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been awakened by the music, and had followed her silently to the window, fell into her arms. When she looked again, the spectre had disappeared. • Of the two females, the aunt now required the most soothing, for she was perfectly beside herself with terror. As to the young lady, there was something, even in the spectre of her lover, that seemed endearing. There was still the semblance of manly beauty; and though the shadow of a man is but little calculated 46 to satisfy the affections of a love-sick girl, yet, where the substance is not to be had, even that 47 is consoling. The aunt declared she would never sleep in that chamber again; the niece, for once 48, was refractory, and declared as strongly that she would sleep in no other in the castle: the consequence was, that she had to sleep in it alone; but she drew a promise from her aunt not to relate the story of the spectre, lest she should be denied the only melancholy pleasure left her on earth — that of inhabiting the chamber over which the guardian shade of her lover kept its nightly vigils.

How long the good old lady would have observed this promise is uncertain; for she dearly loved to talk of the marvellous, and there is a triumph in being the first to tell a frightful story; it is, however, still quoted in the neighbourhood, as a memorable instance of female secrecy, that she kept it to herself for a whole week; when 49 she was suddenly absolved from all further restraint, by intelligence brought to the breakfast table one morning that the young lady was not to be found. Her room was empty — the bed had not been slept in - the window was open, and the bird had flown!

The astonishment and concern 50 with which the intelligence was received, can only be imagined by those who have witnessed the agitation which the mishaps of a great man cause among his friends. Even the poor relations paused for a moment from the indefatigable labours of the trencher; when the aunt, who had at first been struck speechless, wrung her hands, and shrieked out, „The goblin! the goblin! she's carried away by the goblin !"

46) Zu cálculated vergl. S. 174, Anm. 12.
47) that d. h. the shadow.
48) for once = diesmal (ausnahmsweise).

49) Zu when zur Bezeichoung eines plötzlich eintretenden Ereignisses vergl. S. 117, Anm. 19.

50) concern (v. mlat. concernere aus cum und cernere sehen, vergl. wegen der Begriffsentwickelung das lat. spectare, das fr. regarder betreffen, z. B. cela ne me regarde pas) = Angelegenheit die Jem. angeht, Interesse, das Jem. nimmt, Sorge, Unruhe, Kummer.

In a few words she related the fearful scene of the garden, and concluded that the spectre must have carried off his bride. Two of the domestics corroborated the opinion, for they had heard the clattering of a horse's hoofs down the mountain about midnight, and had no doubt that it was the spectre on his black charger, bearing her away to the tomb. All present were struck with the direful probability: for events of the kind are extremely common in Germany, as many well-authenticated histories bear witness.

What a lamentable situation was that of the poor Baron! What a heart-rending dilemma for a fond father, and a member of the great family of Katzenellenbogen! His only daughter had either been rapt 51 away to the grave, or he was to have some wood-demon for a son-in-law, and, perchance, a troop of goblin grand.children. As usual, he was completely bewildered, and all the castle in an uproar. The men were ordered to take horse, and scour every road and path and glen of the Odenwald. The Baron himself had just drawn on his jack – boots, girded on his sword, and was about to mount his steed to sally forth on the doubtful quest, when he was brought to a pause by a new apparition. A lady was seen approaching the castle, mounted on a palfrey, attended by a cavalier on horseback. She galloped up to the gate, sprang from her horse, and, falling at the Baron's feet, embraced his knees. It was his lost daughter, and her companion - the Spectre Bridegroom! The Baron was astounded. He looked at his daughter, then at the spectre, and almost doubted the evidence of his senses. The latter, too, was wonderfully improved in his appearance, since his visit to the world of spirits. His dress was splendid, and set off 52 a noble figure of manly symmetry. He was no longer pale and melancholy. His fine countenance was flushed with the glow of youth, and joy rioted in his large dark eye.

