Scared at thy frown terrific, fly With Laughter, Noise, and thoughtless Joy; Light they disperse, and with them go The summer Friend, the flattering Foe; By vain Prosperity received, To her they vow their truth, and are again believed. Wisdom, in sable garb array'd, And Melancholy, silent maid, With leaden eye that loves the ground, Still on thy solemn steps attend,— With Justice, to herself severe, And Pity dropping soft the sadly-pleasing tear. O, gently on thy suppliant's head, Not circled with the vengeful band, (As by the impious thou art seen With thundering voice and threatening mien), Despair, and fell Disease, and ghastly Poverty ! Thy form benign, O Goddess! wear, Thy philosophic train be there, What others are to feel, and know myself a Man! WILLIAM COLLINS. 1721-1759. TO EVENING. If aught of oaten stop or pastoral song Thy springs and dying gales, O Nymph reserved! while now the bright-hair'd sun O'erhang his wavy bed, Now air is hush'd, save where the weak-eyed bat His small but sullen horn, As oft he rises 'midst the twilight path, To breathe some soften'd strain : Whose numbers, stealing through thy darkening vale, Thy genial loved return. For when thy folding-star arising shows And many a Nymph who wreathes her brows with sedge The pensive Pleasures sweet, Prepare thy shadowy car. Then let me rove some wild and heathy scene ; Or find some ruin 'midst its dreary dells, By thy religious gleams! Or, if chill blustering winds or driving rain And hamlets brown, and dim-discover'd spires; The gradual dusky veil! While Spring shall pour his showers, as oft he wont, While sallow Autumn fills thy lap with leaves, And rudely rends thy robes, So long, regardful of thy quiet rule, Shall Fancy, Friendship, Science, smiling Peace, THE PASSIONS. AN ODE FOR MUSIC. When Music, heavenly maid, was young, While yet in early Greece she sung, Exalting, trembling, raging, fainting, Till once ('tis said) when all were fired, From the supporting myrtles round Next Anger rush'd his eyes, on fire, With woeful measures wan Despair, Low sullen sounds, his grief beguiled: And from the rocks, the woods, the vale, And where her sweetest theme she chose A soft responsive voice was heard at every close, And Hope enchanted smiled, and waved her golden hair. And longer had she sung: but with a frown Revenge impatient rose. He threw his blood-stain'd sword in thunder down, The war-denouncing trumpet took, And blew a blast so loud and dread, Were ne'er prophetic sounds so full of woe. The doubling drum with furious heat; Her soul-subduing voice applied, Yet still he kept his wild unalter'd mien While each strain'd ball of sight seem'd bursting from his head. Thy numbers, Jealousy! to nought were fix'd, Sad proof of thy distressful state : Of different themes the veering song was mix'd; And now it courted Love, now raving call'd on Hate. With eyes upraised, as one inspired, Pale Melancholy sat retired; And from her wild sequester'd seat, In notes by distance made more sweet, Pour'd through the mellow horn her pensive soul; Bubbling runnels join'd the sound. Through glades and glooms the mingled measure stole, Love of peace and lonely musing, In hollow murmurs died away. But O! how alter'd was its sprightlier tone Her buskins gemm'd with morning dew, Peeping from forth their alleys green : |