xxxviii, xl, 111, 400.
Kelley, Edward, 254, 341.
Keyes, F. V., 127.
King and no King, A, xiii, xlii, li, lv. King of Fairies, The, xxi.
King's players, The (James I), xvi, xxxvi, xl-xlii; character of their plays at Court, xlii-xliii; xlvi, xlvii, lix, 259, 394, 519. Formerly the Chamber- lain's, q.v.
King's Revel's children, formerly Children of Paul's, q.v.
Loyal Subject, The, li.
Lupton, Thomas, xxvi.
Lyly, John, xi, xv, xxvi, xxxii, 1.
MACBETH, xli, xliii. Machiavelli, xxxi, 14.
Macklin, Charles, and Mrs., xlvi, 128. Madan, Sir Frederick, 412 n. Mad World, my Masters, A, xxxix. Magnetick Lady, The, 3, 14. Maid in the Mill, The, xiii, xliii. Maid of Honor, The, xiii. Maid's Tragedy, The, xvi, xlii. Malcontent, The, xli, liv, lv, lviii, 399. 'Malevole,' lv. 'Malheureux,' lv.
Malone, Edmund, xlii. "Mammon, Sir Epicure,' 116 et seq., 247 et seq. Mankynd, 129.
Manly, J. M., xxi; Critical Essay on The Merry Devill of Edmonton, with an edition of the play, 503-575. Mannington, G., A Woeful Ballad, 496 n. Manners in Wilson, xx; in Munday,
Chettle, xxiii-xxiv, and Porter, Haugh- ton, Dekker, xxix-xxxi ; in Jonson, xlv, xlvii, xlviii; in Chapman, lii; in Marston, liv, Ivi; in Jonson again, 5, 16, 126-129, 249, 404.
Marlowe, Christopher, xv, xvii, xviii, xxiv, xxxii, 397, 508.
Marston, John, xii, xiii; with the Hen- slowe group, xx; in the new critical movement, xxv-xxviii; in the 'war of the theatres,' xxxiii-xxxv; with theatri- cal companies after 1599, xxxvii, xxxix, xli, liv; estimate of the literary and dramatic value of his comedies, liv- lviii, 161 n; his life, 397, and his con- nection with Chapman and Jonson in the authorship of Eastward Hoe, 398- 412,-Critical Essay by J. W. Cunliffe; edition of the play, by the same, 412– 501. Massacre of Paris, The, xvii. Massinger, Philip, xii, xiii, lix. "Master Matthew,' xxxiii.
'Master Stephen,' 6, 8.
Match in Newgate, A, lvi. May, Thomas, xii. May-Day, li, lii, liii.
Measure for Measure, xiv, xli, xlii, li, liii. Merchant of Venice, The, xv, xlii, li. Meredith, George, xxv. Meres, Francis, xii, liii, 397.
Merry, concerted jests of Geo. Pecle, The, lv. Merry Devill of Edmonton, The, (anon),
edition of, with Critical Essay and notes, by J. M. Manly, 503-575; sources, 505; date, 511; authorship, 513; place in history of comedy, 514; previous editions and the present text, 516. Other mention, xvi, xxi, xliii, lix, 14, 129.
Merry Devill of Edmonton, Life and Death
of the, by T. B., 508–511.
Merry Wives of Windsor, The, xv, xxx,
xlii, xlvii, lvi, 126, 127, 129, 511, 516. Michaelmas Term, xxxix.
Middleton, Thomas, xii, xiii, xx, xxiv, xxix, xxxv, xxxvii, xxxviii, xxxix, xlix, lii, liii, lviii, lix.
Midsummer Night's Dream, A, xiv, xv, xxii, xli, 126, 127.
'Milliscent of M. D. E., The, and its source, 505 et seq. Minto, William, 400.
Mirror of Princely Deeds, etc., The, 274 n, 363 n. Miscellanea Antiqua Anglicana, 505-506, 508 n.
Miseries of Enforced Marriage, The, xli. Mohun, Michael, 116.
