macbeth Maiesties Measure for Measure mind moral murder nature never night noble Othello passages passion PERFORMED perhaps Pericles person plot poems poet poetic poetry Prince Prince of Tyre Quarto Queen reader Richard romantic Romeo and Juliet scene seems sense Seruants Shake Shakespeare's plays Sonnets speare speare's speech spirit stage story Tempest theatre theme things Thomas thou thought Timon tion Titus Andronicus tragedy tragic Troilus and Cressida true truth unity Venus and Adonis verse whole William Shakespeare Winter's Tale words writing written wrote