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15. This statement is not strictly true; but when Bryant wrote, the nebu lar hypothesis was not so generally adopted, and geological science was yet in its infancy. As a matter of fact, the hills are a comparatively recent phenomenon in the history of our globe, and certainly much less ancient than the sun. 16. Explain "pensive quietness."

17. Give the exact idea of "venerable."

18. Note the fine effect of these adjectives. Give a synonym of "melancholy."

19. What is meant by this phrase?

20. What is meant by "tribes"?

21. An adaptation of Ps. cxxxix. 9: "If I take the wings of the morning, and dwell in the uttermost parts of the sea."

22. Other readings are: "Traverse Barca's desert sands," and "the Barcan desert pierce." Which is preferable? Barca is a country in northern Africa.

23. Another name for the Columbia River.

24. This statement is true of Barca, which at present has a population of a million, and contains ruins indicative of a flourishing era in the past; but its truth is not so obvious in the case of the Oregon.

25. Other readings are: "If thou withdraw Unheeded," and "If thou shalt fall Unnoticed."

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26. Brood progeny, offspring. Paraphrase this sentence.

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27. What is a "phantom"? What are some of the "phantoms men

pursue?

28. Bryant also wrote "glides." Which is better?

29. For this line, the following is substituted in some editions:

"The bowed with age, the infant in the smiles

And beauty of its innocent age cut off,"

which is certainly more poetical.

30. Another reading is: "The pale realms of shade." Which do you prefer?

TO A WATERFOWL.

For the circumstances of its composition, see the sketch of Bryant. The following incident is related by Mr. Parke Godwin: "Once when the late Matthew Arnold, with his family, was visiting the ever-hospitable country home of Mr. Charles Butler, I happened to spend an evening there. In the course of it Mr. Arnold took up a volume of Mr. Bryant's poems from a table, and, turning to me, said, 'This is the American poet, facile princeps; and after a pause he continued: When I first heard of him, Hartley Coleridge (I was but a lad at the time) came into my father's

house one afternoon considerably excited, and exclaimed, "Matt, do you want to hear the best short poem in the English language?" "Faith, Hartley, I do," was my reply. He then read a poem "To a Waterfowl," in his best manner. And he was a good reader. As soon as he had done, he asked, "What do you think of that?" "I am not sure but you are right, Hartley; is that your father's?” was my reply. "No," he rejoined; "father has written nothing like that." Some days after he might be heard muttering to himself,

"The desert and illimitable air,

Lone wandering, but not lost."'1

Note the use of the generic term "waterfowl." Can you give a reason for this? What aquatic fowl is probably meant?

Make an analysis of the poem so as to give the order of thought in the successive stanzas. Do not fail mentally to picture the scenes described.

1. Explain the phenomenon of "dew." Does all dew fall? At what time is the "waterfowl seen by the poet?

2. Explain "glow." What figure of speech is used with “day”?

3. Does the "waterfowl" in question usually migrate alone? What form do the flocks generally assume in their migrations?

4. Why should the poet think of a "fowler" as he watches the waterfowl?

5. Why use the word "floats" here?

6. Explain "plashy."

7. What word would the poet have used in prose?

8. Explain "chafed." All the waters mentioned in this stanza are visited by the wild goose, with the habits of which the poet was evidently acquainted.

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10. These birds usually fly at a great height. It is only when confused or lost that they fly near the earth.

11. Abyss immeasurable space.

From Greek a privative and bussos,

depth, bottom. Etymologically, a bottomless depth.

12. Here we have another illustration of Bryant's ethical habit of mind. The following stanza contains the lesson learned.

A FOREST HYMN.

In this poem Bryant's deep religious nature is clearly apparent.
Make an analysis of the poem by noting the successive topics.

1 Bigelow, William Cullen Bryant, p. 43.

1. Explain "shaft" and "architrave." See illustrations in a good dictionary.

2. Vault = arched roof or ceiling. In the great cathedrals of Europe the arched ceiling is often very lofty.

3. As poured forth from the great cathedral organs and large choirs. 4. Darkling "The pres. part. of a supposed verb darkle, diminutive from dark.” - WEBSTER.

