OF HISTORICAL AND CRITICAL MATERIALS
'ABEL DRUGGER,' xlvi, 251 et seq.
Acheson, Arthur, 400.
Adams, Jos. Q., junr., (in Mod. Lang. Notes), 466 n.
Admiral's players, xv, xvii, xviii-xx, xxv, xxxi, xxxvi-xxxviii, xlii, lii, liv. cessively, Prince Henry's, Palsgrave's. Albright, V. E. (The Shakesp. Stage), 467 n. Alchemist, The, by Jonson, Critical Essay on,
with edition of, and notes, by G. A. Smithson, 245-394; quality and pur- pose of, 247; dramatic construction, 250; date, 253; sources, 254; on the present text, 256; previous editions, etc., 257. Other mention, xiii, xli; its popularity as a stage-play, xlvi-xlvii; lix; 12, 13, 116, 117, 126, 127. Alleyn, Edward, xvii, xviii, xix, xxxvii. All Fools, xxiv, xxxi, xxxix, xlix, lii, liii. All for Money, xxvi.
All's Well that Ends Well, xiv, xv, li. Amends for Ladies, lix, 'Anaides,' xxxiv.
Anne of Denmark, queen of James I,
her company of Queen's players, xxxvii, xxxviii. Formerly the Earl of Worces- ter's.
Arber, E. (Transcripts of the Stationers' Registers), passim.
'Antonio Balladino,' xxiii, xxxiii. Antony and Cleopatra, xli
Aquinas, Thomas, 232 я.
Argurion,' 123.
Aretino, 294.
Armin, Robert, xl, 394.
As You Like It, xvi, xli.
Attawell, Hugh, xl, 142, 244.
Aubrey, J., Lett. by Em. Persons, 528 n. Aulularia, 9 n, 173 n.
Barksted, W., 142, 244. Barnes, Barnabe, xli, xliii. Barry, Lodowick, xxxix. Bartholomew Fayre, xlvii, 3, 129, 247. Battle of Alcazar, The, xvii. Bayne, Ronald, xxii.
'Beatrice' (in The Dutch Courtesan), lvi. Beaumont, Francis, xii, xxiii, xxxviii, xxxix, xlii, xlix, lv, lix, 115.
Beaumont and Fletcher, joint plays, xiii, xliii, li, lviii.
Beaux Stratagem, The, 128
Beeston, Christopher, xxxviii, xl, 111. Beggars Bush, xliii.
Belphegor, xxxi, 14.
Betterton, Thomas, xiv, lvi, 116.
Black Batman, First Part of, xix. Blacke Booke, The, 516.
Blacke Yeare, The, lvii, 411.
Blackfriars theatre, The, xxxii, xxxiii, xxxix, xli, xlvi.
Blind Beggar of Alexandria, The, xxiv, xxvii, lii, liii.
Blind Beggar of Bednal Green, The, xxiii. Blurt Master Constable, xxxv.
'Bobadill,' xvii, xxii, xvii, 6, 8.
Boccaccio, 292.
Bond-Man, The, xiii.
Bonnefons, Jean, 147.
Brand, John, Popular Antiquities, 531, 550.
Brewer, Thomas, 508 n.
Brome, Richard, xii, xiii, lix.
Brooke, C. F. Tucker, xxxiv, xxxv, 505 n, 517.
Broughton, Hugh, 357 n, 358 n.
Bruno, Giordano, 255.
Bullen, A. H., lvi, 399 n, 402, 403, 404,
413, 417 n, 428 n, 516 n, et passim. Burbadge (Burbage), Cuthbert, xxxii, xli. Burbadge, James, xx, xxxii.
Burbadge, Richard, xvii, xix, xx, xxvi, xxxii, xxxix, xl, xli. 111, 394, 401. Bussy D'Ambois, lviii,
Carey, Giles, xl, 142, 244.
Case is Altered, The, xiii, xxiii, xxxiii, 3, 9. Castelain, Maurice, 411. Catiline, xli, 3, 13, 247.
Chamberlain's players, xv, xvi, xix, xxxii, xxxiii, xxxv, xxxvi, xxxvii, xxxviii, xl, After May 17, 1603, the
King's players, q.v. Chances, The, xiii. Chapman, George, xii, xiii; with the
Henslowe Group, xv, xx; in the new critical movement, xxiv-xxviii; in the war of the theatres,' xxxii, xxxiii, xxxv, xxxvi; with theatrical companies after 1599, xxxvii, xxxix, xl; estimate of the literary and dramatic value of his comedies, xlix-liv; his life, 397, and his connection with Jonson and Marston in the authorship of Eastward Hoe, 398-412,-Critical Essay by J. W. Cunliffe; edition of the play, by the same, 412-501. Charles (Prince), his players, xxxvi, xxxvii, xxxviii, lix.
