The American History and Encyclopedia of Music ...William Lines Hubbard, George Whitfield Andrews, Edward Dickinson, Arthur Foote, Emil Liebling I. Squire, 1908 |
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الصفحة
... Passion according to Saint Matthew , The Redemption , The Requiem ( Berlioz ) Requiem ( Mozart ) Requiem ( Verdi ) • . 167 49 · R 221 · 333 • 317 · 349 Samson . Saul S Page 103 75 Scenes from Goethe's ORATORIOS AND MASSES.
... Passion according to Saint Matthew , The Redemption , The Requiem ( Berlioz ) Requiem ( Mozart ) Requiem ( Verdi ) • . 167 49 · R 221 · 333 • 317 · 349 Samson . Saul S Page 103 75 Scenes from Goethe's ORATORIOS AND MASSES.
الصفحة
... Passion according to St. Matthew The Christmas Oratorio 49 57 . The Mass in B Minor 311 Beethoven , Ludwig van Mass in D Major 327 Berlioz , Hector The Damnation of Faust Requiem Mass 161 333 Brahms , Johannes The German Requiem 199 The ...
... Passion according to St. Matthew The Christmas Oratorio 49 57 . The Mass in B Minor 311 Beethoven , Ludwig van Mass in D Major 327 Berlioz , Hector The Damnation of Faust Requiem Mass 161 333 Brahms , Johannes The German Requiem 199 The ...
الصفحة 9
... passion as shall have more of psychic than of physical propensities in it . The musician , of all people , will benefit by this advance , and so will operatic writers and singers . But even then , when this shall have come to pass , it ...
... passion as shall have more of psychic than of physical propensities in it . The musician , of all people , will benefit by this advance , and so will operatic writers and singers . But even then , when this shall have come to pass , it ...
الصفحة 16
... Passion Play at Oberammergau is an idealized survival , there was developing the Passion music 16 ORATORIOS AND MASSES.
... Passion Play at Oberammergau is an idealized survival , there was developing the Passion music 16 ORATORIOS AND MASSES.
الصفحة 17
... Passion music which was destined to change the very fiber and being of oratorio . The custom of presenting the Passion in dramatic guise can be traced almost to the beginning of the Christian era , an early instance being that of St ...
... Passion music which was destined to change the very fiber and being of oratorio . The custom of presenting the Passion in dramatic guise can be traced almost to the beginning of the Christian era , an early instance being that of St ...
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عبارات ومصطلحات مألوفة
accompaniment admirable Agnus Agnus Dei angels Apostles aria Bach Bach's barytone bass beautiful Beethoven begins Berlioz Blessed Brahms called cantata celebrated Century character choir choral chorus Christ Christian church music composer composition Damnation of Faust death Dies Iræ dramatic Dream of Gerontius duet Dvořák earth eleison Elgar Elijah expression faith famous Faust Feast Festival followed Francis Frithjof fugue Galatea German Gerontius given glory Gounod Handel Haydn heard heaven Holy hymn instrumental Israel Israel in Egypt Jesus Judas King Kyrie Leipsic Lord Mass melody Mendelssohn Mephistopheles Messiah Mozart musician narrative Odysseus opera oratorio orchestral overture Passion Passion music performed Peri poem Pope praise prayer prelude priest quartet recitative religious Requiem Rossini sacred Samson Sanctus Saul Savior scene score singing solemn solo song soprano soul spirit Stabat Mater story sung tenor thee thou tion voices words writing written wrote
مقاطع مشهورة
الصفحة 194 - He was a mighty hunter before the Lord: wherefore it is said, Even as Nimrod the mighty hunter before the Lord.
الصفحة 303 - God of God, light of light, true God of true God. Begotten not made; being of one substance with the Father; by whom all things were made. Who for us men, and for our salvation, came down from heaven. AND WAS INCARNATE BY THE HOLY GHOST OF THE VIRGIN MARY: AND WAS MADE MAN.
الصفحة 303 - Deus Pater omnipotens. Domine Fili unigenite Jesu Christe; Domine Deus, Agnus Dei, Filius Patris, qui tollis peccata mundi, miserere nobis; qui tollis peccata mundi, suscipe deprecationem nostram: qui sedes ad dexteram Patris, miserere nobis. Quoniam tu solus sanctus: tu solus Dominus: tu solus altissimus, Jesu Christe, cum Sancto Spiritu, in gloria Dei Patris. Amen.
الصفحة 94 - But soon, ah soon rebellion will commence, If music meanly borrows aid from sense: Strong in new arms, lo! giant Handel stands, Like bold Briareus, with a hundred hands; To stir, to rouse, to shake the soul he comes, And Jove's own thunders follow Mars's drums. Arrest him, Empress; or you sleep no more'— She heard, and drove him to th
الصفحة 46 - A MIGHTY fortress is our God, A bulwark never failing; Our helper he, amid the flood Of mortal ills prevailing. For still our ancient foe Doth seek to work us woe ; His craft and power are great; And, armed with cruel hate, On earth is not his equal.
الصفحة 301 - Quid sum, miser ! tune dicturus ? Quern patronum rogaturus ? Cum vix Justus sit securus. Rex tremendae majestatis, Qui salvandos salvas gratis, Salva me, fons pietatis.
الصفحة 300 - Fac, ut portem Christi mortem, Passionis fac consortem, Et plagas recolere. Fac me plagis vulnerari, Fac me Cruce inebriari, Et cruore Filii.
الصفحة 303 - He suffered and was buried, And the third day he rose again according to the Scriptures, And ascended into heaven, And sitteth on the right hand of the Father. And he shall come again with glory to judge both the quick and the dead : Whose kingdom shall have no end.
الصفحة 303 - Christ, the only-begotten Son of God, begotten of the Father before all worlds, God of God, Light of Light, Very God of Very God, begotten, not made, being of one substance with the Father, by whom all things were made; who for us men, and for our salvation, came down from heaven, and was incarnate by the Holy Spirit of the Virgin Mary, and was made man, and was crucified also for us under Pontius Pilate.
الصفحة 299 - Eia Mater, fons amoris, Me sentire vim doloris Fac, ut tecum lugeam. Fac ut ardeat cor meum, In amando Christum Deum Ut sibi complaceam.