Film and Television After 9/11
In Film and Television After 9/11, editor Wheeler Winston Dixon and eleven other distinguished film scholars discuss the production, reception, and distribution of Hollywood and foreign films after the terrorist attacks of September 11, 2001, and examine how moviemaking has changed to reflect the new world climate.
While some contemporary films offer escapism, much of mainstream American cinema since 9/11 is centered on the desire for a ?just war” in which military reprisals and escalation of warfare appear to be both inevitable and justified. Films of 2002 such as Black Hawk Down, Collateral Damage, and We Were Soldiers demonstrate a renewed audience appetite for narratives of conflict, reminiscent of the wave of filmmaking that surrounded American involvement in World War II.
The attacks on the World Trade Center and the Pentagon galvanized the American public initially, yet film critics wonder how this will play out over time. Film and Television After 9/11 is the first book to provide original insights into topics ranging from the international reception of post-9/11 American cinema, re-viewing films of our shared cinematic past in light of the attacks, and exploring parallels between post-9/11 cinema and World War II-era productions.
ما يقوله الناس - كتابة مراجعة
Introduction Something Lost Film after 911
Architectural Nostalgia and the New York City Skyline on Film
The Shadow of the World Trade Center Is Climbing My Memory of Civilization
Representing Atrocity From the Holocaust to September 11
America under Attack Pearl Harbor 911 and History in the Media
City Films Modern Spatiality and the End of the World Trade Center
Today Is the Longest Day of My Life 24 as Mirror Narrative of 911
The HowTo Manual the Prequel and the Sequel in Post911 Cinema