A Handbook of Poetics: For Students of English VerseGinn, 1885 - 250 من الصفحات |
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الصفحة ix
... takes new ground , and quite breaks away from the traditions and prejudices of his own school . As the present " Handbook " is meagre and cautious to a fault in its treatment of the ix origin and nature of poetry , this opportunity is ...
... takes new ground , and quite breaks away from the traditions and prejudices of his own school . As the present " Handbook " is meagre and cautious to a fault in its treatment of the ix origin and nature of poetry , this opportunity is ...
الصفحة x
... present the views of Scherer on these two points . I. THE NATURE OF POETRY . - Scherer calls poetry " the artistic application , or use ( Anwendung ) , of lan- guage , " with the limitations that not all poetry is artistic application ...
... present the views of Scherer on these two points . I. THE NATURE OF POETRY . - Scherer calls poetry " the artistic application , or use ( Anwendung ) , of lan- guage , " with the limitations that not all poetry is artistic application ...
الصفحة xi
... arises from the expression of pleasure through leaping , rejoic- ing , laughing , singing ; and ( b ) the original subject of poetry was probably erotic . It seems to the present writer that this theory not PREFACE TO THIRD EDITION . xi.
... arises from the expression of pleasure through leaping , rejoic- ing , laughing , singing ; and ( b ) the original subject of poetry was probably erotic . It seems to the present writer that this theory not PREFACE TO THIRD EDITION . xi.
الصفحة xii
For Students of English Verse Francis Barton Gummere. It seems to the present writer that this theory not only eliminates from poetry the noblest factor of all , human sympathy on high planes for human joy and sorrow , but hands over ...
For Students of English Verse Francis Barton Gummere. It seems to the present writer that this theory not only eliminates from poetry the noblest factor of all , human sympathy on high planes for human joy and sorrow , but hands over ...
الصفحة 11
... present shape was probably composed at one of the Northumbrian courts before the Eighth Century . The Ms. is a West Saxon copy of the Tenth Century . besides a few fragments preserved . Probably many other Anglo- Saxon epics were lost ...
... present shape was probably composed at one of the Northumbrian courts before the Eighth Century . The Ms. is a West Saxon copy of the Tenth Century . besides a few fragments preserved . Probably many other Anglo- Saxon epics were lost ...
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عبارات ومصطلحات مألوفة
accented syllables action Alexandrine allegory alliteration anapestic Anglo-Saxon ballad beautiful beginning beginning-rime Beowa Beowulf blank verse cæsura called Century character Chaucer chorus classic combined comedy common dactylic drama early end-rime English verse epic epic poetry example famous folk-song French Germanic Greek half-verse Hamlet harmony heavy syllables hero hexameter hovering accent human hymn iambic imitated Keats King later Latin Layamon legend license light syllables lines literature Lost Love's Labour's Lost Lycidas lyric poetry mailing price measure metaphor metre metrical scheme Milton modern moral movement nature pause personification play poem poet poetical Pope's popular prose quantity regular rhythm rhythmic rime rule says Septenary Shak Shakspere Shakspere's simile simply sing slurring song sonnet sort sounds speech stanza story stress style Tennyson thee thing thou tion tone tragedy trochaic trope unaccented syllables Vers de Société verse-accent vowel word-accent words
مقاطع مشهورة
الصفحة 118 - Bitter constraint and sad occasion dear Compels me to disturb your season due; For Lycidas is dead, dead ere his prime, Young Lycidas, and hath not left his peer.
الصفحة 131 - O, what a rogue and peasant slave am I ! Is it not monstrous, that this player here, But in a fiction, in a dream of passion, Could force his soul so to his own conceit, That, from her working, all his visage wann'd ; Tears in his eyes, distraction in's aspect, A broken voice, and his whole function suiting With forms to his conceit...
الصفحة 112 - For them no more the blazing hearth shall burn. Or busy housewife ply her evening care; No children run to lisp their sire's return, Or climb his knees the envied kiss to share.
الصفحة 158 - ... apt numbers, fit quantity of syllables, and the sense variously drawn out from one verse into another...
الصفحة 53 - Alas! what boots it with uncessant care To tend the homely, slighted, shepherd's trade And strictly meditate the thankless Muse ? Were it not better done, as others use, To sport with Amaryllis in the shade, Or with the tangles of Neaera's hair?
الصفحة 130 - But neither breath of morn, when she ascends With charm of earliest birds; nor rising sun On this delightful land; nor herb, fruit, flower, Glistering with dew; nor fragrance after showers; Nor grateful evening mild; nor silent night, With this her solemn bird, nor walk by moon, Or glittering starlight, without thee is sweet But wherefore all night long shine these?
الصفحة 200 - You haste away so soon: As yet the early-rising Sun Has not attained his noon. Stay, stay, Until the hasting day Has run But to the even-song; And, having prayed together, we Will go with you along. We have short time to stay, as you, We have as short a Spring; As quick a growth to meet decay As you, or any thing.
الصفحة 115 - Upon the sightless couriers of the air, Shall blow the horrid deed in every eye, That tears shall drown the wind.
الصفحة 232 - WHAT slender Youth bedew'd with liquid odours Courts thee on Roses in some pleasant Cave, Pyrrha for whom bind'st thou In wreaths thy golden Hair, Plain in thy neatness? O how oft shall he On Faith and changed Gods complain : and Seas Rough with black winds and storms Unwonted shall admire : Who now enjoys thee credulous, all Gold, Who always vacant, always amiable Hopes thee ; of flattering gales Unmindful.
الصفحة 108 - As the hart panteth after the water-brooks, so panteth my soul after thee, O God. My soul thirsteth for God, for the living God : when shall I come and appear before God...