Blank Verse: A Guide to Its History and Use
Ohio University Press, 2007 - 305 من الصفحات
Blank verse—unrhymed iambic pentameter—is familiar to many as the form of Shakespeare’s plays and Milton’s Paradise Lost. Since its first use in English in the sixteenth century, it has provided poets with a powerful and versatile metrical line, enabling the creation of some of the most memorable poems of Wordsworth, Keats, Tennyson, Frost, Stevens, Wilbur, Nemerov, Hecht, and a host of others. A protean meter, blank verse lends itself to lyric, dramatic, narrative, and meditative modes; to epigram as well as to epic. Blank Verse is the first book since 1895 to offer a detailed study of the meter’s technical features and its history, as well as its many uses. Robert B. Shaw gives ample space and emphasis to the achievements of modern and postmodern poets working in the form, an area neglected until now by scholarship.
With its compact but inclusive survey of more than four centuries of poetry, Blank Verse is filled with practical advice for poets of our own day who may wish to attempt the form or enhance their mastery of it. Enriched with numerous examples, Shaw’s discussions of verse technique are lively and accessible, inviting not only to apprentice poets but to all readers of poetry.
Shaw’s approach should reassure those who find prosody intimidating, while encouraging specialists to think more broadly about how traditional poetic forms can be taught, learned, practiced, and appreciated in the twenty-first century. Besides filling a conspicuous gap in literary history, Blank Verse points the way ahead for poets interested in exploring blank verse and its multitude of uses.
ما يقوله الناس - كتابة مراجعة
لم نعثر على أي مراجعات في الأماكن المعتادة.
طبعات أخرى - عرض جميع المقتطفات
accent aﬀects anapest blank verse blank-verse poems caesura chapter character contemporary death diction diﬀerent diﬃcult discussion dramatic eﬀect Eliot emphasize end-stopped English enjambment examples feminine ending ﬁgure ﬁnal line ﬁnd ﬁne ﬁnest ﬁrst ﬁrst line ﬁve ﬂexibility ﬂow foot formalist free verse Frost Gorboduc Hecht iamb iambic pentameter inﬂuence J. V. Cunningham later less lyric meditative memorable Merrill’s meter metrical Milton modern modernist monologue movement narrative Nemerov numerous oﬀ oﬀers passage pattern pause pentameter line phrase pieces plays poems in blank poet’s poetic poetry poets prose prosody readers reading Reﬂections regular rhyme rhythm rhythmic Robinson scansion Schwartz seems sentence Shakespeare signiﬁcant sometimes sort speaker speech spondee stanzas Stevens Stevens’s stress style stylistic suggests T. S. Eliot Tennyson Timothy Steele tone traditional trochee twentieth century unrhymed unstressed syllable variations versiﬁcation voice Wilbur word Wordsworth writers of blank writing written wrote Yeats Yeats’s Yvor Winters