Practical Illustrations of Rhetorical Gesture and ActionSherwood, Neely and Jones, 1822 - 393 من الصفحات |
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الصفحة
... REPRESENTING THE MODERN COSTUME OF THE LONDON THEATRES . Second Edition , Improved . " J T W. J. Batchelder . LONDON : PRINTED FOR SHERWOOD , NEELY , AND JONES , PATERNOSTER ROW . 1822 . to 809.294 E57 ed . 2 690539 C. Whittingham ...
... REPRESENTING THE MODERN COSTUME OF THE LONDON THEATRES . Second Edition , Improved . " J T W. J. Batchelder . LONDON : PRINTED FOR SHERWOOD , NEELY , AND JONES , PATERNOSTER ROW . 1822 . to 809.294 E57 ed . 2 690539 C. Whittingham ...
الصفحة 16
... representing the last sigh of expiring mortality . He should give such an idea of death as every man would wish to feel at that crisis ; though , perhaps , no one ever will have the good fortune to find that wish ac- complished ...
... representing the last sigh of expiring mortality . He should give such an idea of death as every man would wish to feel at that crisis ; though , perhaps , no one ever will have the good fortune to find that wish ac- complished ...
الصفحة 17
... represents an ac- tion , and whose object is to excite both interest and attention : they are only proper to posture- masters at a fair , where , all the interest being centred in the individual alone , and on his cor- C poreal ...
... represents an ac- tion , and whose object is to excite both interest and attention : they are only proper to posture- masters at a fair , where , all the interest being centred in the individual alone , and on his cor- C poreal ...
الصفحة 39
... represents another kind of pantomime , frequently resorted to by the Italian , when he wishes to express his contempt of a menace or a warning . He gently draws the back of his hand several times under his chin , and turns back his head ...
... represents another kind of pantomime , frequently resorted to by the Italian , when he wishes to express his contempt of a menace or a warning . He gently draws the back of his hand several times under his chin , and turns back his head ...
الصفحة 61
... represents Tancred , in Thomp- son's beautiful play of " Tancred and Sigis- munda . " Tancred , the heir of the Norman Kings , had been bred up under the care of Sif- fredi , Chancellor of Sicily . His throne was | usurped at that time ...
... represents Tancred , in Thomp- son's beautiful play of " Tancred and Sigis- munda . " Tancred , the heir of the Norman Kings , had been bred up under the care of Sif- fredi , Chancellor of Sicily . His throne was | usurped at that time ...
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عبارات ومصطلحات مألوفة
according action actor admiration affections agreeable Alcestis ancient appears Aristotle arms art of gesture attitude Bajazet beautiful body cause cesuras character choler Cicero comedian comedy contempt contrary Cymbeline declamation degree desire drama elevated equally example excite expression exterior eyes fear give grief hand head heart ideas imitation Jones Nov 1821 kind language less LETTER Man-The manner means ment metre mind mode modifications mouth movements muscles nature Neely & Jones neral object observation opinion orator oratorical declamations Othello painting pantomime passion perfect person personages physiognomy Plate play poet present pression proper prose Pub by Sherwood Pylades Quintilian racter remark render represented rule scene sense sensible senti sentiment Sherwood Neely signs sion situation soft solely soul speak species spectators sublime tears theatre theatrical Thespis thing tion tone traits tranquil truth verse versification violent vivacity whilst whole wish words
مقاطع مشهورة
الصفحة 45 - O, it offends me to the soul, to hear a robustious, periwigpated fellow tear a passion to tatters, to very rags, to split the ears of the groundlings; who, for the most part, are capable of nothing but inexplicable dumb shows, and noise.
الصفحة 134 - That they are not a pipe for fortune's finger To sound what stop she please. Give me that man That is not passion's slave, and I will wear him In my heart's core, ay, in my heart of heart, As I do thee.
الصفحة 133 - Nay, do not think I flatter; For what advancement may I hope from thee, That no revenue hast, 8 but thy good spirits, To feed and clothe thee ? Why should the poor be flatter'd / No; let the candied tongue lick absurd pomp, And crook the pregnant hinges of the knee 9 Where thrift may follow fawning.
الصفحة 47 - Nor do not saw the air too much with your hand, thus: but use all gently: for in the very torrent, tempest, and (as I may say) whirlwind of your passion, you must acquire and beget a temperance, that may give it smoothness.
الصفحة 321 - I'll curee thee with my last, my parting breath, And keep the courage of my life, in death ; Then boldly venture on that world unknown : It cannot use me worse than this has done.
الصفحة 306 - Farmer, you have the honour of conversing with a man who has obtained patents for tweezers, tooth-picks, and tinder-boxes — to a philosopher who has been consulted on the Wapping docks and the Gravesend tunnel ; and who has now in hand two inventions which will render him immortal — the one is, converting saw-dust into deal boards, and the other is, a plan of cleaning rooms by a steam engine — and, Farmer, I mean to give prizes for industry — I'll have a ploughing match.
الصفحة 262 - ... of music, which, in running over all the notes, immediately loses the sound when the breath ceases; but rather resembles a string-instrument, where, after each stroke, the vibrations still retain some sound, which gradually and insensibly decays.
الصفحة 305 - I must give this rustic some idea of my consequence [aside] . You must know, Farmer, you have the honour of conversing with a man who has obtained patents for tweezers, tooth-picks, and tinder-boxes — to a philosopher who has been...
الصفحة 283 - towards the house-rent, buildings, scaffolding, and making of frames for scenes ; one for a provision of habits, properties, and scenes, for a supplement of the said theatre ; and seven to maintain all the women that are to perform or represent women's parts, in tragedies, comedies, &c., and in consideration of creating and establishing his actors to be a company, and his pains and expenses for that purpose for many years.
الصفحة 285 - ... heads, bags, and court swords. The general effect must have been considerably impaired by such a distinction ; and with an actor of less ability, the illusion would have been weakened, if not destroyed : but while Garrick acted, attention was employed on him, and him alone; all exterior objects were put to flight by his transcendant genius.