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loped up to the gate, sprang from her horse, and falling at the Baron's feet embraced his knees. It was his lost daughter and her companion—the Specter Bridegroom! The Baron was astounded. He looked at his daughter, then at the Specter, and almost doubted the evidence of his senses. The latter, too, was wonderfully improved in his appear. ance, since his visit to the world of spirits. His dress was splendid, and set off a noble figure of manly symmetry. He was no longer pale and melancholy. His fine countenance was flushed with the glow of youth, and joy rioted in his large dark eye. The mystery was soon cleared up. The cavalier (for in truth, as you must have known all the while, he was no goblin) announced himself as Sir Herman Won Starkenfaust. He related his adventure with the young Count. He told how he had hastened to the castle to deliver the unwelcome tidings, but that the eloquence of the Baron had interrupted him in every attempt to tell his tale. How the sight of the bride had completely captivated him, and that to pass a few hours near her he had tacitly suffered the mistake to continue. How he had been sorely perplexed in what way to make a decent retreat, until the Baron's goblin stories had suggested his eccentric exit. How, fearing the feudal hostility of the family, he had repeated his visits by stealth—had haunted the garden beneath the young lady's window—had wooed—had won—had borne away in triumph—and, in a word, had wedded the fair. Under any other circumstances, the Baron would have been inflexible, for he was tenacious of paternal authority, and devoutly obstinate in all family feuds; but he loved his daughter; he had lamented her as lost; he rejoiced to find her still alive; and, though her husband was of a hostile house, yet, thank Heaven, he was not a goblin. There was something, it must be acknowledged, that did not exactly accord with his notions of strict veracity, in the joke the knight had passed upon him of his being a dead man; but several old friends present, who had served in the wars, assured him that every stratagem was excusable in love, and that the cavalier was entitled to especial privilege, having lately served as a trooper. Matters, therefore, were happily arranged. The Baron pardoned the young couple on the spot. The revels at the castle were resumed. The poor relations overwhelmed this new member of the family with loving kindness; he was so gallant, so generous, and so rich. The aunts, it is true, were somewhat scandalized that their system of strict seclusion and passive obedience should be so badly exemplified, but attributed it all to their negligence in not having the windows grated. One of them was particularly mortified at having her marvelous story marred, and that the only specter she had ever seen should turn out a counterfeit; but the niece seemed perfectly happy at having found him substantial flesh and blood—and so the story ends.
When I behold, with deep astonishment,
ON one of those sober and rather melancholy days in the latter part of autumn, when the shadows of morning and evening almost mingle together, and throw a gloom over the decline of the year, I passed several hours in rambling about Westminster Abbey. There was something congenial to the season in the mournful magnificence of the old pile; and as I passed its threshold, it seemed like stepping back into the regions of antiquity, and losing myself among the shades of former ages.
I entered from the inner court of Westminster school, through a long, low, vaulted passage, that had an almost subterranean look, being dimly lighted in one part by circular perforations in the massive
walls. Through this dark avenue I had a distant view of the cloisters, with the figure of an old verger,
in his black gown, moving along their shadowy
vaults, and seeming like a specter from one of the neighboring tombs.
The approach to the abbey through these gloomy monastic remains prepares the mind for its solemn contemplation. The cloister still retains something of the quiet and seclusion of former days. The gray walls are discolored by damps, and crumbling with age; a coat of hoary moss has gathered over the inscriptions of the mural monuments, and obscured the death's heads and other funeral emblems. The sharp touches of the chisel are gone from the rich tracery of the arches; the roses which adorned the key-stones have lost their leafy beauty; everything bears marks of the gradual dilapidations of time, which yet has something touching and pleasing in its very decay.
The sun was pouring down a yellow autumnal ray
into the square of the cloisters: beaming upon a
carved in relief, but nearly worn away by the footsteps of many generations. They were the effigies of three of the early abbots; the epitaphs were entirely
effaced; the names alone remained, having no doubt been renewed in later times. (Witalis. Abbas, 1082,
and Gislebertus Crispinus. Abbas. 1114, and Laurentius. Abbas. 1176.) I remained some little while, musing over these casual relics of antiquity, thus left like wrecks upon this distant shore of time, telling no tale but that such things had been and had perished; teaching no moral but the futility of that pride which hopes still to exact homage in its ashes, and to live in an inscription. A little longer, and even these faint records will be obliterated, and the monument will cease to be a memorial. While I was yet looking down upon the gravestones, I was roused by the sound of the abbey clock, reverberating from buttress to buttress, and echoing among the cloisters. It is almost startling to hear this warning of departed time sounding among the tombs, and telling the lapse of the hour, which, like a billow, has rolled us onward toward the grave. I pursued my walk to an arched door opening to the interior of the abbey. On entering here, the magnitude of the building breaks fully upon the mind, contrasted with the vaults of the cloisters. The eye gazes with wonder at clustered columns of gigantic dimensions, with arches springing from them to such an amazing height; and men wandering about their bases, shrunk into insignificance in comparison with his own handiwork. The spaciousness and gloom of this vast edifice produce a profound and