Cinema and Painting: How Art is Used in Film

الغلاف الأمامي
Bloomsbury, 01‏/01‏/1996 - 320 من الصفحات
Explores the dialectic of word and image, the relationship between artistic creativity and sexual difference, and the tension between tradition and modemity through the work of Godard, Tarkovsky, Mizoguchi, Antonioni, Rohmer, Murnau, Minnelli and Cavalier.

طبعات أخرى - عرض جميع المقتطفات

نبذة عن المؤلف (1996)

Angela Dalle Vacche, Yale University

معلومات المراجع