The Mirror and the Lamp: Romantic Theory and the Critical TraditionW. W. Norton, 1958 - 406 من الصفحات |
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الصفحة 105
... common eighteenth - century variant of this point of view , the elemental and uniform - and , therefore , the normal - aspects of human nature and products are to be found not only in ' chronological , ' but in ' cultural ' primitives ...
... common eighteenth - century variant of this point of view , the elemental and uniform - and , therefore , the normal - aspects of human nature and products are to be found not only in ' chronological , ' but in ' cultural ' primitives ...
الصفحة 109
... common reader ; but other critics not only derogated the consensus of their own time and place in favor of the consensus of the ages , but disquali- fied all but a very few men as competent to speak for man in general . The train of ...
... common reader ; but other critics not only derogated the consensus of their own time and place in favor of the consensus of the ages , but disquali- fied all but a very few men as competent to speak for man in general . The train of ...
الصفحة 114
... common places . ' For this Wordsworth reprimands him : It is not only no fault but a primary requisite in an epitaph that it shall contain thoughts and feelings which are in their substance common - place , and even trite . It is ...
... common places . ' For this Wordsworth reprimands him : It is not only no fault but a primary requisite in an epitaph that it shall contain thoughts and feelings which are in their substance common - place , and even trite . It is ...
المحتوى
Mimetic Theories | 8 |
IMITATION AND THE MIRROR | 30 |
ROMANTIC ANALOGUES OF ART AND MIND | 47 |
حقوق النشر | |
12 من الأقسام الأخرى غير ظاهرة
طبعات أخرى - عرض جميع المقتطفات
عبارات ومصطلحات مألوفة
aesthetic analogy Aristotle artist attributes beauty Biographia Biographia Literaria century character Coleridge Coleridge's composition concept creation creative Critical Essays Defence of Poetry discourse distinction doctrine earlier eighteenth eighteenth-century elements emotion English epic expression external fact faculty fancy feeling Friedrich Schlegel genius German Goethe Hazlitt Homer human Hurd I. A. Richards Ibid ideas imagination imitation invention John John Dennis John Keble John Stuart Mill Johnson Joseph Warton Keats Keble kind language literature London Longinus lyric mechanical metaphor Mill Milton mind mirror moral nature neo-classic Neoplatonic objects organic original passage passion philosophy Plato pleasure poem Poesy poet poet's poetic Pope Preface principle prose qualities reader rhetoric Richard Hurd romantic critics says Schlegel sense Shakespeare Shakespearean Criticism Shelley Shelley's soul spirit spontaneous sublime theorists theory things thought tion traditional true truth universe words Wordsworth Wordsworth's Literary Criticism writings wrote