The mystery was soon cleared up. The cavalier (for, in

51) rapt Particip von to rap entführen. Verba mit kurzem Stammvocal und auslautendem p, s, x, n, 1 verwandelten früher bänlig d in t; in der neuesten Zeit sind wenige im allgemeinen Gebrauche geblieben oder wenigstens von den Lexicographen anerkannt. Doch haben Dichter und Prosaiker noch reichlich Verbalformen wie dropt, stept, stopt, whipt, tript, rapt etc. aufzuweisen.

52) to set off = hervortreten lassen, herausheben, hervorheben, in der Malerei.

truth, as you must have known all the while, he was no goblin) announced himself as Sir Herman Von Starkenfaust. He related his adventure with the young Count. He told how he had hastened to the castle to deliver the unwelcome tidings, but that the eloquence of the Baron had interrupted him in every attempt to tell his tale. How the sight of the bride had completely captivated him, and that to pass a few hours near her, he had tacitly suffered the mistake to continue. How he had been sorely perplexed in what way to make a decent retreat, until the Baron's goblin stories had suggested his eccentric exit. How, fearing the feudal hostility of the family, he had repeated his visits by stealth — had haunted the garden beneath the young lady's window – had wooed — had won — had borne away in triumph — and, in a word, had wedded the fair.

Under any other circumstances the Baron would have been inflexible, for he was tenacious of paternal authority, and devoutly obstinate in all family feuds; but he loved his daughter; he had lamented her as lost; he rejoiced to find her still alive; and though her husband was of a hostile house, yet, thank Heaven! he was not a goblin. There was something, it must be acknowledged, that did not exactly accord with his notions of strict veracity, in the joke the knight had passed upon him of his being a dead man 53, but several old friends present, who had served in the wars, assured him that every stratagem was excusable in love, and that the cavalier was entitled to especial privilege, having lately served as a trooper.

Matters, therefore, were happily arranged, The Baron pardoned the young couple on the spot. The revels at the castle were resumed. The poor relations overwhelmed this new member of the family with loving kindness; he was so gallant, so generous — and so rich. The aunts, it is true, were somewhat scandalized that their system of strict seclusion, and passive obedience, should be so badly exemplified, but attributed it all to their negligence in not having the windows grated. One of them was particularly mortified at having her marvellous story marred, and that the only spectre she had ever seen should turn out a counterfeit; but the niece seemed perfectly happy at having found him substantial flesh and blood — and so the story ends.

53) of his being a dead man abhängig von the joke.



When I behold, with deepe astonishment,
To famous Westminster how there resorte,
Living in brasse or stoney monument,
The princes and the worthies of all sorte;
Doe not I see reformde nobilitie,
Without contempt, or pride, or ostentation,
And looke1 upon offenseless majesty,
Naked of pomp or earthly domination?
And how2 a play-game of a painted stone
Contents the quiet now and silent sprites,
Whome all the world which late they stood upon,
Could not content nor quench their appetites.
Life is a frost of cold felicitie,
And death the thaws of all our vanitie.

ChristoLERO's Epigrams by T. B. 1598. On one of those sober and rather melancholy days, in the latter part of autumn, when the shadows of morning and evening almost mingle together, and throw a gloom over the decline of the year, I passed several hours in rambling about Westminster Abbey. There was something congenial to the season in the mournful magnificence of the old pile; and as I passed its threshold, it seemed like stepping back into the regions of antiquity, and losing myself among the shades of former ages.

I entered from the inner court of Westminster School, through a long, low, vaulted passage, that had an almost subterranean look, being dimly lighted in one part by circular perforations in the massy walls. Through this dark avenue I had a distant view of the cloisters“, with the figure of an old verger, in his black gown, moving along their shadowy vaults, and seeming like a spectre from one of the neighbouring tombs. The approach to the abbey through these gloomy monastic remains prepares the mind for its 6 solemn contemplation. The

1) and looke d. h. do not I look.

2) Der mit how beginnende Satz ist abhängig von do not I see in der fünften Zeile.

8) thaw Thau, als auflösend.
4) cloisters = Kreuzgänge, Klostergänge.
5) Zu verger vergl. S. 145, Anm. 9.

6) its vertritt den objectiven Genetiv des Personalpronomens der 3. Person, deutsch: derselben (d. h. der abbey).

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