Mompesson, Sir Giles, 249.
Monsieur D'Olive, xxiv, xlix, li, lii, liii. Moody, William Vaughn, 511.
Moral play, The, its relation to comedy, xx, xxvi, 14.
More, Sir Thomas, 459 n.
More Dissemblers besides Women, xliii. Morellus, F., 129.
'Morose,' 11, 115 et seq.
Morton, J. M., 125, 127. 'Mosca,' 12.
Mountjoy, Chr., 202.
Mucedorus, xliii.
Much Ado about Nothing, xvi, xlii, xliii, li,
Murray, Sir James, 405.
Murray, J. T., xxvi n, 115 n. Mussafia, in Germania, 508 n.
NASHE, Thomas, xi, xv, xxiii, xxiv, 249. Nature, interlude of, 129.
Newington Butts theatre, The, xvii. New Inne, The, 3, 14.
New Way to Pay old Debts, xiii.
New Wonder, A, a Woman Never Vext, xiii.
Nixon, Anthony, lvii, 411,
Nottingham, the Earl of, his players, xxxvi; and see Admiral's.
O'KEEFE, John, 126. Oldcastle, Sir John, xxii, 512. Old City Manners, xiii.
Olde Fortunatus, xiii, xxxi, xxxii. Oldys, William, 513.
Orlando Furioso, (Greene's), xvii, xviii. Osteler, Ostler, Will, xli, 394. Ostend, 197. Othello, xli, xlii.
Ovid, 135, 147 n, et passim.
PALLANT, Robert, xxxviii, xl. Palsgrave, the (Frederick, Elector Palatine), his players, xxxvii, xlii. Formerly the Lord Admiral's and Prince Henry's, 9.v.
Parasitaster or The Fawne, q.v. 'Parolles,' 6.
Parrot, T. M., xlix.
Passions and humours' in the drama, xlviii.
Patient Grissil, xxiii, xxx, xxxi.
Paul's boys; see Children of Paul's. Peele, George, xi, xv, xvii, xxiv, 128.
Pembroke, the Earl of, his players, xv, xxxviii.
Penniman, J. H., xxxiv n. Pepys, Samuel, xiv, 116, 128. Pericles, xl.
Petronius, 10 n, 147. Phelps, W. L., xliv, li. Philaster, xiii, xlii, li, lv. Phillips, Edward, 128.
Phillipps, Augustine, xvii, xxxii, xl, 111. Piers of Exton, xix. Pilgrim, The, xiii, xliii. Plain Dealer, The, 128.
Plautus, 5, 15, 16, 129, 136, 207 n, 255. Players; see Companies.
Plays of our Forefathers (Gayley), xxii. Playwrights, xii, xv; of the Henslowe
group, xix-xxxii; in the war of the theatres,' xxxii-xxxvi; from 1603-1614, xxxvi-xliii; and under individual names. Poetaster, The, xxxiv, lv, 3, 7, 8, 10, 11, 399, 400.
"Poetry and Common Sense," article in
The Nation, (N. Y.), quoted, lvii. Pope, Thomas, xvii, xxxii, III. Porter, Henry, xi, xii, xx, xxiii, xxiv, xxv, xxviii, xxix, xxxi, lix, 129, 515. 'Postehaste,' xxiii.
Praise of Hempseed, The, xii.
Prince Charles, Henry; Princess Elizabeth; see under names.
Proescholdt, L., 516, and in notes to M.D.E.
Prophetess, The, xiii. 'Puntarvolo,' 8.
QUEEN's men, The; see under Elizabeth and Anne.
Queen's Revels' children; see under Children of the Chapel.
'Quicksilver' (in Eastward Hoe), 404 et
Rare Triumphs of Love and Fortune, The, xx. Reade, Simon, 276.
Realism in R. Wilson, xxvi; in the popular movement, xxviii; in the plays of the children's companies, xxxix-xl; and as under Mannərs. Red Bull theatre, The, xxxviii. Returne from Pernassus The, xxxv, 400. Revenge, The, lvi.
