Reel to Real: Race, Sex, and Class at the MoviesPsychology Press, 1996 - 244 من الصفحات Although it may not be the goal of filmmaker, most of us learn something when we watch movies. They make us think. They make us feel. Occasionally they have the power to transform lives. In Reel to Real, Bell Hooks talks back to films she has watched as a way to engage the pedagogy of cinema - how film teaches its audience. Bell Hooks comes to film not as a film critic but as a cultural critic, fascinated by the issues movies raise - the way cinema depicts race, sex, and class. Reel to Real brings together Hooks's classic essays (on Paris is Burning or Spike Lee's She's Gotta Have it) with her newer work on such films as Girl 6, Pulp Fiction, Crooklyn, and Waiting to Exhale, and her thoughts on the world of independent cinema. Her conversations with filmmakers Charles Burnett, Julie Dash, and Arthur Jaffa are linked with critical essays to show how cinema can function subversively, even as it maintains the status quo. |
المحتوى
making movie magic | 1 |
good girls look the other way | 10 |
Leaving Las Vegas | 20 |
breaking down to break through | 27 |
the denial of death | 34 |
Pulp Fiction | 47 |
Waiting to Exhale | 52 |
transgressive subjectsreactionary film | 60 |
paying attention to The Attendant | 91 |
the progressive vision | 98 |
whats passion got to do with it? | 109 |
an interview with Wayne Wang | 124 |
an interview with Camille Billops | 141 |
an interview with Charles Burnett | 152 |
a conversation with A J Arthur Jaffa | 170 |
black female spectators | 197 |
race and accountability | 69 |
Hoop Dreams | 77 |
black masculinity in the mainstream | 83 |
is paris burning? | 214 |
whose pussy is this? a feminist comment | 227 |
طبعات أخرى - عرض جميع المقتطفات
Reel to Real: Race, Sex and Class at the Movies <span dir=ltr>bell hooks</span> لا تتوفر معاينة - 2015 |
عبارات ومصطلحات مألوفة
aesthetic audiences bell hooks black artists black female spectators black film black filmmakers black gay black male black women body character Charles Burnett cinema construction create critique Crooklyn culture death depicted desire domination dream essay experience fantasy feel female sexuality film criticism focus fucking gaze gender Girl Gotta Hoop Dreams images of black imagination interrogate interview issue Julie Dash Kids Killer of Sheep Leaving Las Vegas Lee's lives longing look mainstream mother movie narrative Nola passion patriarchal play pleasure politics portrayed race racial racism radical rape representations of black resistance scene screen seduced sense sexist She's Gotta Sleep with Anger Smoke space spectatorship Spike Lee standpoint stereotypes story supremacy Suzanne Suzanne talk teenagers there's things tion transgression viewers vision Waiting to Exhale white male white supremacist white supremacist capitalist white women woman womanhood writing