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dusky, gloomy.

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5. In some editions we find "amidst."

poetry.

6. Give a synonym for "solemn."

7. Might not

"Amid " is used mostly in

= was not able. A. S. magan, to be able.

8. What is the subject of "stole"? From what three separate objects came the "sacred influences"?

9. Explain "riper years.”

10. What is the etymological force of sanctuary?

11. Bryant had in mind Gen. i. 10, II.

12. Explain "shrine." Why does Bryant say "humble worshipper"? 13. Report tell.

nature.

14. Fantastic = existing only in imagination; hence, unlike anything in Such ornamentation can hardly be justified on any correct principles of architecture. According to Ruskin, ornamentation should in some degree express or adopt the beauty of natural objects. "All noble ornament is the expression of man's delight in God's work."

15. Instinct moved, animated.

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Lat. instinguere, to instigate, incite. that which issues from any source. Lat. e, out, and

17. To what does "he" refer?

18. These were the anchorets or hermits of the early centuries of the Christian era. "They lived in caves, avoided all intercourse with their fellowmen, abstained as much as possible from food, spoke no word, but prayed in silence." Schaff-Herzog Encyclopædia.

19. Express "the swift dark whirlwind" in a single word.

TO THE FRINGED GENTIAN.

This poem is justly admired for its delicate feeling. The poet's love of nature, exhibited in the various fine descriptions of "Thanatopsis," and "A Forest Hymn," is here centred in a little flower. His acquaintance with the appearance and habits of the several flowers mentioned indicates his attentive observation.

1. Gentiana crinita, or Blue Fringed Gentian, found in cool, low grounds

from Canada to Carolina. The stem is about a foot high, and the flowers are sky-blue. It blooms in autumn.

2. Aquilegia Vulgaris, or common Columbine. It blooms in June, with large purple flowers. Another common species, Aquilegia Canadensis, has scarlet flowers.

THE DEATH OF THE FLOWERS.

This poem was written in memory of the poet's sister, the beloved companion of his earlier years. See the sketch of Bryant. "No one is to be envied,” says a biographer, "who can read the closing stanzas to-day without emotion."

What characteristics of the poet are exemplified in this piece? This poem, as well as the following one, "The Evening Wind," will repay careful study.

X.

SELECTIONS FROM POE.

THE RAVEN.

ONCE upon a midnight dreary, while I pondered, weak and weary,
Over many a quaint and curious volume of forgotten lore -
While I nodded, nearly napping, suddenly there came a tapping,
As of some one gently rapping, rapping at my chamber door.
'Tis some visitor," I muttered, "tapping at my chamber door -
Only this and nothing more."

I

Ah, distinctly I remember it was in the bleak December,2
And each separate dying ember wrought its ghost upon the floor.
Eagerly I wished the morrow; - vainly I had sought to borrow
From my books surcease of sorrow -- sorrow for the lost Lenore —
For the rare and radiant maiden whom the angels name Lenore —
Nameless here for evermore.

And the silken sad uncertain rustling of each purple curtain3
Thrilled me-filled me with fantastic terrors never felt before;
So that now, to still the beating of my heart, I stood repeating
"Tis some visitor entreating entrance at my chamber door —
Some late visitor entreating entrance at my chamber door; 4
This it is and nothing more."

Presently my soul grew stronger; hesitating then no longer,
"Sir," said I, "or Madam, truly your forgiveness I implore;
But the fact is I was napping, and so gently you came rapping,
And so faintly you came tapping, tapping at my chamber door,
That I scarce was sure I heard you" — here I opened wide the door;—
Darkness there and nothing more.

Deep into that darkness peering, long I stood there wondering, fearing, Doubting, dreaming dreams no mortal ever dared to dream before; But the silence was unbroken, and the stillness gave no token,

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