Chaucer, his 'Perkin Revelour,' 404. Chettle, Henry, xii, xv, xvii, xix, xx, xxi, xxii, xxiii-xxiv, xxv, xxx, xxxi, lix.
Child, Clarence G., 255.
Children of the Chapel, xvi, xviii, xxvii,
xxxii, xxxiii n, xxxvi, xxxvii, xl, liv, lviii. After 1603, as Children of her Majesty the Queen's Revels, xxxvi, xxxvii, xxxix-xl, xli, xlii, xliii, xlvi, xlix, lix, 115, 142, 244.
Children of the Chapel at Blackfriars, (Wallace), xxxiii n.
Children of Paul's, xvi, xxvii, xxxii, xxxiii,
xxxv, xxxvi, xxxvii, xxxviii, xxxix, xl, liv. In and after 1607, as Children of his Majesty the King's Revels, xxxvi, xxxix, xl.
Cibber, Theophilus, xlvi. Cicero, 136.
City Madam, The, xiii.
City Match, The, 128.
Classical rules, so-called, xxvii; comedy, 15, 'Clerimont,' 119 et seq.
Cockpit theatre, The, xxxviii.
'Cockledemoy,' lv.
Coleridge, S. T., xlvi, 120, 123, 124, 125,
Colman, George, the elder, 118.
Collier of Croydon, The, 129.
Comedy of Errors, The, xv, xxviii, xlii, xlvii, 126, 127.
Comedy, the Fellows and Followers of Shake- speare in, Part I, by C. M. Gayley, xi-lix the judgment of posterity, xi; relative survival of comedies (1597- 1625), xiii; Shakespeare and the theatrical companies (1597-1603), xv; tendencies of the Henslowe group of play- wrights, xx; the old sensational comedy, xxi; the new critical movement, xxiv; constructive comedy, Robert Wilson, etc., xxvi; classical rules, xxvii; per- sonal satire and the little 'eyases,' xxxii; companies and playwrights (1603- 1614), xxxvi; the critical comedy, principally of humours and intrigue, xliii; in Jonson, xliv ; in Chapman, xlix; in Marston, liv; in Field, Iviii; decadence of Elizabethan comedy, xlviii. Comedy, in general: Jonson's theory of, 4-14; some essentials of construction, 117-120; characterization in, 121–125; relation to farce, 125-127; of London life, 128; critical and non-critical,
247; structure of the typical, as com- pared with tragedy, 252. See also under Humours, Intrigue, Manners, Realism, Romantic, Satire, Unities. Comedy of Humers, The, lii.
Companies of actors (1597-1603), xv−xx ; (1603-1614), xxxvi-xliii; and see under Admiral's, Anne (Queen), Chamberlain's (King's), Prince Charles, Children of the Chapel (Queen's Revels' children), Children of Paul's (King's Revels' children), Derby, Elizabeth (the Princess), Elizabeth (the Queen), Prince Henry, Leicester, Notting- ham, Palsgrave, Pembroke, Rossiter, Strange, Worcester.
Condell, Henry, xvii, xix, xxvi, xl, 111, 394. Congreve, William, 124, 128. Cooper's Thesaurus, 531, and note. Coriolanus, xl.
Court, companies and plays before the, xv xviii, xix, xx, xxxiii, xxxviii, xxxix, xl, xli, xlii, xliii, lvi, 116. Covent Garden theatre, The, xliv. Cowley, Richard, xl.
Coxcombe, The, xiii, xl, xliii.
Coxeter, Thomas, 513.
'Crackstone,' xxii.
Cratinus, xxvii.
"Crispinus,' xxxiv, lv.
'Crispinella,' lvi.
Cuckold's Haven, liv.
Cumberland, Richard, xlv.
Cunliffe, J. W., Critical Essay on Eastward Hoe, 397-413; edition of the play, 415-501.
Cunningham, Peter, xlii, 116 n. Cupid's Revenge, xl.
Curtain theatre, The, xv, xix, xxxviii. Curtis, H. D. (in Modern Philology), 305 n. 'Cutbeard,' 120 et seq. Cymbeline, xli.
Cynthia's Revels, xxxiv, lviii, 3, 9.
DAMON AND PITHIAS, XXVIII. 'Dame Pliant,' 253 et seq.
Daniel, Samuel, xxxiii, 15, 109 n, 161 n. Day, John, xii, xx, xiii, xxix, xxxi, xxxvii, xxxviii, lix.
'Dauphine,' 117 et seq.) 'Daw, Sir John,' 118 et seq.
