Abingdon Turner, i. 309.
Abuses may lead to the rejection
of what is good, i. 239.
Achilles, the shield of, Flaxman,
i. 266.

Aquarium, ii. 163.

Acting a part, Tillotson, ii. 257.
Adam in Paradise, Dr. South, ii.
205-10.

Addison on beauty, i. 35.

Adjustments of colour in nature,
i. 321.

Adversity, uses of, ii. 223.
Æginetan sculptures and friezes,
i. 246.

Æolian harp, ii. 11, 163.
Eschylus, dramas of, i. 383; the
soldier, ii. 150.

Æther waves, colour-vibrations,
i. 44.

Agrippina, Turner, i. 311.
Aim of the student or philosopher,
i. 60.

Akenside on taste, ii. 160.
Al Farabi's music, ii. 18, 19.
Alexandrian schools, i. 27.
Alfred the Great, ii. 272-3; a
patron of music and a musician,
ii. 32-3.

Alhambra Court, ii. 174.
Alison on beauty, i. 35.
Allegri, ii. 38.

Aloe-form and the grasses, i. 72.
Alps, first sight of the, i. 90;
Ruskin, i. 87.
Ambrosian chant, ii. 30.
Anatomy, the Greeks acquainted
with, i. 244.

Ancient Mariner, i. 349, 399.
Aneiteum, contrasted with India,
ii. 261.

354.

Appreciation, degree of musical,
ii. 112, 122-3; differences of, in
art, ii. 148.

Approval of God and the good
sustains the artist, i. 213.
Arabesque,origin of, Burton, i.232
Architecture, i. 225; divisions of,
Ruskin, i. 225; Gothic, i. 226;
Greek, i. 226; requirements of,
Ruskin, i. 225; modified by
requirements, i. 227; require-
ments of true religion, i. 240;
Romanesque, i. 226.
Architect, sculptor, painter, poet,
and musician, may each give
his own rendering of the same
thought, i. 222-3.
Ardentinny, i. 100.
D'Arezzo's introduction of syl-
lables, ut, re, mi, &c., ii. 31-2.
Aristotle, i. 22, 26; poetics, i.
356.
Arithmetic, Mozart's love of, ii.
56.

ART, in general, i. 197; apprecia-
tion and production, i. 197;
concluding section, ii. 146-191;
-conscience, i. 199; excellence
ever in conformity with natural
laws, i. 244; expression based
on, and subject to, natural laws,
i. 199, 278, 321, 337; function,
to elevate, ii. 147; the high
aim of, i. 198; indebted to
Christianity for all that is
purest and noblest, ii. 272;
ought to be subservient to God's
glory, i. 338; should refine, not
corrupt and debase, i. 259, 274;
must conform to harmonic
ratios, ii. 176; not ultimate, ii.
190; means of study should be
afforded to all, ii. 178; vitality
distinguished from repetition,
i. 229.

Artists' accomplishments, i. 336;
of fifteenth century, i. 287;
frequently misjudged, i. 210;
the greatest, men of action, ii.
149-151.

Arundel Society, i. 286.
Aspects of scenery, i. 64.
Assyrian Art, i. 279.
Astronomy, i. 112.

Ataruipe, visit to the, tropical
night, i. 76.

Atoms and stars, i. 49; disposi-
tion of, ii. 15.
Atonement, the, ii. 210.

Atterbury on sacred music, ii. 142.
Auber, ii. 95.

Aurora Borealis, an, Humboldt,
i. 67.

Austin, St., ii. 32.
Austria, ii. 162.
Avalanche, Turner, i. 309.

Bach, his life and works, ii. 48-9.
Bacon on beauty, i. 31; on poetry,
ii. 288; division of poetry, i.
424; Macaulay's misconception
of his philosophy, i. 22, 24; his
system, i. 22.

Bacon Roger, anticipations of, re-
garding locomotion, i. 41.
Bad music, ii. 100, 118-19.

Bailey, i. 407.
Balfe, ii. 96.

Ballad of Sir Andrew Barton, i.
145; Sir Patrick Spens, i. 146.
Banyan tree, Milton, i. 166.
Barbiere di Seviglia, Il, Rossini,
ii. 91.

Barry Cornwall, i. 368.
Basil's love of nature, i. 142.
Bavaria, Schwanthaler, i. 270.
Baxter, Richard, on instrumental
music, ii. 142.
Bayard, ii. 258.