Revenger's Tragedy, The, xli.
Reynolds, G. F. (in Mod. Phil.), 467 n. Rival Friends, The, 128. Roaring Girl, The, xxxvii.
Robin Hood, xix (Downfall, and Death of Robert, Earl of Huntington, by Mun- day and Chettle, q.v.). Roister Doister, xxvi, xxviii, 129. Romantic comedy: in Wilson, xx; in Munday, Chettle and others, xxii–xxiv ; romantic intrigue in Chapman and Marston, xxvii, xlix-lii, lv-lvi; in the
popular movement, xxviii; in plays or the King's company, xliii; of adventure, 5; of hero and heroine, 515.
Rose theatre, The, xv, xvii, xviii, xxvi. Rossiter, Philip, his Revels' company (a name for the 2 Queen's Revels chil- dren, Jan 4, 1610-March, 1613), xl. Rowlands, S., 516.
Rowley, William, xii, xiii, xxxix, xlix, lviii, lix.
Royal King and Loyal Subject, The, xxxviii. Rule a Wife and Have a Wife, xiii.
SAD SHEPHERD, The, 15.
Satire in the new critical movement, xxiv-xxvii ; of the Children's companies, xxxii-xxxvi, xxxix; of Jonson, xliv- xlix; of Chapman, li-liii; of Marston, liv, lvii; of Jonson again, 7-12, 247- 250; of Eastward Hoe, 404. Satire-Mas ix, xvi, xxxiv, xxxv. Schelling, F. E., xxviii, xxxiv n, 248 n, 256, 268 n, 401, 403, 404, 413, and in notes to E. Hoe.
Schipper, J., 402.
Scornful Lady, The, xiii, xl. Scott, Sir Walter, 517.
Scourge of Villanie, The, xxxiii, xxxiv, lvii. Sejanus, xli, 3, 10, 11, 247, 399, 400, 410. Seven Deadly Sins, The, xxiv. Shadwell, Thomas, 116, 128. Shakespeare, Apocrypha, The, see Brooke. Shakespeare, William, xi, xii, xiii; sur- vival of his comedies upon the stage, xiv-xv; and the theatrical companies, XV-XX, 111; xxii, xxiv; in 'humours,' xxvi, xxviii, xxx, xxxii; and the 'war of the theatres,' xxxv, 400; xxxvii; with the King's players, influence upon their drama, xl-xliii,li, lix; in relation to Jonson in comedy, 4, 5, 6, 13, 16, 126, 127; in relation to The Merry Devill of Edmonton, 511-514, 517. Sheares, William, lvii. Shepherd, R. H. 403, 413. Sheridan, Thomas, 126. She Stoops to Conquer, 127.
Shirley, James, xii, xiii, xlvi, liii, lix, 116. Shomaker's Holiday, The, xiii, xxx, xxxi, lvi, 129. Siddons, Mrs., xlvi.
Silent Woman, The; see Epicoene.
Slye, William, xvii, xix, xl, 11I. Small, R. A., xxxiv n. Smith, Wentworth, xxiii.
Smithson, G. A., on previous editions of
Every Man in his Humour, 16; textual presentation of the first folio of E.M.i.H., for Professor Herford's edition, 19–111; Critical Essay on the Alchemist, 245-258; edition of The Alchemist, 259-354. Some Supposed Shakespeare Forgeries (Law),
xlii n. Sophonisba, lv, 400.
Spanish Curate, The, xiii, xliii.
Spanish Gipsie, The, xiii.
Spanish Tragedy, The, 423 n.
Sprenger, in Zs.f.d.Phil., 508 n, Spenser, Gabriel, xviii. Stage Quarrel, The, xxxiv n.
Staple of Newes, The, xviii, xlvii, 3, 14. Stoll, E. E., liv, Iviii n.
Stow's Chronicle, xii, xx.
