| Thomas De Quincey - 1854 - عدد الصفحات: 316
...sentence, all collateral or subordinate ideas being packed into it as parenthetical intercalations—if this single sentence should even cover an acre of...exist for him who hides and buries all openings for parts and graceful correspondences in tDne monotonous continuity of period, stretching over three octavo... | |
| Thomas De Quincey - 1854 - عدد الصفحات: 330
...of malconformations. But it is in the relation of sentences, in what Horace terms their tjunclura,' that the true life of composition resides. The mode...exist for him who hides and buries all openings for parts and graceful correspondences in one monotonous continuity of period, stretching over three octavo... | |
| Thomas De Quincey - 1856 - عدد الصفحات: 316
...even cover an acre of ground, the true German would see in all that no want of art, would recognize no opportunities thrown away for the display of beauty....exist for him who hides and buries all openings for parts and graceful correspondences in one monotonous continuity of period, stretching over three octavo... | |
| Thomas De Quincey - 1861 - عدد الصفحات: 638
...of malconformations. But it is in the relation of sentences, in what Horace terms iheir "junctwa," that the true life of composition resides. The mode...intellect reveals itself and prospers. Here the separate was by possibility malleable in that respect, but then only by great labour of selection, and as a... | |
| Thomas De Quincey - 1862 - عدد الصفحات: 452
...there is a striking peculiarity in his style, which can be best explained by himself. He says, — "A sentence, even when insulated and viewed apart...exist for him who hides and buries all openings for parts and graceful correspondences in one monotonous continuity of period, stretching over three octavo... | |
| Thomas De Quincey - 1866 - عدد الصفحات: 320
...even cover an acre of ground, the true German would see in all that no want of art, 'would recognize no opportunities thrown away for the display of beauty....exist for him who hides and buries all openings for parts and graceful correspondences in one monotonous continuity of period, stretching over three octavo... | |
| Thomas De Quincey - 1876 - عدد الصفحات: 590
...of maleonformations. But it is in the relation of sentences, in what Horace terms their "junclura," that the true life of composition resides. The mode...exist for him who hides and buries all openings for parts and graceful correspondences in one monotonous continuity of period, stretching over three octavo... | |
| Thomas De Quincey - 1876 - عدد الصفحات: 596
...even so far it is capable of multiform beauty, and liable to a whole nosology of maleonformations. But it is in the relation of sentences, in what Horace...aiding, relieving, supporting each other. But how cau any approach to that effect, or any suggestion of it, exist for him who hides and buries all openings... | |
| Thomas De Quincey - 1877 - عدد الصفحات: 440
...of malconformations. But it is in the relation of sentences, in what Horace terms their "junciura," that the true life of composition resides. The mode...exist for him who hides and buries all openings for parts and graceful correspondences in one monotonous continuity of period, stretching over three octavo... | |
| David Jayne Hill - 1877 - عدد الصفحات: 328
...We have now considered the various condition the relation of sentences, in what Horace terms theii •junctura,' that the true life of composition resides....architectural parts, aiding, relieving, supporting one another." * In the progress of a paragraph, two things are necessary : first, that each sentence... | |
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