Bay of Baiæ, Turner, i. 311.
Beauties of the universe, Jeremy
Taylor, ii. 291.

Beautiful, the, and the good, Plato,
i. 20.

Beauty around us, Wordsworth,
i. 178; defined by Cruden, ii.
194-5; in death, Byron, i. 193,
also Shakspere, i. 159; extracts
regarding, i. 29-38; of holiness,
ii. 294; of Providence, Wilkins,
ii. 285; and truth, Shakspere,

ii. 282.
Beethoven resembles Eschylus,
Angelo or Dante, ii. 78-9.
Beethoven's critics, ii. 79-80; life
and works, ii. 64-81; seated at
the pianoforte, ii. 75-78; songs,
ii. 70; resembles Turner, ii. 79.
Beetle, Shakspere's allusion to, i.
153.

Bellini's airs adapted for hand-
organs, ii. 94-5; life and works,
ii. 93-5.

Bender, Black mountain of, ii.

Birs Nimroud, i. 325.
Bishop, Sir Henry, ii. 97.
Blake, Flaxman, and Stothard, i.
336.

Bligh Sand, Turner, i. 308.
Blindness, Milton alludes to his,
i. 169.

Blind man made to see, supposi-

Richard

tion of, Walton, i. 62.
Blondel de Nesle and
Cœur de Lion, ii. 33.
Body, the, Dr. South, ii. 210.
Boieldieu, ii. 95.

Bonheur, Rosa, i. 295.

Books, Bacon on, i. 55; use of,
Sir Thomas Browne, i. 56.
Bower in Eden, Milton, i. 167.
Bowie, William, on the Messiah's
kingdom, ii. 244-5.

British school of painting, i. 297.
Brown, i. 185.

Browne, Sir Thomas, on beauty,
i. 32; on deformity, i. 34; on
harmony, i. 33.
Browning, Mrs., i. 407; lines,
"Nothing low in Love," ii. 216.
Browning, Robert, i. 407.
Burke on beauty, i. 35.
Burns, i. 367.

Busts, ii. 162; three fine modern,
i. 273.

Byron, i. 403-4, 406.
Byzantine art, i. 283.

Calvin's metrical psalmody, ii.
134.

Camacho, wedding of, Mendels-
sohn, ii. 84.

Camoens, i. 362.
Campbell, i. 367, 406.

Campo Santo at Pisa, paintings
on walls, i. 285.
Canova, i. 267.

Canute's stanza relating to music,
ii. 33.

Capillary attraction, i. 47.

Career, fetching a, Jeremy Taylor,

ii. 277.

Cartoons of Raphael, i. 277.
Cathedrals, various, i. 233, 234.
Catullus, i. 366.

Causes and methods, i. 19.

VOL. II.

U

Chanson de Roland, ii. 33.
Chaos, Milton, i. 166.
Characteristics

of Assyrian,
Egyptian, and Greek sculpture,
i. 246; of Haydn's music, lines,
ii. 55; of landscape painters, i.
328-30.

Character of Christ, Hazlitt, ii.

232-4; Henry Rogers, ii. 279-80;
Newcombe, ii. 278-9; and pre-
cepts of the Saviour in Scrip-
ture language, ii. 240-4.
Characteristics of French, Italian,
German, and English music, ii.
46-7.
Charcoal, power of, to imbibe gas,
i. 47.

Charity, Dr. Barrow, ii. 211; has

two significations, i. 417.
Charm of being natural, ii. 273.
Chaucer's allusions to nature, i.

148-50; interred in Westminster
Abbey, Fuller, i. 364; leaves
his books for the fields, i. 148;
love for the daisy, i. 149; love
of music. ii. 34; tales, i. 363.
Chemical philosopher, the, Davy,
i. 125.

Chemistry, i. 113; and Astro-
nomy, i. 8.

Chesterfield school of manners,
ii. 258.

Cheever on nature, ii. 213.
Chevreul, tabular form of colour

combinations, from, i. 203.
Children of Light, Hare, ii. 250-3.
Chinese musical traditions, ii. 17.
Chivalry a reflex of Christianity,
ii. 258.

Chladni's experiments, ii. 15.
Choir, effect of, on St. Augustine,
ii. 30.

Choral service, English, ii. 39.