Romantic Aversions: Aftermaths of Classicism in Wordsworth and ColeridgeMcGill-Queen's Press - MQUP, 18/12/1998 - 240 من الصفحات In Romantic Aversions J. Douglas Kneale explicates the "double gesture" in the repression of the classical tradition by focusing on its rhetorical afterlife in the literary styles of Wordsworth and Coleridge. He provides new interpretations of both canonical and non-canonical texts and explores aspects of Wordsworth's and Coleridge's manuscripts and poems previously overlooked by scholars. Kneale combines original, close readings with the larger sweep of genre study to reveal new and unexpected convergences in the Romantic tradition. |
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الصفحة vii
... Apostrophe Reconsidered : Wordsworth's " There Was a Boy " 11 2 " Between Poetry and Oratory ” : Coleridge's Romantic Effusions 28 3 " Thou one dear Vale ! " : Wordsworth and the Sympathies of Rhetoric 50 4 Coleridge's Emergent Occasion ...
... Apostrophe Reconsidered : Wordsworth's " There Was a Boy " 11 2 " Between Poetry and Oratory ” : Coleridge's Romantic Effusions 28 3 " Thou one dear Vale ! " : Wordsworth and the Sympathies of Rhetoric 50 4 Coleridge's Emergent Occasion ...
الصفحة 3
... apostrophe ) by the Tudor rhetoricians , and extensively employed for forensic as well as aesthetic purposes . Aversio partici- pates in the dialectic of " putting aside , " but it does so precisely by " putting in place " something ...
... apostrophe ) by the Tudor rhetoricians , and extensively employed for forensic as well as aesthetic purposes . Aversio partici- pates in the dialectic of " putting aside , " but it does so precisely by " putting in place " something ...
الصفحة 6
... apostrophe ; its discharge of affect , as in the effusion ; or its expressive self - display , as in epideictic . But other figures that I con- sider , such as prosopopoeia or personification , raise questions about Wordsworth's or ...
... apostrophe ; its discharge of affect , as in the effusion ; or its expressive self - display , as in epideictic . But other figures that I con- sider , such as prosopopoeia or personification , raise questions about Wordsworth's or ...
الصفحة 8
... apostrophe because of the way it formalizes its turns - from strophe to antistrophe to epode , in varying patterns . Coleridge , who knew his rhetoric and genre so well , calls attention to his manoeuvre at this crucial point in the ...
... apostrophe because of the way it formalizes its turns - from strophe to antistrophe to epode , in varying patterns . Coleridge , who knew his rhetoric and genre so well , calls attention to his manoeuvre at this crucial point in the ...
الصفحة 9
... apostrophe , from mind to nature , self to other , is motivated by the extreme pathos of the text , while the second detour has the feel of an ex machina construction : We interrupt this discourse to bring you the following gloss . But ...
... apostrophe , from mind to nature , self to other , is motivated by the extreme pathos of the text , while the second detour has the feel of an ex machina construction : We interrupt this discourse to bring you the following gloss . But ...
المحتوى
3 | |
11 | |
Coleridges Romantic Effusions | 28 |
Wordsworth and the Sympathies of Rhetoric | 50 |
To the Autumnal Moon | 71 |
5 Transport and Persuasion in Longinus and Wordsworth | 94 |
6 Wordsworth in the Isle of Man | 104 |
7 Symptom and Scene in Freud and Wordsworth | 115 |
Reading Wordsworth after Geoffrey Hartman | 135 |
Notes | 155 |
Works Cited | 193 |
Index | 213 |
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عبارات ومصطلحات مألوفة
analogy apostrophe Autumnal Moon aversio aversion Bowles Bowles's Boy of Winander calls chapter classical Coleridge Coleridge's context convention critics Culler dear discourse echoes ecphonesis Effusions English Eolian Eolian Harp epic simile epideictic episode epitaphic essay example exclamation figure Fletcher Christian Freud genre gentle Geoffrey Hartman heart imagery imagination interpretation intertextual Isle language later letter lines literal literary Liu's Longinus Lycidas lyric Lyrical Ballads Manx Milton nature Norton Prelude Nutting Paradise Lost passage passion personification persuasion phrase Poems on Various poet poet's poetic Prose prosopopoeia question Quintilian reader reading rhetorical Romantic Romanticism Samuel Taylor Coleridge says scene sense sequacious sestet Shakespeare sonnet speaking structure style sublime suggests symptom textual thee theory things thou Tintern Abbey tion topos tradition trees trope turn University Press Vale verse voice William Wordsworth Winander's word Wordsworth writes Wordsworth's Poetry worth