Shakespeare and His CriticsDuckworth, 1958 - 336 من الصفحات |
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النتائج 1-3 من 48
الصفحة 4
... least artistic , and connected least with the art of poetry . Having established these principles he goes on to discuss the proper structure of the Plot , ' since this is the first and most important thing in Tragedy ' : According to ...
... least artistic , and connected least with the art of poetry . Having established these principles he goes on to discuss the proper structure of the Plot , ' since this is the first and most important thing in Tragedy ' : According to ...
الصفحة 22
... least wishing to belittle the achievements of Johnson , I suggest that the reader look at Coleridge's notes on , say , Romeo and Juliet or The Tempest , and then consider who has added most to his understanding and appreciation of ...
... least wishing to belittle the achievements of Johnson , I suggest that the reader look at Coleridge's notes on , say , Romeo and Juliet or The Tempest , and then consider who has added most to his understanding and appreciation of ...
الصفحة 110
... least give us several up - to - date Shakespeares . If the only way to prove that Shakespeare did not feel and think exactly as people felt and thought in 1815 , or in 1860 , or in 1880 , is to show that he felt and thought as we felt ...
... least give us several up - to - date Shakespeares . If the only way to prove that Shakespeare did not feel and think exactly as people felt and thought in 1815 , or in 1860 , or in 1880 , is to show that he felt and thought as we felt ...
المحتوى
Richard III | 13 |
The Comedy of Errors | 61 |
Titus Andronicus | 105 |
حقوق النشر | |
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عبارات ومصطلحات مألوفة
acted action actor admirable appear audience beauty Blount and Jaggard character Coleridge comedy criticism Cymbeline death dramatic dramatist Dryden E. K. Chambers Elizabethan English Falstaff feeling Fletcher Folio genius Hamlet hath haue HAZLITT Henry hero honour human imagery images imagination Johnson Julius Cæsar King John King Lear labour Lord loue Lucrece Macbeth Maiesties Measure for Measure mind moral murder nature never night noble Othello passages passion PERFORMED perhaps Pericles person plot poems poet poetic poetry Prince Prince of Tyre Quarto Queen reader Richard romantic Romeo and Juliet scene seems sense Seruants Shake Shakespeare's plays Sonnets speare speare's speech spirit stage story Tempest theatre theme things Thomas thou thought Timon tion Titus Andronicus tragedy tragic Troilus and Cressida true truth unity Venus and Adonis verse whole William Shakespeare Winter's Tale words writing written wrote