Death of Robert, Earle of Huntington, The
Dee, John, 249, 254, 315 Dekker, John, xii, xiii, xvi, xix, xx, xxiii, xxiv, xxvii, xxix, xxx, xxxi; in 'the war of the theatres,' xxxii-xxxv; xxxvii, xxxviii, xxxix, lix, 9, 177 n., 249, 404, 513. 'Demetrius,' xxxiv.
Derby, the Earl of, his players, xvi. Devil and his Dame, The, xxxi. Dickens, Charles, xliv.
Divell is an Asse, The, 3, 13, 14, 514. Divil's Charter, The, xli.
Dobell, B., 398, 401, 406, 411, 412. Dodsley, Robert, his Old English Plays, 413, 517, et passim. 'Doll,' xlvi, 12.
Doni, Fables of Bidpai, 207 n, 208. Dowland, John, 452 n.
Downfall of Robert, Earle of Huntington, The, xxii.
Drayton, Michael, xii, xv, xix, xx, xxi–xxii, xxiii, xxiv, xxxvi, lix, 513.
Dr. Faustus, xviii, 508, 513.
Drummond, William, xxxiv, 3, 115, 398, 399, 401, 405, 410.
Drury Lane theatre, The, xliv, liv, lvi. Dryden, John, xlvi, xlvii, xlviii, 11, 116, 117, 118, 124, 127, 128.
Dugdale, G., xxvi.
Duke, John, xxxviii, xl, III.
Dutch Courtezan, The, xiii, xl, liv–lvii, lviii, lix.
EASTWARD HOE, by Chapman, Jonson, and Marston, edition of, with Critical Es- say and notes, by J. W. Cunliffe, 395- 501; life of Chapman, 397; life of Marston, 398; personal relations of the authors, 398; was Shakespeare concerned? 400; division of author- ship, 401; quality and place in history of comedy, 404; the author's im- prisonment, 405; previous editions and the present text, 412. Other mention of the play, xiii, xxxiv, xxxv, xxxix, xl, xlix, lii, liv, lv, lvi, lviii, lix, 129, 512
Edmunds, Chas. (in Athenæum), 491 n. Edward IV, First and Second Parts, 512. Edwards, Richard, xi. Elizabeth (Princess), her players, xxxvi, xxxvii, xl, liv.
Elizabeth (Queen), her players, xvi, xviii, xx, xxi, xxvi, xxxvi, xxxviii.
English Dramatic Companies (Murray), xxvi n., 115 n.
Englishmen for my Money (A Woman Will
Have her Will), xxix-xxxi. Epicoene or The Silent Woman, by Jonson, critical essay by C. M. Gayley, 113- 137; history of the play, 115; dramatic construction-plot, 117; characters, 121; farce or comedy? 125; place in the development of English comedy, 128; sources, 129; translation of Li- banius' Aúσkoλos, by B. H. Jones, with notes by C. M. Gayley, 130; previous editions of Epicoene, and the present text, 136; edition of the play, 139-243. Other mention, xiii, xxxix, xl, xlvi, xlvii, lviii, lix; 3, 11, 12, 247. 'Epicure Mammon, Sir,' 13, 247 et seq. Eupolis, xxvii.
Every Man in his Humour, by Jonson,
estimate of, in Critical Essay on Ben Jonson, by C. H. Herford, 3-16; text with explanatory notes, 16-111. Other mention, xiii, xvi, xviii, xix, xxx, xxxiii; its survival upon the stage, xliv–xlv; xlvii, lix; 247, 512. Every Man out of his Humour, by Jonson, xvi, xvii, xxxiv, 3, 8, 9, 399. FABELL, PETER, 506, 509, 514, 521 n, et seq. 'Face,' xlvi, 12, 251 et seq.
Faire Maide of Bristow, The, xli, xliii. Faire Maid of the West, The, xiii. Falkland, The Viscountess, lvii.
'Falstaff,' xvii, xxvi, xli, 116.
Farce, its place in comedy, 125-127. 'Fastidius Briske,' 8.
Fatall Dowry, The, lix.
'Faunus,' lv.
Faust Book, The, 507-508, 522 n. Fawne, The, or Parasitaster, lv, lviii. Fedele and Fortunio, xxii.
Field, Nathaniel, xii, xl, xli, lviii-lix, 115,
Fleay, F. G., 115 n, 116 n, 402, 403, 513;
his History of the Stage and Chron. Engl. Drama, passim. Fletcher, John, xii, xiii, xxiv, xxxix, xlii, xliii, xlix, li, lii, lviii, lix, 116, 398, 399.
Fletcher, Laurence, xl. Ford, John, xii, xiii, 6. Forman, Simon, 199, 254. Fortune by Land and Sea, xiii.
Fortune theatre, The, xviii, xxxii, xxxiii, xxxvi.
Four Plays in One, xxvi, lix.
Foure Prentices of London, The, xxxviii. Fox, The, see Volpone.
