They thought it great their sovereign to controul, And named their pride, nobility of soul. 'Tis true, the Pigeons, and their prince elect, Were short of power, their purpose to effect; But with their quills did all the hurt they could, And cuff'd the tender Chickens from their food: And much the Buzzard in their cause did stir, } } Though naming not the patron, to infer, + He therefore makes all birds of every sect * See note XXXIII. + Declaration of indulgence. Note XXXV. Note XXXVI. To Crows the like impartial grace affords, Here ends the reign of this pretended Dove; What after happened is not hard to guess; peace. 'Tis said, the Doves repented, though too late, The Buzzard, not content with equal place, * The tyrant of Syracuse, who, after being dethroned, taught a school at Corinth. + Quisque suæ fortunæ faber. SALLUST. ‡ Note XXXVII. Nor can the usurper long abstain from food; Thus did the gentle Hind her fable end, * Note XXXVIII, NOTES ON THE HIND AND THE PANTHER. PART III. Note I. And mother Hubbard, in her homely dress, The poet, in the beginning of this canto, anticipates the censure of those who might blame him for introducing into his fables animals not natives of Britain, where the scene was laid. He vindicates himself by the example of Æsop and Spenser. The latter, in "Mother Hubbard's Tale," exhibits at length the various arts by which, in his time, obscure and infamous characters rose to eminence in church and state. This is illustrated by the parable of an Ape and a Fox, who insinuate themselves into various situations, and play the knaves in all. At length, Lo, where they spied, how, in a gloomy glade, The adventurers possess themselves of the royal spoils, with which the Ape is arrayed; who forthwith takes upon himself the dignity of the monarch of the beasts, and, by the counsels of the Fox, commits every species of oppression, until Jove, incensed at the disorders which his tyranny had introduced, sends Mercury to awaken the Lion from his slumber: Arise! said Mercury, thou sluggish beast, The Lion rouses himself, hastens to court, and avenges himself of the usurpers.---There is no doubt, that, under this allegory, Spenser meant to represent the exorbitant power of Lord Burleigh; and he afterwards complains, that his verse occasioned his falling into a " mighty peer's displeasure." The Lion, therefore, whose negligence is upbraided by Mercury, was Queen Elizabeth, Dryden calls her, The queen, whose feast the factious rabble keep; because the tumultuous pope-burnings of 1680 and 1681 were solemnized on Queen Elizabeth's night. The poet had probably, since his change of religion, laid aside much of the hereditary respect with which most Englishmen regard Queen Bess; for, in the pamphlets of the Romanists, she is branded as "a known bastard, who raised this prelatic protestancy, called the church of England, as a prop to supply the weakness of her title." * Spenser's authority is only appealed to by Dryden as justifying the introduction of lions and other foreign animals into a British fable. But I observed in the introduction, that it also furnishes authority, at least example, for those aberrations from the character and attributes of his brute actors, with which the critics taxed Dryden; for nothing in "The Hind and the Panther" can be more inconsistent with the natural quality of such animals, than the circumstance of a lion, or any other creature, going to sleep without his skin, on account of the sultry weather. Note II. You know my doctrine, and I need not say He of my sons, who fails to make it good, By one rebellious act renounces to my blood.-P. 202. The memorable judgment and decree of the university of Oxford, passed in the Convocation 21st July, 1683, condemns, as heretical, all works which teach or infer the lawfulness of resistance VOL. X. * A New Test of the Church of England's Loyalty. Q |