A Handbook of Poetics: For Students of English VerseGinn, 1885 - 250 من الصفحات |
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الصفحة 1
... measure its products . But the former class has for main principle the idea of motion , of succession , and therefore deals with relations of time . In fact , the three arts - poetry , music , dancing - were once united as a single art ...
... measure its products . But the former class has for main principle the idea of motion , of succession , and therefore deals with relations of time . In fact , the three arts - poetry , music , dancing - were once united as a single art ...
الصفحة 44
... Measure for Measure ) , or O my love's like a red , red rose , or Whistle and I'll come to you , my lad ( Burns ) ; of such an ode as Spenser's Epithalamion ; of such a fine ' reflective ' love - lyric as She was a phantom of delight ...
... Measure for Measure ) , or O my love's like a red , red rose , or Whistle and I'll come to you , my lad ( Burns ) ; of such an ode as Spenser's Epithalamion ; of such a fine ' reflective ' love - lyric as She was a phantom of delight ...
الصفحة 80
... Measure for Meas- ure . In these a threatened danger is averted , partly through Providence , partly through the energy of the characters themselves . In these plays , too , we have some of Shakspere's noblest women put in the fore ...
... Measure for Meas- ure . In these a threatened danger is averted , partly through Providence , partly through the energy of the characters themselves . In these plays , too , we have some of Shakspere's noblest women put in the fore ...
الصفحة 134
... Measured intervals of time are the basis of all verse , and their regularity marks off poetry from prose ; so that Time is thus the chief element in Poetry , as it is in Music and in Dancing . From the idea of measuring these time ...
... Measured intervals of time are the basis of all verse , and their regularity marks off poetry from prose ; so that Time is thus the chief element in Poetry , as it is in Music and in Dancing . From the idea of measuring these time ...
الصفحة 135
... measured chant accompanying a dance of eight steps forward and eight backward ; the whole making one verse , divided into halves ( cf. the classic Casura ) by the pause and return . We shall see below that in Germanic3 poetry these half ...
... measured chant accompanying a dance of eight steps forward and eight backward ; the whole making one verse , divided into halves ( cf. the classic Casura ) by the pause and return . We shall see below that in Germanic3 poetry these half ...
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عبارات ومصطلحات مألوفة
accented syllables action Alexandrine allegory alliteration anapestic Anglo-Saxon ballad beautiful beginning beginning-rime Beowa Beowulf blank verse cæsura called Century character Chaucer chorus classic combined comedy common dactylic drama early end-rime English verse epic epic poetry example famous folk-song French Germanic Greek half-verse Hamlet harmony heavy syllables hero hexameter hovering accent human hymn iambic imitated Keats King later Latin Layamon legend license light syllables lines literature Lost Love's Labour's Lost Lycidas lyric poetry mailing price measure metaphor metre metrical scheme Milton modern moral movement nature pause personification play poem poet poetical Pope's popular prose quantity regular rhythm rhythmic rime rule says Septenary Shak Shakspere Shakspere's simile simply sing slurring song sonnet sort sounds speech stanza story stress style Tennyson thee thing thou tion tone tragedy trochaic trope unaccented syllables Vers de Société verse-accent vowel word-accent words
مقاطع مشهورة
الصفحة 118 - Bitter constraint and sad occasion dear Compels me to disturb your season due; For Lycidas is dead, dead ere his prime, Young Lycidas, and hath not left his peer.
الصفحة 131 - O, what a rogue and peasant slave am I ! Is it not monstrous, that this player here, But in a fiction, in a dream of passion, Could force his soul so to his own conceit, That, from her working, all his visage wann'd ; Tears in his eyes, distraction in's aspect, A broken voice, and his whole function suiting With forms to his conceit...
الصفحة 112 - For them no more the blazing hearth shall burn. Or busy housewife ply her evening care; No children run to lisp their sire's return, Or climb his knees the envied kiss to share.
الصفحة 158 - ... apt numbers, fit quantity of syllables, and the sense variously drawn out from one verse into another...
الصفحة 53 - Alas! what boots it with uncessant care To tend the homely, slighted, shepherd's trade And strictly meditate the thankless Muse ? Were it not better done, as others use, To sport with Amaryllis in the shade, Or with the tangles of Neaera's hair?
الصفحة 130 - But neither breath of morn, when she ascends With charm of earliest birds; nor rising sun On this delightful land; nor herb, fruit, flower, Glistering with dew; nor fragrance after showers; Nor grateful evening mild; nor silent night, With this her solemn bird, nor walk by moon, Or glittering starlight, without thee is sweet But wherefore all night long shine these?
الصفحة 200 - You haste away so soon: As yet the early-rising Sun Has not attained his noon. Stay, stay, Until the hasting day Has run But to the even-song; And, having prayed together, we Will go with you along. We have short time to stay, as you, We have as short a Spring; As quick a growth to meet decay As you, or any thing.
الصفحة 115 - Upon the sightless couriers of the air, Shall blow the horrid deed in every eye, That tears shall drown the wind.
الصفحة 232 - WHAT slender Youth bedew'd with liquid odours Courts thee on Roses in some pleasant Cave, Pyrrha for whom bind'st thou In wreaths thy golden Hair, Plain in thy neatness? O how oft shall he On Faith and changed Gods complain : and Seas Rough with black winds and storms Unwonted shall admire : Who now enjoys thee credulous, all Gold, Who always vacant, always amiable Hopes thee ; of flattering gales Unmindful.
الصفحة 108 - As the hart panteth after the water-brooks, so panteth my soul after thee, O God. My soul thirsteth for God, for the living God : when shall I come and appear before God...