Strange, Ferdinando, Lord, his players, xvi, xvii, xxvi; and see Chamberlain's. Stubbs, Philip, Anatomy of Abuses, 564 n. 'Subtle,' 12, 13.
Supposes, The, xxviii, 5.
Swinburne, A. C., xi, xlvi, xlix, 125, 127
Theatres, The London; see under Black- friars, Cockpit, Curtain, Fortune, Globe, Newington Butts, Red Bull, Rose, White- friars.
Theatres, The war of the, xxxii-xxxvi, 399– 401; and see Penniman, Small, Three Ladies of London, The, xxv.
Three Lordes and Three Ladies of London, The, xxvi, xlvii.
Third Blast of Retrait from Plais, etc., 515. Thoms, Lays and Legends of Germany, 525 n.
Thorndike, A. H., 403 n. Tieck, L., 511 n. Timon of Athens, xli. Tom Tyler, 129. Tourneur, Cyril, xli. Trial of Treasure, The, xxvi. 'Tribulation,' 248.
Trick upon Trick, xiii, lvi.
Trick to Catch the Old One, A, xxxix. Troilus and Cressida, xiv, xvii, liii, 400. "True-wit,' 118 et seq.
Tudor Drama, The (Brooke), xxxiv n. Twelfth Night, xvi, xvii, xliii, 126, 127,
Two Angry Women of Abington, The, xxix, Xxx, xxxi, 129, 515.
Two Gentlemen of Verona, The, xv, xli, li. 126, 127.
UNITIES, The, in Chapman, Jonson, Mars- ton, xxvii-xxviii; 5, 11, 12, 15, 117, 251.
Upton, J., in notes to Epicoene, passim.
VICE, the, in relation to the 'humour,' xx, xxvi.
Vintner in Suds, Vintner Tricked, lvi. Virgil, 205 n.
Volpone, or The Fox, xiii, xxviii, xli, xlv- xlvi, xlvii, lix, 3, 10-13, 14, 116, 117, 124, 126, 127, 247, 399, 410-411.
WALKER, Hugh, 517, and in notes to
Wallace, C. W., xxxiii, xxxix, n, 202. Ward, A. W., xlix, lvi, 125, 404, 508 n. Warnke, K., 516, and in notes to M. D. E. Warning for Fair Women, A, xvi. Weakest Goeth to the Wall, The, xxiii.
Webster, John, xii, xx, xxiii, xxix, xxxi, xxxvii, xxxviii, xxxix, xli, liii, liv, lviiiļn, 404.
Welshman, The, xix.
Westward Hoe, 404.
Whalley, Peter, 136, 256; and in notes to Epicoene, passim.
What Will Be Shall Be, xxv. What You Will, xxvii, lv, lviii. White Devil, The, xii, xxxviii, xxxix. Whitefriars theatre, The, xxxix, xli. Whitman, Walt., lvi.
Widdowes Teares, The, xl, li, lii, liii. Wild-Goose Chase, The, xliii. Wilkins, George, xli.
Wilson, Robert, (the elder), xi, xv, xvi, xviii; in the development of the moral play toward romantic and social comedy, xx-xxi, xxvi, xlvii.
Wilson, Robert, (the younger), xii, xix, xxiii. Winter's Tale, The, xvi, xli, xlii, xliii.
Wise-Womar of Hogsdon, The, xxxviii. Wit and Wisdome, 129. Wit's Treasury, xii.
Wit without Money, xiii. Women Hard to Please, xxv. Wood, Anthony à, 141.
Woman is a Weather-cocke, A, lviii. Woman Kilde with Kindness, A, xxxviii. Woman's Revenge, lvi.
Woman will have her Will, xxix, xxx. Woodbridge, E., (Studies in English Comedy) 248 n.
Worcester, the Earl of, his players, xviii, xxxvi, xl; afterwards players of Queen Anne, q.v.
World Runs on Wheels, The, (All Fools), liii
Yorkshire Tragedy, The, xli. Young, Stark, 119.
'Zeal of the Land, Busy,' 13.
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