Practical Illustrations of Rhetorical Gesture and ActionSherwood, Neely and Jones, 1822 - 393 من الصفحات |
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الصفحة 49
... scene of nature ; not an enthusiastic admirer of her beauties , but one still and placid as nature seems herself at such an hour and in such a position . Or suppose he is listening to some indifferent conversation of his friend or his ...
... scene of nature ; not an enthusiastic admirer of her beauties , but one still and placid as nature seems herself at such an hour and in such a position . Or suppose he is listening to some indifferent conversation of his friend or his ...
الصفحة 50
... judge , according to the character of his part , what atti- tude and deportment he should choose for scenes of tranquil dialogue . The best digested rules , the finest picture galleries in the world will not exempt GESTURE AND ACTION . 53.
... judge , according to the character of his part , what atti- tude and deportment he should choose for scenes of tranquil dialogue . The best digested rules , the finest picture galleries in the world will not exempt GESTURE AND ACTION . 53.
الصفحة 89
... scene may chance to demand . I cannot precisely point out the most simple method of obviating this difficulty , without doing an essential injury to the general laws of costume ; but I am sure that a very good effect would follow , if ...
... scene may chance to demand . I cannot precisely point out the most simple method of obviating this difficulty , without doing an essential injury to the general laws of costume ; but I am sure that a very good effect would follow , if ...
الصفحة 124
... Scene , Othello , Act iii . You will pardon me for differing with you , and saying that , in my my opinion , the choler is here directed to its right object ; for Othello , attached heart and soul to his Desdemona , and horrified with ...
... Scene , Othello , Act iii . You will pardon me for differing with you , and saying that , in my my opinion , the choler is here directed to its right object ; for Othello , attached heart and soul to his Desdemona , and horrified with ...
الصفحة 183
... scene i . ) or like the costume of Antiphi- lus , according to the description given of it by Syrus- " offendimus Mediocriter vestitam veste lugubri . Sine auro ornatam , ut quæ ornatur sibi , Nulla mala esse re expolitam muliebri ...
... scene i . ) or like the costume of Antiphi- lus , according to the description given of it by Syrus- " offendimus Mediocriter vestitam veste lugubri . Sine auro ornatam , ut quæ ornatur sibi , Nulla mala esse re expolitam muliebri ...
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according action actor admiration affections agreeable Alcestis ancient appears Aristotle arms art of gesture attitude Bajazet beautiful body cause cesuras character choler Cicero comedian comedy contempt contrary Cymbeline declamation degree desire drama elevated equally example excite expression exterior eyes fear give grief hand head heart ideas imitation Jones Nov 1821 kind language less LETTER Man-The manner means ment metre mind mode modifications mouth movements muscles nature Neely & Jones neral object observation opinion orator oratorical declamations Othello painting pantomime passion perfect person personages physiognomy Plate play poet present pression proper prose Pub by Sherwood Pylades Quintilian racter remark render represented rule scene sense sensible senti sentiment Sherwood Neely signs sion situation soft solely soul speak species spectators sublime tears theatre theatrical Thespis thing tion tone traits tranquil truth verse versification violent vivacity whilst whole wish words
مقاطع مشهورة
الصفحة 45 - O, it offends me to the soul, to hear a robustious, periwigpated fellow tear a passion to tatters, to very rags, to split the ears of the groundlings; who, for the most part, are capable of nothing but inexplicable dumb shows, and noise.
الصفحة 134 - That they are not a pipe for fortune's finger To sound what stop she please. Give me that man That is not passion's slave, and I will wear him In my heart's core, ay, in my heart of heart, As I do thee.
الصفحة 133 - Nay, do not think I flatter; For what advancement may I hope from thee, That no revenue hast, 8 but thy good spirits, To feed and clothe thee ? Why should the poor be flatter'd / No; let the candied tongue lick absurd pomp, And crook the pregnant hinges of the knee 9 Where thrift may follow fawning.
الصفحة 47 - Nor do not saw the air too much with your hand, thus: but use all gently: for in the very torrent, tempest, and (as I may say) whirlwind of your passion, you must acquire and beget a temperance, that may give it smoothness.
الصفحة 321 - I'll curee thee with my last, my parting breath, And keep the courage of my life, in death ; Then boldly venture on that world unknown : It cannot use me worse than this has done.
الصفحة 306 - Farmer, you have the honour of conversing with a man who has obtained patents for tweezers, tooth-picks, and tinder-boxes — to a philosopher who has been consulted on the Wapping docks and the Gravesend tunnel ; and who has now in hand two inventions which will render him immortal — the one is, converting saw-dust into deal boards, and the other is, a plan of cleaning rooms by a steam engine — and, Farmer, I mean to give prizes for industry — I'll have a ploughing match.
الصفحة 262 - ... of music, which, in running over all the notes, immediately loses the sound when the breath ceases; but rather resembles a string-instrument, where, after each stroke, the vibrations still retain some sound, which gradually and insensibly decays.
الصفحة 305 - I must give this rustic some idea of my consequence [aside] . You must know, Farmer, you have the honour of conversing with a man who has obtained patents for tweezers, tooth-picks, and tinder-boxes — to a philosopher who has been...
الصفحة 283 - towards the house-rent, buildings, scaffolding, and making of frames for scenes ; one for a provision of habits, properties, and scenes, for a supplement of the said theatre ; and seven to maintain all the women that are to perform or represent women's parts, in tragedies, comedies, &c., and in consideration of creating and establishing his actors to be a company, and his pains and expenses for that purpose for many years.
الصفحة 285 - ... heads, bags, and court swords. The general effect must have been considerably impaired by such a distinction ; and with an actor of less ability, the illusion would have been weakened, if not destroyed : but while Garrick acted, attention was employed on him, and him alone; all exterior objects were put to flight by his transcendant genius.