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الصفحة 292
morphosis which impairs a realistic vision of Cennini's work and , as a consequence , of the entire Quattrocento artistic environment . Vasari was the first to mention Cennini , although he did not in- clude him among the artists in his ...
morphosis which impairs a realistic vision of Cennini's work and , as a consequence , of the entire Quattrocento artistic environment . Vasari was the first to mention Cennini , although he did not in- clude him among the artists in his ...
الصفحة 297
He was told by someone he considered to be an expert that the painting was probably by Cennini . This story may simply be one of the fantasies that grew up around Cennini , or it may correspond to a real presence of Cennini in Le ...
He was told by someone he considered to be an expert that the painting was probably by Cennini . This story may simply be one of the fantasies that grew up around Cennini , or it may correspond to a real presence of Cennini in Le ...
الصفحة 300
the Paduanisms are an important element in dating Cennini's activ- ity long before 1437. He supports his argument by mentioning the hypothetical date of Cennini's return to Tuscany , 1403 , and speculates on the impossibility of ...
the Paduanisms are an important element in dating Cennini's activ- ity long before 1437. He supports his argument by mentioning the hypothetical date of Cennini's return to Tuscany , 1403 , and speculates on the impossibility of ...
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