Romantic Aversions: Aftermaths of Classicism in Wordsworth and ColeridgeMcGill-Queen's Press - MQUP, 18/12/1998 - 240 من الصفحات In Romantic Aversions J. Douglas Kneale explicates the "double gesture" in the repression of the classical tradition by focusing on its rhetorical afterlife in the literary styles of Wordsworth and Coleridge. He provides new interpretations of both canonical and non-canonical texts and explores aspects of Wordsworth's and Coleridge's manuscripts and poems previously overlooked by scholars. Kneale combines original, close readings with the larger sweep of genre study to reveal new and unexpected convergences in the Romantic tradition. |
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الصفحة 3
... mind but makes it energetically self - contesting ( " Repression , " SE 14 : 147 ; italics in original ) . As one of Jung's patients put it , repression declares : " Je l'ai mis de côté " ( Jung 93 ) . The trope of being " mis de côté ...
... mind but makes it energetically self - contesting ( " Repression , " SE 14 : 147 ; italics in original ) . As one of Jung's patients put it , repression declares : " Je l'ai mis de côté " ( Jung 93 ) . The trope of being " mis de côté ...
الصفحة 8
... mind : where aversio was , there occupatio shall be . The well - known climax of Coleridge's " Dejection : An Ode " will serve here as a second brief locus classicus of aversion and occupation : Hence , viper thoughts , that coil around ...
... mind : where aversio was , there occupatio shall be . The well - known climax of Coleridge's " Dejection : An Ode " will serve here as a second brief locus classicus of aversion and occupation : Hence , viper thoughts , that coil around ...
الصفحة 9
... mind to nature , self to other , is motivated by the extreme pathos of the text , while the second detour has the feel of an ex machina construction : We interrupt this discourse to bring you the following gloss . But the footnote goes ...
... mind to nature , self to other , is motivated by the extreme pathos of the text , while the second detour has the feel of an ex machina construction : We interrupt this discourse to bring you the following gloss . But the footnote goes ...
الصفحة 16
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الصفحة 23
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المحتوى
3 | |
11 | |
Coleridges Romantic Effusions | 28 |
Wordsworth and the Sympathies of Rhetoric | 50 |
To the Autumnal Moon | 71 |
5 Transport and Persuasion in Longinus and Wordsworth | 94 |
6 Wordsworth in the Isle of Man | 104 |
7 Symptom and Scene in Freud and Wordsworth | 115 |
Reading Wordsworth after Geoffrey Hartman | 135 |
Notes | 155 |
Works Cited | 193 |
Index | 213 |
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عبارات ومصطلحات مألوفة
analogy apostrophe Autumnal Moon aversio aversion Bowles Bowles's Boy of Winander calls chapter classical Coleridge Coleridge's context convention critics Culler dear discourse echoes ecphonesis Effusions English Eolian Eolian Harp epic simile epideictic episode epitaphic essay example exclamation figure Fletcher Christian Freud genre gentle Geoffrey Hartman heart imagery imagination interpretation intertextual Isle language later letter lines literal literary Liu's Longinus Lycidas lyric Lyrical Ballads Manx Milton nature Norton Prelude Nutting Paradise Lost passage passion personification persuasion phrase Poems on Various poet poet's poetic Prose prosopopoeia question Quintilian reader reading rhetorical Romantic Romanticism Samuel Taylor Coleridge says scene sense sequacious sestet Shakespeare sonnet speaking structure style sublime suggests symptom textual thee theory things thou Tintern Abbey tion topos tradition trees trope turn University Press Vale verse voice William Wordsworth Winander's word Wordsworth writes Wordsworth's Poetry worth