Fox (or Foxe), John, Book of Martyrs, 150n. "Franceschina, lvi.
Friar Rush and the Proud Woman of Antwerp, xxxi.
Frier Bacon and Frier Bongay, The Honour- able Historie of, xvii, xxxi, 508, 513. Friesen, H. von (in Shakesp. Jhrb.), 511 n. Fryer Bacon, The Famous Historie of, 505- 507. 'Fungoso,' 8, 124.
GAMMER GURTON, 129.
Garrick, David, xliv, xlvi, 118. Gascoigne, George, xi, 5, 404.
Gayley, C. M., A Comparative View of the Fellows and Followers of Shakespeare in Comedy, Part I, xi-lix; Critical Essay on Epicoene, or The Silent Woman, 113-137 ; edition of The Silent Woman, 139–243; 538 n, 570 n, et passim.
Geneva Bible, The, 539 n. Gentleman Usher, The, xlix, 1, li, lii, liii. Gifford, William, xlvi, liv, 17, 124, 136,
256, 257, 258; and in notes to Epi- coene, passim.
'Girtred' (in Eastward Hoe), 405 et seq. Globe theatre, The, xvi, xviii, xxxii, xli. Godwin and his Three Sons, First Part of, xix.
Good-Natured Man, The, 128.
Greene, Robert, xi, xv, xvii, xviii, xxi, xxiv, xxvi, xxviii, xxxi, lviii, 128, 249, 513.
Greg, W. W., xxvi n.
Grim, the Collier of Croydon, xxx, 129. Groatsworth of Wit, A, xxi.
HALLIWELL-PHILLIPS, J. O., 413, 469n. Hamlet, xvii, xxxii, xxxv, 450 n, 512, 513. Harington, Sir John, 141, 165 n, 216 n. Harris, Elmer, 120-121. Harrison. Wm., Description of England, 530 n.
Henslowe, Philip, xii, xv; his theatres, actors, 'henslow-terature,' xvii-xx ; ten- dencies of his group of playwrights, xx-xxxii, xxxiii, xxxvii, xlix, lii, liv, 397, 398. Diary and Papers, passim. Herford, C. H. xxvii, xliv, xlvi, xlvii, 118, 125; Critical Essay on Ben Jonson, 3- 16; explanatory notes to Every Man in his Humour, 19–111.
Heywood, Thomas, xii, xiii, xx, xxiii, xxiv, xxix, xxxi, xxxvii, xxxviii, xliii, liii, lix, 512.
Histriomastix, xxxiii, liv.
Hogarth, William, xlvii, 405. Holthausen, F. (in Anglia), 10 n. Honest Whore, The, xxxvii.
Hook, Theodore, 126. Hopkinson, A. F., 517.
Horace, De Arte Poetica, 144; Carmina,
Hunt, M. L. (Thomas Dekker), 404 n. Hurd, 127. Hyckescorner, xxvi, Hymenacus, 5.
INNS OF COURT, The, 5.
Interludes of Mirth, Youth, Morality, their contribution to the 'humours' comedy, xxvi.
Intrigue in Munday, xxii; in the critical school, xxvii; in the popular movement, xxviii; in plays of the King's com- pany, xlii, xliii.
Island Princess, The, xliii.
JACKE DRUMS ENTERTAIMENT, xxxiii, lv. Jeffes, Anthony and Humphrey, xviii. Jeronymo, xvii.
Jew of Malta, xvii, xviii.
John a Kent and John a Cumber, xxiii. Jones, Bayard H., Translation of Libanius, Sixth Declamation, 130–135. Jonson, Ben, with the Henslowe group, xviii-xx, xxiii; in the new critical movement, xxiv-xxviii; in the 'war of the theatres,' xxxii-xxxvi; estimate of the vitality of his comedies, xliv- xlix. Critical Essay on Ben Jonson by C. H. Herford, 3-16; his life, 3; his mental habit and outlook, his first period-humour comedies, 4; his theory of comic art, 5; his satire, 9; his second period, 10; his third period, 13; place in the history of comedy, 15. Previous editions of Every Man in his Humour and textual presentation of the folio of 1616, by G. A. Smithson, 16- 111; explanatory notes to the same by C. H. Herford, 23-111; Critical Essay on Epicoene or the Silent Woman, with edition of the play, by C. M. Gayley, 113-243; Critical Essay on The Al- chemist, with edition of the play, by G. A. Smithson, 245-394; Critical Essay on Eastward Hoe (Chapman, Jonson, and Marston), with edition of the play, by J. W. Cunliffe, 395- 501; Jonson's share in the authorship of E. Hoe, 401; his imprisonment for, and correspondence concerning, 405. Jordan, Mrs., xiv.
Juby, Edward, xviii, xxxviii.
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