Romantic Aversions: Aftermaths of Classicism in Wordsworth and ColeridgeMcGill-Queen's Press - MQUP, 18/12/1998 - 240 من الصفحات In Romantic Aversions J. Douglas Kneale explicates the "double gesture" in the repression of the classical tradition by focusing on its rhetorical afterlife in the literary styles of Wordsworth and Coleridge. He provides new interpretations of both canonical and non-canonical texts and explores aspects of Wordsworth's and Coleridge's manuscripts and poems previously overlooked by scholars. Kneale combines original, close readings with the larger sweep of genre study to reveal new and unexpected convergences in the Romantic tradition. |
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الصفحة 3
... something else : the Romantics may have turned away from eighteenth - century style , or satirical subject matter , or gross and violent genres , and toward a “ high argument " Introduction: Turns of Phrase: Aversion, Effusion, Expression.
... something else : the Romantics may have turned away from eighteenth - century style , or satirical subject matter , or gross and violent genres , and toward a “ high argument " Introduction: Turns of Phrase: Aversion, Effusion, Expression.
الصفحة 4
Aftermaths of Classicism in Wordsworth and Coleridge Douglas Kneale. violent genres , and toward a “ high argument " whose ... genre , especially with Wordsworth , whose " first / Poetic spirit " of classicism was never wholly " abated or ...
Aftermaths of Classicism in Wordsworth and Coleridge Douglas Kneale. violent genres , and toward a “ high argument " whose ... genre , especially with Wordsworth , whose " first / Poetic spirit " of classicism was never wholly " abated or ...
الصفحة 5
... genre after the first generation had cleared off – but in the very origins of Romanticism itself . Let me be clear that what I am talking about is not the cultural phenom- enon of a " Romantic Hellenism " that Timothy Webb has outlined ...
... genre after the first generation had cleared off – but in the very origins of Romanticism itself . Let me be clear that what I am talking about is not the cultural phenom- enon of a " Romantic Hellenism " that Timothy Webb has outlined ...
الصفحة 6
... genre and rhetoric in the work of Words- worth and Coleridge , and help to open up their texts to the com- bined forces of literary history and interpretation . The balance between Wordsworth and Coleridge is unequal , alas , as it was ...
... genre and rhetoric in the work of Words- worth and Coleridge , and help to open up their texts to the com- bined forces of literary history and interpretation . The balance between Wordsworth and Coleridge is unequal , alas , as it was ...
الصفحة 7
... genre and prescribed its manner and moral tone ” ( 360 ) . In 1933 this was clearly a minority opinion , but Bush's interest in moral and thematic issues , and his focus on Wordsworth's poetry after 1807 , set a critical agenda that ...
... genre and prescribed its manner and moral tone ” ( 360 ) . In 1933 this was clearly a minority opinion , but Bush's interest in moral and thematic issues , and his focus on Wordsworth's poetry after 1807 , set a critical agenda that ...
المحتوى
3 | |
11 | |
Coleridges Romantic Effusions | 28 |
Wordsworth and the Sympathies of Rhetoric | 50 |
To the Autumnal Moon | 71 |
5 Transport and Persuasion in Longinus and Wordsworth | 94 |
6 Wordsworth in the Isle of Man | 104 |
7 Symptom and Scene in Freud and Wordsworth | 115 |
Reading Wordsworth after Geoffrey Hartman | 135 |
Notes | 155 |
Works Cited | 193 |
Index | 213 |
طبعات أخرى - عرض جميع المقتطفات
عبارات ومصطلحات مألوفة
analogy apostrophe Autumnal Moon aversio aversion Bowles Bowles's Boy of Winander calls chapter classical Coleridge Coleridge's context convention critics Culler dear discourse echoes ecphonesis Effusions English Eolian Eolian Harp epic simile epideictic episode epitaphic essay example exclamation figure Fletcher Christian Freud genre gentle Geoffrey Hartman heart imagery imagination interpretation intertextual Isle language later letter lines literal literary Liu's Longinus Lycidas lyric Lyrical Ballads Manx Milton nature Norton Prelude Nutting Paradise Lost passage passion personification persuasion phrase Poems on Various poet poet's poetic Prose prosopopoeia question Quintilian reader reading rhetorical Romantic Romanticism Samuel Taylor Coleridge says scene sense sequacious sestet Shakespeare sonnet speaking structure style sublime suggests symptom textual thee theory things thou Tintern Abbey tion topos tradition trees trope turn University Press Vale verse voice William Wordsworth Winander's word Wordsworth writes Wordsworth's Poetry worth